Instrukcja obsługi Casio CTK 496

Streszczenie treści zawartej na stronie nr. 1

A
This recycle mark indicates that the packaging conforms to
the environmental protection legislation in Germany.
Esta marca de reciclaje indica que el empaquetado se
      
    
   
 ! "# $!%
 &'
 ()*
ajusta a la legislación de protección ambiental en Alemania.

 

CASIO COMPUTER CO.,LTD.
6-2, Hon-machi 1-chome F MA0502-B Printed in China
CTK496/700AR1A
Shibuya-ku, Tokyo 151-8543, Japan CTK496/700AR1A

Streszczenie treści zawartej na stronie nr. 2

Model CTK-496 MIDI Implementation Chart Version: 1.0 Function ... Transmitted Recognized Remarks Basic Default 1 1-4, 10 Channel Changed 1-16 1-4, 10 Default Mode 3 Mode 3 Mode Messages X X Altered ❊❊❊❊❊❊❊❊❊❊❊❊❊❊ ❊❊❊❊❊❊❊❊❊❊❊❊❊❊ Note 36-96 0-127 *
   : Number True voice ❊❊❊❊❊❊❊❊❊❊❊❊❊❊ 36-96 *1 *
   =  Velocity Note ON O 9nH V = 75,100 *2 O 9nH V = 1-127 Note OFF X 9nH V = 0 X 9nH V = 0,8nH V = *3 After Key’s X X Touch Ch’s X X X O Pitch Bender 1 X O Modulation Control 6,

Streszczenie treści zawartej na stronie nr. 3

   "(Q1 0(M7*?'R 0(E(Q" 0'P' O
(+ &% CN2M
   CASIO        ( )   
! W I*V3 6G*E' L 1, ,0'T Q+ :-S • 0/ &'+ .(-, &'+ *()
(' &% $"#" !  
 :(''  H 6$"#" YX( ' 40(3*21 H \#*X1 Y"  :1 &% [H CZH L • :-E
) : 9'   , ( ) 8 2 '7 6*5'  *' 2'
7> 7 :$ =(-' <*;  .('+
(' &% $"#" ! 

Streszczenie treści zawartej na stronie nr. 4

   0- C "?, X(3 AC p2 KX3 AEF oE,; ●  0(3*2?' 0B' *F h C'c : H    q* ; ( ? H AC p2 Q ● 0
F-' L :5Q ‚*, c+ ! t H 0('' Y"Fm <*# 0B'7 h*t *F h G G3 s),
r' C((% :$ &'+ 0"E' 0(3*2?' G3 o29F` !C((% xƒ oE,; | v"H :53 G"@ *u G%7 < 7 0*  \b"3 oE,; ● A
"H C-(-F3 :B, }  0(3*2?' 0B'7 h*t *F h G AC p2 <$…  L

Streszczenie treści zawartej na stronie nr. 5

   /<( ;:  7 .e"E3 .9,  3 ^  Q+ H
*XQR 0B'7 h*t *F h 0"S 0/ &'+ .b* , AC 98% ! t H 0('' Y"Fm <*# 0(53*2?' 0B' 7 h*t *†F h AC p2 ! X Q+ G"Q ● {El \b7 &'+ 6
E' :"k | Ye(l 0jW L 1 L1 AX5$ 0(53*2?' L .%M+ ,6
E'
BX1 AC p2 , f1 c+ } 0('' 85t3
(' ~* < 7 S" L A-*S 53*2?' C' \b"3 oE, ; • CASIO "(Q1 0 E 7 /R C(1"3 :B,+  6

Streszczenie treści zawartej na stronie nr. 6

   *0# N#< DML  ?H  A-- E  L?z 0V(V/ *(g 0E*F3 \X> :t ^ YW(/"3 6$‡ Y(2'7 62#R 8EH :/7 L 1, 0(B)' 03/l *F h @ ^ ‹"EQ H h*t *F h 6$V *(g Y(2J 7 62# :(/",  ' \(X' YX( , \-, ,0V(V/ 0E*F3 :t \(XJ 0(53*2?' 0B'7 0V(V/ 0E*F3 :t &% ^ f(-, L 1, .  ,, DB% <
(+ p)1 Π:t * *F h, \S"  : ^ 2' 0('' \S" J 0(53*2?' 0B'7 h*t L 6*(-?' 0(X?'

Streszczenie treści zawartej na stronie nr. 7

/ 0('' y5Bm7 xW C' *H",  x(,9 0"' CASIO 0(E(Q" 0'T 2' O
(; (M2, M*6 SRR ❐ *17 ,0 Y"/R ,*1
7R Y"/ =3 L * • T A= SRR ❐ 0"' G$ :?' 0"(t L  a(Z,  O%, 0-B DE+ Lt |““ • , ( <% ❐ (?(,",7 { , *,"'7 *(2 Y"B' G# €H,*” DEl Lt7 *,7 {% 0e-3 • A=−SRR V KU 3 -" ❐ G# :B9, {"Q 0F(3 0(X% + o2H% 0  7 DXQl3 \X' C'  “JINGLE BELLS”7 “ODE TO JOY” 0` :ZHR 7 Y--‡ L

