Streszczenie treści zawartej na stronie nr. 1
ARRIFLEX 416
Quiet, Bright and Light
Streszczenie treści zawartej na stronie nr. 2
35 Format Features in a Super 16 Camera Continuous advances in lenses, film stock and postproduction technologies have elevated the Super 16 film format to new levels of image quality and production efficiency. Super 16 is now routinely used for standard and high definition television productions, feature films, commercials and documentaries, and with stunning results. By shooting Super 16, productions gain many of the advantages of shooting film - the film look, its unsurpassed exposure l
Streszczenie treści zawartej na stronie nr. 3
ARRI | ARRIFLEX 416 Main Features n The Quietest 16 mm Camera n 35-style Viewfinder · 416 & 416 Plus: · brighter, higher contrast, higher resolution sound less than 20 db(A) · bigger exit pupil allows more eye movement · multi-color RGB ARRIGLOW n High Quality Video Assist · accommodates even wide diameter PL mount lenses · improved image quality · excellent optical quality with eyepiece extension · adjustable image enhancement n Compact & Lightweight · small camera body · low profi
Streszczenie treści zawartej na stronie nr. 4
I Can See Clearly Now To capture the images you want, you have first to see them clearly. So viewfinder quality is crucial if an operator is to accurately app- raise images, especially with 16 mm. The optical viewfinder on the 416 cameras makes it easy to judge focus, create a precise image composition, and work comfortably and efficiently. The viewfinder optics have been redesigned from the ground up, incorporating fewer lens elements of higher quality and a shorter optical path. The resul
Streszczenie treści zawartej na stronie nr. 5
ARRI | ARRIFLEX 416 The ARRIFLEX 416 cameras' optical view- finder uses a completely new optical design, resulting in significantly higher contrast, higher resolution and a brighter image. 5
Streszczenie treści zawartej na stronie nr. 6
z light path inside camera body AM z light path inside viewfinder AL AN AK AO AT AP 9 AQ u x at Mirror Shutter Video Assist Beam Splitter 90 Degree Prism A half-moon shaped mirror rotates 80% of the light passes straight up, ak in front of the film gate at the while 20% is reflected to the side Primary Lens camera speed. Half of the time the and projected through the video Picks up the image from the fiber mirror covers the film and the light assist optics (not pictured) onto the opt
Streszczenie treści zawartej na stronie nr. 7
ARRI | ARRIFLEX 416 Advantages of Optical Viewfinders Optical viewfinders, as used in all ARRI cameras, provide by far the most comfortable, accurate and efficient way to work when capturing images. Operators see a bright and sharp, full color image and are able to accurately judge focus. By their very nature, optical viewfinders have zero delay, showing exactly what is happening, right when it is happening. Optical viewfinders show an area larger than the image recorded on film, ensuring
Streszczenie treści zawartej na stronie nr. 8
RGB ARRIGLOW With the new RGB ARRIGLOW, you can choose any color you like. Set evenly illuminated framelines in magenta when shooting green screen, red for jungle or yellow for blue skies. You can, of course, also mix your own ARRIGLOW grey. Integrated Video Assist The 416 cameras' viewfinder is accompanied by a video assist with the same features and image quality as the highly praised ARRICAM and 435 integrated video assists (IVS). This video assist is closely integrated into the camer
Streszczenie treści zawartej na stronie nr. 9
ARRI | ARRIFLEX 416 HDTV 1.78 HDTV 1.78 Old 16 mm Camera Viewfinder Image ARRIFLEX 416 Viewfinder Image n Higher contrast, higher resolution, brighter image n Easier to judge focus on the set n Excellent optical quality with eyepiece extension Mix Your Own RGB ARRIGLOW Color n Use magenta for green screen n Red for jungle n Yellow for blue skies n Mix your own grey HDTV 1.78 HDTV 1.78 HDTV 1.78 HDTV 1.78 9
