Руководство по эксплуатации Sound Performance Lab Audio Equalizer 9629

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Manual
Model 9629
Dual-channel De-Esser

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Manual Auto Dynamic De-Esser Modell 9629 Version 4.0 – 5/2000 R&D: Wolfgang Neumann Written by Hermann Gier & Paul White The information in this document has been carefully verified and is assumed to be correct. However Sound Performance Laboratory (SPL) reserves the right to modify the product described in this manual at any time. Changes without notice.This document is the property of SPL and may not be copied or reproduced in any manner, in part or full without the authorization of SPL. Limi

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Contents Foreword ............................................................................................................................. 3 Thanks .................................................................................................................................. 3 Introduction ...................................................................................................................... 4 Installation & Security Advices ................................................

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Introduction The Auto-Dynamic De-Esser is a highly specialized audio tool. It is used to reduce S-frequency of speakers and singers. It should perform without disturbing natural character and timbre of the voice. This is not an easy task. SPL has developed a new circuit design that combines ease of use with natural sounding and effective performance. How do traditional De-Essers work? Traditional De-Essers use compressor-technology. The control elements are a threshold control and a frequency co

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Connections Switch off power of all units to be connected before you connect the Auto Dynamic De-Esser. The Auto Dynamic De-Esser is fitted with both XLR-connectors and TRS stereo jacks for balanced operation, though the jacks may be used with unbalanced connections simply by plugging in mono jack-plugs. The level difference that normally occurs when a balanced input or output is used unbalanced is automatically compensated for. Should the need arise to use the XLR connectors in an unbalanced sy

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Control Elements 1 2 3 4 S-Reduction controls the intensity of the de-essing effect. The LED-display 1 shows the gain reduction of S-frequencies in a range between 0dB to -20dB in 2dB steps. S-Reduction S-REDUCTION adjustments between 3 and 7 have proven to create best results in practical applications. AUTO-THRESHOLD activates a new function that automatically readjusts the threshold when the input gain varies due to varying distances of the speaker 2 to the microphone. The de-essing remains on

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Control Elements The Male/Female-switch lets you select two different operation modes: The female mode is chosen when the switch is pressed and the status-LED illu- 3 minates. The automatic S-frequency recognition is set to the characteristics of female voices. The opposite position of the button switches to the male Male/Female mode. The S-frequency recognition is then set to the characteristics of male voices. However, it may sometimes be necessary to use the MALE mode and female vocals and vi

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Specifications Input & Output Instrumentation amplifier, electronically balanced (differential), transformerless Nominal input level.......................................... +6 dB Input impedance .............................................. = 22 kOhms Output impedance .......................................... < 600 Ohms Max. input level ................................................. +24 dBu Max. output level .............................................. +22,4 dBu Minimum load ohms ....

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Warranty SPL electronics GmbH (hereafter called SPL) products are warranted only in the country where purchased, through the authorized SPL distributor in that country, against defects in material or workmanship. The specific period of this limited warranty shall be that which is described to the original retail purchaser by the authorized SPL dealer or distributor at the time of purchase. SPL does not, however, warrant its products against any and all defects: 1) arising out of materials or wor