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Special care has gone into the design of the power supply of the Power supply Tube Vitalizer. The power supply is the heart of an electronic system: The better it is, the better the whole system works and –in an audio system– the better it sounds. Custom made toroidal transformer This power supply is based around a custom made 35 VA toro- with five separate wirings. idal transformer and is designed to minimize induced hum and noise due to the non existence of an air-gap. All required voltages (2
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Input & Output Specifications Instrumentation amplifier, electronically balanced (differential), transformerless Nominal input level ........................................ +6 dB Input impedance ............................................. = 22 kOhms Output impedance ......................................... < 600 Ohms Max. input level ................................................ +24 dBu Max. output level ............................................. +22,4 dBu Minimum load ohms .........
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SPL electronics GmbH (hereafter called SPL) products are Warranty warranted only in the country where purchased, through the authorized SPL distributor in that country, against defects in material or workmanship. The specific period of this limited warranty shall be that which is described to the original retail purchaser by the authorized SPL dealer or distributor at the time of purchase. SPL does not, however, warrant its products against any and all defects: 1) arising out of materials or wor
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Manual
TUBE VITALIZER
Model 9530
Program-Equalizer
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Tube Vitalizer Model 9530 Manual By Hermann Gier and Paul White Version 3.1 - 5/2000 The information in this document has been carefully verified and is assumed to be correct. However Sound Performance Lab (SPL) reserves the right to modify the product described in this manual at any time. Changes without notice. This document is the property of SPL and may not be copied or reproduced in any manner, in part or full without the authorisation of SPL. Limitations of Liability: In no event will SPL
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Foreword ........................................................................ 4 Contents Thanks ............................................................................. 4 Operation safety .......................................................... 4 Introduction .................................................................. 5 Connections .................................................................. 6 Applications Recording Studio .................................................
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Dear Customer, Foreword Thank you for the confidence you have shown towards SPL electronics GmbH by purchasing the SPL Tube Vitalizer. You have decided to use a tool of high performance which sets you in the position to have faster success and a better sound quality in your music productions and pre-masterings. As a typical SPL unit the Tube Vitalizer combines exemplary specifications and high manufacturing standard with excellent sound quality to provide you a precious component for studio and
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SPL´s Tube Vitalizer is the top-of-the-line product of the Vitalizer Introduction range. It is designed for the sound enthusiast in professional recording, mastering and cutting. The effect intensities are opti- mized for this delicate sound processing. The Tube Vitalizer combines the finest audio technologies: Tube technology, RC & LC-technology, transistor- and semiconductor- technology. The unique combination of dynamic equalizers, amplitude-controlled phase correction, harmonic filtering ope
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The Tube Vitalizer is fitted with both XLR-connectors and TRS Connections stereo jacks for balanced operation, though the jacks may be used with unbalanced connections simply by plugging in mono jack-plugs. The level difference that normally occurs when a balanced input or output is used unbalanced is automatically compensated for. Should the need arise to use the XLR connectors in an unba- lanced system, pin 3 of the XLRs should be grounded. Inserting a mono jack also unbalances the XLRs. Both
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1.The most obvious application of the Tube Vitalizer is to process Applications a final mix, either while mixing or during post-production prior to cutting. Insert your Tube Vitalizer into the master-inserts of your console or right in between a playback and a recording unit. Recording Studio Application 1: The Tube Vitalizer inserted into the master-inserts of the console. More flexibility is guaranteed when patching the Tube Vitalizer into two sub-groups of the console. Now you have the freed
