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OWNER’S MANUAL
SRM SERIES
MIXING CONSOLE
S S R R M M - - 1 1 2 2 X X – 12 Channel Stereo Mic/Line Mixer
S S R R M M - - 1 1 2 2 X X
S S R R M M - - 1 1 4 4 X X – 14 Channel Stereo Mic/Line Mixer
S S R R M M - - 1 1 4 4 X X
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SRM SERIES STEREO MIC/LINE MIXERS SRM-12X & SRM-14X Congratulations on your choice of mixers — you have pur- Date of Purchase chased one of the finest compact mixing consoles on the Dealer’s Name market today. This unit was developed using the expertise of professional sound engineers and working musicians. You City will find that your new NADY AUDIO mixer has superior per- formance and greater flexibility than any other mixer in its State price range. Please read this manual carefully to get t
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WARNING An equilateral triangle enclosing a lightening flash/arrowhead symbol is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure which may be of sufficient magnitude to constitute a risk of electric shock. ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR An equilateral triangle enclosing an exclamation point is intended to alert the user to the presence of important operating and service instructions in the literature enclosed
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FEATURES SRM SERIES STEREO MIC/LINE MIXERS The SRM-12X and SRM-14X are the ultimate value in compact professional stereo mic/line mixers. Rackmounted (with supplied rack ears) or as compact desk consoles, these high quality units are perfect for home and project studios, live club main and monitor mixing, video post-production studios, remote broadcasting — in fact, anywhere superior performance, rugged reliability and ultra-versatility are needed in an audio mixer. The operating instructions in
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INSTALLATION To ensure years of enjoyment from your NADY AUDIO SRM Series mixing console, please read and understand this manual thoroughly before using the unit. 1. INSPECTION 3. POWER CONNECTION Your NADY AUDIO SRM-12X/14X was carefully packed The SRM-12X/14X is designed to operate with the sup- at the factory in packaging designed to protect the units plied external power supply unit (PSU). Please make sure in shipment. Before installing and using your unit, careful- that the power unit suppl
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CONTROLS AND CONNECTIONS 1. MONO INPUT SECTION (29) INSERTS (1) MIC INPUT Channels 1-4 (SRM-12X) and 1-6 (SRM-14X) are equipped The Mic input is an electroni- with rear panel insert jacks to connect external signal proces- cally balanced XLR type sors, such as compressors, noise reduction systems, or designed to accept signals (1) effects devices, to the individual input channels. Insert points from any balanced low imped- are useful for adding dynamic processing or equalization to a ance (Low
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CONTROLS AND CONNECTIONS Low Cut filter (3) is an integral (6) AUX SEND 1, 2 CONTROLS part of the overall equalization Both Aux Sends are mono and post-EQ and control the level of a mono channel. The chan- of the signals sent to the AUX buses. nel EQ is a valuable feature of the mixer as it allows the user • Aux Send 1 is pre-fader and the signal sent to the to control the tonal characteris- AUX 1 bus will be unaffected by the channel fader tics of each instrument sepa- setting. (5) rately. F
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CONTROLS AND CONNECTIONS 2. STEREO INPUT SECTION (6) AUX SENDS These are the same as for the mono channels. Note that a mono sum is taken from the (15A) stereo input. (5) (16) BAL CONTROL For a mono input to the L (15B) (MONO) input the function of the control is the same as the PAN controls (7) of the mono channels. However, when a (15A) L (MONO) LINE INPUT channel is run in stereo, this On stereo input channels 5-12 (SRM-12X) or 7-14 (SRM- control functions as a Balance 14X), the 1/4" line in
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CONTROLS AND CONNECTIONS 3. MASTER SECTION (13) (14) (12) (11) (15A) (17) (18) (15B) a. AUX Sends/Returns Function and Operation (12) AUX SENDS (11) STEREO AUX RETURNS (LEFT/MONO, RIGHT) The Aux Send 1 and 2 jacks are the outputs for the signals (19) AUX 1,2 RETURN CONTROLS sent from the channel Aux controls (6). The Aux Sends and The AUX Return jacks are the mono or stereo returns for Aux Returns are all 1/4" unbalanced phone jacks wired: Tip = AUX 1 and 2. If you connect a signal to the Left
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CONTROLS AND CONNECTIONS The Phones Output will feed headphones and is a 1/4" TRS etc., input to the (22) jack, wired: tip = left signal, ring = right signal, sleeve = Tape Input (13) is ground. determined by the setting of the output (24) d. Power Switches volume control of (31) AC POWER IN SOCKET the audio device (26) (23) MAIN POWER SWITCH being connected, so (24) POWER ON LED INDICATOR care must be taken (19) Once the external PSU is connected to the AC Power In in adjusting this socket (31
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CONNECTIONS This NADY AUDIO console uses 4 different types of audio connectors for the various input/output connections: (1) XLR bal- anced; (2) 1/4" TRS phone jacks for balanced, unbalanced, stereo, or in/out inserts; (3) 1/4" TRS unbalanced; (4) RCA pin unbalanced Figures 1. Balanced XLR input/output connections 2. Stereo headphone connection with 1/4" TRS MICROPHONE INPUTS GROUP & MIX OUTPUTS plug 3. 1/4" mono (TRS) plug used as unbalanced 2 1 1 2 input/output Ground (Screen) 3 3 4. 1/4" ste
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SPECIFICATIONS 1. INPUT SECTION Input Connector Input Impedance Nominal Level Max Level MONO CH MIC XLR >1.3K Ω +2 dBm +14 dBm MONO CH LINE 1/4" TRS >10K Ω +4 dBm +22 dBm STEREO CH LINE 1/4" TRS >10K Ω +4 dBm +22 dBm TAPE IN RCA PIN JACKS >10K Ω +2 dBm +22 dBm AUX RETURNS 1/4" TS >10K Ω +4 dBm +22 dBm INSERT IN 1/4" TRS >10K Ω +4 dBm +22 dBm 2. OUTPUT SECTION Output Connector
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BLOCK DIAGRAM 13
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NOTES 14
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SERVICE FOR YOUR NADY AUDIO PRODUCT (U.S.) Should your NADY AUDIO product require service, please contact the Nady Service Department via tele- phone at (510) 652-2411, or e-mail at service@nadywireless.com. (International) For service, please contact the NADY AUDIO distributor in your country through the dealer from whom you purchased this product. DO NOT ATTEMPT TO SERVICE THIS UNIT YOURSELF AS IT CAN BE DANGEROUS AND WILL ALSO VOID THE WARRANTY. NADY SYSTEMS, INC. • 6701 SHELLMOUND STREET, E
