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Boldface type About this manual Parameter values are printed in boldface type. Content that is of particular importance is also printed in boldface type. This “Parameter Guide” contains explanations and other information regarding the operations of the parameters and Procedure steps 1 2 3 ... settings on the TRITON Le. The explanations are organized Steps in a procedure are listed as 1 2 3 ... by mode, page, and tab. Explanations and other information ☞ p.■ , ☞ BG p.■ , ☞■ .■ – ■ on the ef
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PROG 5.3: Ed–LFOs............................................ 22 Table of Contents 5.3–1: OS1LFO1 (OSC1 LFO1) ...................... 22 5.3–2: 1LFO2 (OSC1 LFO2) .......................................... 23 5.3–3: 2LFO1 (OSC2 LFO1) .......................................... 23 1. Program mode ................................. 1 5.3–4: 2LFO2 (OSC2 LFO2) .......................................... 24 PROG PAGE MENU .............................................. 1 PROG 6.1: Ed–Arp. (Arpeggiator) ...
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COMBI 3.4: Ed–Vel Zone (Velocity Zone)..............40 SEQ 2.1: Cue List ................................................58 3.4–1: Vel (Velocity Zone)...............................................40 2.1–1: Cue List............................................................... 58 3.4–2: Slope (Velocity Slope)..........................................40 SEQ 2.2: Controller .............................................61 3.4–3: Review ..............................................................
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SEQ 4.4: MIDI Filter4.......................................... 68 SMPL 5.1: Memory........................................... 118 4.4–1: M4–1..8 (MIDI Filter4–1 T01...08) ....................... 68 5.1–1: Memory (Free Memory)..................................... 118 4.4–2: 4–2..16 (MIDI Filter4–1 T09...16) ........................ 68 5.1–2: No. (Free Number) ............................................ 118 4.4–3: 4–2..8 (MIDI Filter4–2 T01...08) .......................... 68 SMPL 5.2: Controlle
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28: St.AutoFd Mod (Stereo Auto Fade Modulation)..... 179 7. Effect Guide ..................................155 29: 2Voice Reso (2Voice Resonator)........................... 179 Overview .........................................................155 30: Doppler................................................................... 180 1. Effects in each mode ................................................155 31: Scratch................................................................... 181 2. Dynamic
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67: Comp–Cho/Fl Knob 1...4 B Assign.......................................... 221 (Compressor – Chorus/Flanger)............................. 199 Realtime Control Knobs B Assign List.......................... 221 68: Comp–Phaser (Compressor – Phaser).................. 199 Foot Switch Assign ........................................... 222 69: Comp–M.Dly (Compressor – Multitap Delay)......... 200 Foot Switch Assign List ................................................ 222 70: Limit–P4EQ (Limiter –
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1. Program mode PROG PAGE MENU PROG 1.1: Play Use the following procedure to select the desired page from In this display page you can select and play programs. within the current mode. All MIDI data in PROG 1.1: Play is transmitted and 1 Press the [MENU] key to access the “PAGE MENU.” received on the Global MIDI Channel (☞ GLOBAL 2.1– The “PAGE MENU” will show an abbreviated name for 1a). each page. 2 Use the [F1]–[F7] keys at the bottom of the page to select the desired page. Pressing the s
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Program Select 10’s HOLD [(A…D)0…127: name, (G, g(d))1…128: name] 1 Press the [./HOLD] key twice to display . Selects a program. The first digit of the program number will be held (fixed). Choose this parameter, and use the [INC], [DEC] keys, 2 When you press a numeric key [0]–[9], the second digit of numeric keys [0]–[9], or the [VALUE] dial to select a pro- the program number will be input with a single action. gram. 3 You can use the [INC], [DEC] keys to change the first You can select progr
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4 Press “To” to specify the writing destination. If the MIDI Filter “Exclusive” (GLOBAL 2.1–1b) setting is checked, MIDI exclusive parameter changes will be You can also use the Bank [A]–[D] keys to select a bank. transmitted whenever you operate the Performance Editor. If these messages are received by an instrument It is not possible to write to banks G, g(d). If you have whose “Exclusive” setting is checked, the Performance edited a program from banks G, g(d) and wish to write Editor o
