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SPECIAL MESSAGE SECTION PRODUCT SAFETY MARKINGS: Yamaha electronic prod- ENVIRONMENTAL ISSUES: Yamaha strives to produce ucts may have either labels similar to the graphics shown products that are both user safe and environmentally below or molded / stamped facsimiles of these graphics on friendly. the enclosure. The explanation of these graphics appears on We sincerely believe that our products and the production this page. methods used to produce them, meet these goals. In Please observe all c
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FCC INFORMATION (U.S.A) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructio
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IMPORTANT SAFETY INSTRUCTIONS INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK, AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST. WARNING- When using any electrical or electronic product, 8. This product was NOT designed for use in wet/damp basic precautions should always be followed. These locations and should not be used near water or exposed to precautions include, but are not limited to, the following: rain. Examples of wet /damp locations are; near a swimming pool, spa,
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INTRODUCTION Congratulations! …and thank you for purchasing the n Dual and Split voice modes Yamaha P-200. The P-200 is a high-performance The P-200’s Dual and Split modes let you play two voices at once, electronic piano with full-scale, weighted action a “main” voice and a “sub” voice, either by layering the two voices keyboard, a selection of high quality piano and other of your choice (Dual mode) or by assigning a different voice to useful instrument voices, and versatile performance and eac
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PRECAUTIONS PLEASE READ CAREFULLY BEFORE PROCEEDING * Please keep these precautions in a safe place for future reference. WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short- circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following: • Do not open the instrument or attempt to disassemble the internal parts or • Only use the voltage specified as correct fo
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CONTENTS INTRODUCTION............................................................................................................ 5 PRECAUTIONS.............................................................................................................. 6 UPPER PANEL .............................................................................................................. 8 REAR PANEL.............................................................................................................
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UPPER PANEL # IN OUT THRU MIDI B VOLUME CS CONTRAST STORE PERF. A MAX 12 POWER PS1 PS2 SPLIT TRANSPOSE MIDI EDIT PERF. B VOICE PIANO 1 PIANO 2 MIN BALANCE DETUNE SYSTEM MIDI FILTE ON/ OFF C3 DATA ENTRY -1/NO +1/YES PAGE PITCH MODULATION A ! " ! [PHONES] jack # Speakers This jack on the front panel lets you connect a pair of stereo These two built-in 13 cm speakers each provide an output of 30 headphones to the P-200 for private listening. The internal watts. If you connect the P-200 to an extern
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# IN OUT SUSTAIN R L/MONO R THRU FOOT CONTROLLER SOFT SOSTENUTO L/MONO OFF ON MIDI OUTPUT INPUT SPEAKER C EFFECT EQUALIZER STORE PERF. A REVERB MODULATION 1 2 3 4 5 6 7 8 9 10 11 12 ROOM CHORUS STAGE SYMPHONIC EDIT PERF. B VOICE PIANO 1 PIANO 2 PIANO 3 PIANO 4 E.PIANO 1 E.PIANO 2 E.PIANO 3 VIBES ORGAN 1 ORGAN 2 STRINGS BASS HALL TREMOLO SYSTEM MIDI FILTER PC TABLE CHANNEL LOCAL CS FC PS NAME ORGAN PB MW KBD SENS. INT.EQ C3 COMBINATION LOW MIDDLE HIGH ELECTRONIC PIANO P-200 " 9
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n UPPER PANEL—A POWER ON/ OFF PITCH MODULATION ! [POWER] switch # [MODULATION] wheel This switch turns the power on and off. When the power is turned This wheel can be used in various ways. Normally you will use it to on, the mode and status designated when the power was apply a vibrato effect to the notes that you play, with increasing previously turned off will still be active (with the exception of Panel intensity as you roll it upwards; the wheel remains at the specific Swicth Lock; page 41)
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n UPPER PANEL— B ! " # $ % &() CS VOLUME VOLUME CONTRAST CONTRAST MAX MAX PS PS1 1 PS PS2 2 SPLIT SPLIT TRANSPOSE TRANSPOSE MIDI MIDI MIN MIN BALANCE BALANCE DETUNE DETUNE C3 C3 DATA ENTRY -1/NO -1/NO +1/YES +1/YES PAGE PAGE ' ! [VOLUME] slider & [TRANSPOSE, DETUNE, q] button This slider adjusts the overall volume of sound output from the This is a multiple function button. As a [TRANSPOSE] button, you internal speakers (or headphones, if connected) as well as the can use it to set the keyboard