Streszczenie treści zawartej na stronie nr. 10
The Sound of Silence The 416 cameras use a completely new sound insulation design that makes the 416 and 416 Plus as quiet as an ARRICAM and allows the 416 Plus HS to record a very stable image even at higher frame rates. An inner skeleton is suspended by symme- trically positioned rubber insulators in an outer shell. The camera's movement and other parts that create vibrations - and thus unwanted sound - are mounted to the inner skeleton. The insulators prevent any sound from the inner skel
Streszczenie treści zawartej na stronie nr. 11
ARRI | ARRIFLEX 416 4 6 5 1 2 6 u body outer shell v body inner skeleton w body rubber insulators x magazine outer shell y magazine inner skeleton The magazine is driven by an internal silent motor and U magazine rubber insulators uses the same insulating technique as the camera body, ensuring completely quiet operation. 11
Streszczenie treści zawartej na stronie nr. 12
QUIET BRIGHT & LIGHT
Streszczenie treści zawartej na stronie nr. 13
Streszczenie treści zawartej na stronie nr. 14
ARRIFLEX 416 Models ARRIFLEX 416 ARRIFLEX 416 Plus ARRIFLEX 416 Plus HS Super silent and equipped with Super silent & flexible with built-in accessory electronics Super fast for slow-motion effects with basic electronics and radio for wireless remote control built-in accessory electronics and radio for wireless remote control Speed Range (fps) 1 - 75 1 - 75 1 - 150 Sound (dbA) < 20 < 20 < 29 [1] Weight (Kg/Lbs) 5.5/12.1 5.8/12.8 5.8/12.8 Integrated Accessory no yes yes Electronics [1] Bod
Streszczenie treści zawartej na stronie nr. 15
ARRI | ARRIFLEX 416 Compact, Lightweight and Fast One of the reasons cinematographers and producers with demanding schedules choose to shoot Super 16 is the faster production pace afforded by smaller and lighter equipment. A Super 16 camera fits into any location, can be mounted to almost anything and can be quickly used on the shoulder. The 416 cameras further increase this portability, while providing many of the features crews have come to expect of 35 mm cameras. The 416 weight has b
Streszczenie treści zawartej na stronie nr. 16
PL Mount and Lenses The 416 cameras use the industry standard 54 mm stainless steel PL mount. The stable backfocus afforded by the PL mount and by the robust camera construction is a hallmark of all ARRI film cameras. The PL mount makes the vast selection of high quality lenses for the Super 16 and 35 mm formats available to the ARRIFLEX 416 cameras. This includes the Master Primes, which combine the highest optical quality with a super fast stop of T1.3, as well as the Ultra Primes, the m
Streszczenie treści zawartej na stronie nr. 17
ARRI | ARRIFLEX 416 The Ultra 16 lenses: 6, 8, 9.5, 12, 14, 18, 25, 35 and 50 mm, all T1.3 The Ultra Primes: T2.8/8, T2.1/10, T2/12, T1.9/14, T1.9/16, T1.9/20, T1.9/24, T1.9/28, T1.9/32, T1.9/40, T1.9/50, T1.9/65, T1.9/85, T1.9/100, T1.9/135 and T1.9/180 mm 17
Streszczenie treści zawartej na stronie nr. 18
Control and Power The simple to use control panel on the 416 range should be familiar to anyone who has ever worked with a modern ARRI camera, since the 416 cameras have inherited the 235's control panel design and illuminated buttons. All three 416 cameras can therefore be operated without further training and the setting of any operating parameter can be accomplished quickly and intuitively. The powerful and smart Lithium-ion OBB-2 on-board battery can run up to five magazines while kee
Streszczenie treści zawartej na stronie nr. 19
ARRI | ARRIFLEX 416 The OBB-2 connects to the 416 cameras through a new, but backwards-compatible power connector. 19
Streszczenie treści zawartej na stronie nr. 20
20