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Applications Application 2: The Tube Vitalizer inserted between noise-reduction and recorder to improve archived recordings. 3. Tape duplication is often made at high speed resulting in a Tape Duplication deterioration of the high frequency spectrum of the copies. By processing the output from the source machine, additional brightness can be added to compensate for deficiencies in the Compensating indeficiencies copying system. It may also be necessary to modify the bass end of high-speed and re
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When setting up the Tube Vitalizer for the first time, it is wise to First steps approach the controls in a specific order. Use a CD as source. The Tube Vitalizer is designed to process stereo sources. Left and right channels are adjusted with one control. Set-up positions (see front panel picture): Drive to zero (center-position) Bass Sound to zero (center-position) Bass Compression to Off (counter clockwise) Hi-Mid Freq. to 3.5 kHz (center-position) Process Level to zero (counter clockwise)
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Control elements 9 16 11 8 15 10 4 1 2 3 7 12 13 5 6 14 1 Activate Process The Activate Process function switches the Tube Vitalizer´s sound processing section on or off. The illuminated switch indi- cates that the Vitalizer Process has been activated. The Activate Process function is a relay-hard-bypass function The Activate Process switch that works on both XLR and jack connections. In the event of a switches a relay hard-bypass power failure the Tube Vitalizer is automatically switched to har
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They symbolize the contoured “Tight” bass sound. If the Bass Control elements control is moved from the center position (0) to the left, the bass sound becomes very deep, soft and warm.This sound is known as “Soft”. This is symbolized with round scaling points which also Selection of two bass timbre increase in size as the intensity increases. (Soft – Tight) and adjusting the intensity The further the Bass control is shifted to the right or left of the center position, the more intensive the bas
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The Hi-Mid Freq. control is used to set the starting frequency of Control elements a broad-band shelving filter. In line with the setting of Process Level control, all frequencies above this value right through to the Hi-Mid Freq. end of the audio range are processed. 6 The control range of the Hi-Mid Freq. control is between 1kHz (extreme right) and 20kHz (extreme left). In practice, common settings vary between 3.5 kHz and 8 kHz. As the human ear perceives the range between 1 kHz and 3 kHz Set
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Control elements Measurement 2: Bass = Tight Bass-LC filter = Active Process Level = Max Hi-Mid Freq. = 1 / 1,5 / 2,5 / 3 / 5 / 8 / 14 / 22 kHz Measurement 3: Bass = Soft Bass-LC filter = Off Process Level = Max Hi-Mid Freq. = 1 / 1,5 / 2,5 / 3 / 5 / 8 / 14 / 22 kHz Measurement 4: Bass = Soft Bass-LC filter = Active Process Level = Max Hi-Mid Freq. = 1 / 1,5 / 2,5 / 3 / 5 / 8 / 14 / 22 kHz TUBE VITALIZER 13
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threshold of hearing The Process Level control determines the ratio between Bass Control elements and Hi-Mid Freq. to the original signal. It also determines the damping intensity of dominant mid frequencies.This allows rapid Process Level adaptation to the loudness curves (Fletcher-Munson curves, 7 ‘curves of equal loudness’, see below). Practical adjustements range between 3 to 7. The human ear perceives the audio frequency spectrum at varying sound pressure levels very differently. Perception
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The Tube Vitalizer works with a filter-network and controlled Control elements changes of phase relationships to emphasize high frequencies and harmonics of the original source. The result is an unobtrusive and silky top end. High Freq. 8 We consciously did without the generator principle of “Exciters” . The Tube Vitalizer’s High Freq. EQ and harmonic filter does not add any distortions to the original signal, unlike with the gene- Improved high and harmonic rator principle. It extracts all the
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When recording on digital equipment it is essential not to over- Control elements load the inputs of such systems which results in invalid samples or digital peaks. The high frequencies can contain transients or sharp s-sounds with high peak levels. The High Comp. works with High Comp. 11 a soft-knee characteristic and smoothens these peaks. We desi- gned the compressor around the well acclaimed THAT 4301 VCA as a ‘one-knob’ solution to make it easy to operate. The threshold, attack and release
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When the tubes are active you can use the Attenuator controls Control elements to reduce the output level for each channel separately. Level changes due to processing can be compensated. The control characteristic has a very fine resolution before 0 dB (fully clock- 13 Attenuator wise). The tube output section can be switched into a Limit mode for 14 Atten./Limit each channel separately. All levels exceeding 12 dB will be softly limited. Limiting takes place due to the full saturation of the tub