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Decay (Decay Time) [–10…+00…+10] 1.1–3: Arp (Arp. Play) This adjusts the Decay Time and Slope Time of the filter EG While arpeggiator parameters are for the most part edited in and amp EG. PROG 6.1: Ed-Arp., Some major parameters can be edited With an adjustment of +00, the value of the program param- here as well. When you are playing in PROG 1.1: Play, you eters will be unchanged. can edit the arpeggiator in realtime, such as changing the Positive (+) settings will lengthen the Decay Time
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Legato [Off, On] PROG 2.1: Ed–Basic This is available when the “Mode (Voice Assign Mode)” set- ting is set to Mono. Here you can make basic settings for the oscillator(s). On (checked): Legato is on. When multiple note-on mes- sages occur, the first note-on will retrigger the sound, and the second and subsequent note-ons will not retrigger. When legato is on, multiple note-on message will not retrig- 2.1–1: Basic (Prog Basic) ger the voice. If one note is already on and another note is turned
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Key [C…B] 2.1–2: OSC1 Indicates the tonic note of the specified scale. The multisample(s) (waveform) or drum kit on which the This setting is not valid for Equal Temperament, Stretch, program will be based can be selected here for oscillator 1 and User All Notes Scale. and/or oscillator 2. The internal ROM contains 425 different multisamples (pre- Random [0…7] set multisamples) and 33 drum kits. RAM multisamples can As this value is increased, a greater variance will be applied be created in
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Each multisample has an upper limit, and may not pro- Tune [–1200…+1200] duce sound when played above that limit. Adjusts the pitch of the sample in one-cent steps (a semitone is 100 cents) over a range of ±1 octave. S.Ofs (High Start Offset) [Off, On] This specifies the point at which the multisample will begin Delay [0ms…5000ms, KeyOff] sounding. For some multisamples this parameter will have Specifies a delay time from note-on until the note will no effect. sound. With a setting of KeyOff, t
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For the procedure, refer to “Select by Category” (☞ p.2). Decay: Adjusts the decay times of the filter EG and amp EG. This adjustment will be added to the “D (Decay Time)” of “Filter 1 EG,” “Filter 2 EG,” “Amp 1 EG,” and “Amp 2 EG.” 4 Press the [F8] (“Done”) key to execute, and close the dia- log box. Please be aware that the Compare function is not avail- able for this command. This command is valid when the 2.1–2b: High, Low parameters are selected under the following conditions. •“Mode (Os
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2.1–5: Audit. (Audition) PROG 2.2: Ed–Ctrl When selecting preloaded programs, you can play back a pre-specified riff (phrase) that is suitable for the sound of These settings specify the B-mode functions of the REAL- that program. This is called the Audition function. TIME CONTROLS knobs [1]–[4] in Program mode, and the When you press the [AUDITION] key to turn it on, the audi- functions of the [SW1] key, the [SW2] key. tion riff will play back repeatedly. Here you can select the audition riff
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In order to maintain compatibility, you are able to set Ribbon (#16) [–12…+12] these “invalid” parameters on this instrument. Specifies in semitone units how the pitch will change when CC#16 is received (or when the ribbon controller is pressed N/A indicates Not Available. on an instrument, such as the TRITON, connected via the Ribbon Lock : N/A MIDI IN connector). JS X&Rbn Lock : N/A 12 half-steps equal one octave. With positive (+) values, the JS+Y&Rbn Lock : N/A pitch will rise when you p
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range of pitch change produced by the pitch EG in a range 3.1–2a: Pitch LFO1/2 Modulation of ±1 octave (☞ p.214). As you play more softly, the pitch change will draw closer to the pitch EG levels. LFO1: Pitch change (level) Intensity (LFO1 Intensity) [–12.00…+12.00] Note-on Note-on Note-on Note-off Note-off Note-off Specifies the depth and direction of the pitch modulation applied by the OSC 1 LFO1 settings you made in “OS1LFO1” page (5.3–1). With a setting of 12.00, a maximum of ±1 octave of
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3.1–4: OS2lfo (OSC2 LFO) Time-varying pitch settings (when Pitch EG Intensity = +12.00) +99 = approximately 1 octave Attack Level Specifies the amount of pitch change produced by LFO1 and Note-on Note-off LFO2 for oscillator 1. For an explanation of each parameter, refer to the preceding “3.1–2: OS1lfo.” 0 = pitch when Time key is held (sustained) Release Level Start Level Attack Decay Time Time 3.1–5: EG (Pitch EG) Release Time –99 = approximately 1 octave Here you can make settings for the p
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AMS2 (Level Mod. AMS2) [Off, (KT, EXT)] PROG 4.1: Ed–Filter1 I (AMS2 Intensity) [–99…+99] S (AMS2 SW Start) [–, 0, +] Indicates settings for filter 1, which controls the tone of oscil- A (AMS2 SW Attack) [–, 0, +] lator 1. You can select either a 24 dB/oct low pass filter with resonance, or a 12 dB/oct low pass filter and 12 dB/oct high Refer to the preceding paragraphs “AMS1 (Level Mod. pass filter connected in series. AMS1)”–“A (AMS1 SW Attack).” When “Mode (Oscillator Mode)” (2.1–1a) is Single