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n UPPER PANEL—C ! #$% & ' ( EFFECT EQUALIZER STORE PERF. A REVERB MODULATION 12 3456 7 89 10 11 12 ROOM CHORUS STAGE SYMPHONIC VOICE PIANO 1 PIANO 2 PIANO 3 PIANO 4 E.PIANO 1 E.PIANO 2 E.PIANO 3 VIBES ORGAN 1 ORGAN 2 STRINGS BASS EDIT PERF. B HALL TREMOLO
SYSTEM MIDI FILTER PC TABLE CHANNEL LOCAL CS FC PS NAME ORGAN PB MW KBD SENS. INT.EQ COMBINATION LOW MIDDLE HIGH " ! [STORE] button % [VOICE, PERFORMANCE, EDIT SELECT] This button lets you store changes that you make to a buttons Performance,
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REAR PANEL MIDI OUT INPUT OUTPUT THRU IN SPEAKER ON OFF R L/MONO R L/MONO SUSTAIN SOSTENUTO SOFT FOOT CONTROLLER ! [SPEAKER] switch % [FOOT CONTROLLER] jack This switch lets you turn off the P-200’s internal speakers. It does This jack lets you connect a foot controller (Yamaha FC7, available not affect the output from the [OUTPUT] jacks or the [PHONES] separately) for use as an auxiliary controller. The [FC] foot jack. controller can be assigned to control a variety of functions, including r
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P-200 OVERVIEW The Yamaha P-200 is a versatile electronic piano with very high fidelity piano and other sounds and the genuine touch and response of a real piano. In its simplest form of use, all you really need to do is switch it on and start playing! However, this is just barely scratching the surface, since the P-200 has powerful performance and MIDI master keyboard capabilities. Below is an overview of the basic operating modes and the system structure of the P-200, with explanations of h
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ABOUT STORE TYPE You can choose the Store Type—Non Auto Store and Auto Store. When Non Auto Store is selected, the store operation is always required (except when modifying System related parameters; see page 17) if you want to save the current settings. When Auto Store is selected, all changes you make will automatically be stored without the need to perform a specific storing procedure. The default setting for a new (or initialized) P-200 is Non Auto Store. (For information about changing the
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n Performance Parameters In Performance Play mode, the P-200 has 24 sets of Performance parameters which let you configure settings for specific music situations (i.e., for a certain style of music, or a particular song, or for a practice session, or a live set, etc.). This affords you the convenience of being able to recall those settings instantly at the press of a button when in Performance Play mode. Performance parameters include the voice selection (a set of voice parameters), keyboard Sin
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n System Settings The P-200’s overall System settings encompass those “global” parameters which are related to the instrument as a whole, and which therefore affect both Voice Play and Performance Play modes. These include master tuning, MIDI transmit enable, MIDI filter transmit and receive parameter settings, MIDI program change table settings, and others. SYSTEM MIDI TRANSMIT ENABLE On, Off • Master Tune • Reverb Bypass • Device Number SYSTEM • MIDI Merge • Performance Enable • Popup Time • S
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GETTING STARTED This section explains how to set up the P-200 and the proper procedure for turning it on, playing the preprogrammed Demo songs, and basic voice selection. n Setting up the P-200 Although setting up the P-200 for basic play is easy and straightforward, be sure to take heed of the Precautions on page 6 before you begin, then carefully follow the simple steps as outlined below. P-200 SETUP PROCEDURE Prepare a suitable location. 1. The P-200 is relatively small for an 88-key instrum
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Connect external line-level components. 4. If you wish to monitor the P-200’s output using an external line-level mixer or amplifier, connect the input of the external component to the P-200’s [OUTPUT] jacks on the rear panel. (Use both jacks for stereo output; use the [L/MONO] jack for mono output.) Speaker (L) Speaker (R) Amp OUTPUT L/MONO OUTPUT R IN OUT MIDI THRU FOOT CONTROLLER SOFT SOSTENUTO SUSTAIN L/MONO OUTPUT R L/MONO INPUT R SPEAKER OFF ON VOLUME CS CONTRAST STORE PERF. A EFFECT EQ
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Connect MIDI devices. 5. If you wish to connect the P-200 to external MIDI devices such as a rhythm programmer, tone generator or synthesizer, you will need special MIDI cables which plug into the [MIDI] jacks on the rear panel. First, however, you must determine a MIDI system configuration, based on your particular needs or desires. Some examples of MIDI system connections, along with information about MIDI, are provided on page 64. MIDI Cable MIDI OUT MIDI IN IN OUT MIDI THRU FOOT CONTROLLER