Streszczenie treści zawartej na stronie nr. 8

 ` Ar-18 \\\\\\\\\\\\\\\\ ,( <% Ar-1 \\\\\\\\\\\\\\\\\\\\\\\\\    Ar-18  DE Lt
( Ar-5 \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ / Ar-18   DE+ Lt {% Ar-19  LV' 8(-Z, Ar-5 \\\\\\\\\\\\\\\\\\-#+ " . Ar-19  0(?(,",7R 0-B Q Ar-21  •*9' G& ~c"‘ Ar-6 \\\\\\

Streszczenie treści zawartej na stronie nr. 9

 ` Ar-30 \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ MIDI Ar-30  ?MIDI "  Ar-30   ' MIDI Ar-31  MIDI Ye"-b *((i, Ar-33 \\\\\\\\\\\\\\\\\\\\\\\\ ' g?H Ar-35 \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ +H% A-1 \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ X# A-1  0Xi' 0X5S A-2  0,"' !7# A-4

Streszczenie treści zawartej na stronie nr. 10



1 2 3 4 5 6 7 8 9 0 A B C D E F G B * H I J K L M N O P Q R S 627A-A-010A Ar-8

Streszczenie treści zawartej na stronie nr. 11



FCTK-496 806 AH* UJ >=L 8 6 P  T H >( • HE G MIC VOLUME    

1 [+]/[–]  H  
2 "  M%* & 6 [–]  [+] >=L(3 K J 2* .I  )  • MAIN VOLUME  3 FHE SYNCHRO/FILL-IN  4 *  
&N> & I START/STOP  5 FHE ;Q  2* P > O76/ • POWER/MODE 
6 F* S9 >=L( =%+ *  
R 3 O76/ • TEMPO  7 TONE  J ACCOMP VOLUME  8 RHYTHM

Streszczenie treści zawartej na stronie nr. 12



"

! 
' & ( 2 % 3 4 5 1 # 11 ## 10 #- 6 ) 9 , 8 + 7 * 4%3 >=L( c%b HE Wj   9 PJ iUJ • F %5 F(TONE, RHYTHM, SONG BANK)  @ Z06* YU KQ 1% X


WV0 $# A * @ ;H "  , %5 ) ,10/ .- ) ,)2% ) $%  %5 4%3 >2R& 3H ,  *
*−@\ ,10/ .- $& A * @ ;H )( ,?H  %5 )( ,10/ .- )( ,"2% )( $' WV0 ( ) _9& & ?

FA * @ =3  L* =%+ WV0 ( ) =3 
F@' P W

Streszczenie treści zawartej na stronie nr. 13

43
2 1/ 10/. > & MAIN VOLUME SONG BANK Number buttons POWER/MODE PLAY/PAUSE d F)W+ E
& 1"(/ E B
P*m*  %5 4%3 .
"2R lkk .
 7d ,W:+ G6+d =0* P "2% =:p P  %5 4%3 ":! >=L(4 G:
,.T' :@\
cD & Y6:'  .T': cD 8\* _( : 3  :'"+ FC" Yq "2% ) 87=* P > & >=L( )b Ar- T P o %5 4%3 >=L(n VR FA * @ P _E 4   F8 )b 6 876 ,”68 ODE TO JOY” L* P :OB
F %5 4%3 "2R ?
_

Streszczenie treści zawartej na stronie nr. 14

43
2 1/ 10/. TONE STOP RIGHT ON/OFF P%"  = ' Y6'  cD 8\* P RIGHT ON/OFF  K2H6 FA * @ P _E O@ R 4 % * ?3  
 HE < )( A *
@ d • FWE 6'  :R 8: :2:u:* =: :E: :7& G:
RIGHT ON/OFF : K:2:H7 F6'  LEFT  <':+ K2Q:3 :@\ c:D _0d 8 :2u* :Q0& 4%:I • FON/OFF F %5 4%3 "2R _+ G6+d h* P STOP  K2H8 < 6:E* : %5 4:%3 ?H .:
^L* P: TONE  K:2H9 F10/ .- "2%  7  /KJ

Streszczenie treści zawartej na stronie nr. 15

PL
7
.
P(  P%
K!@ ^L
.
 3 3 =] & .I iUJ A * @ L
;6 .Q M.R. .+   8\* & "!6 =9m* F 03 & t66
 * OT
>=L(3s FW
=L*$ a Y& P A * @ FP0 0 "+ AH0 P ■ *M6 ' $$$$$$$$$$$$$$$$$$ /RP MLI *S6 $$$$$$$$$$$$$$$$$ 8. MLI ML

! 
?
,06E G- D6 P P(  0 "+ PJ 0'E "  * _E & G- D6 <\& d FK( =%+ @' 
KH F 0 O=( & 8

Streszczenie treści zawartej na stronie nr. 16

PL
7
.
…"!6 FP!3W   ^L
.
+R =%+ 4' SUX3 …'
)*$ • AC 77/

WO. 
! 
FZ3 .
Z+R =%+ AC |0W .
= FZ d 8\0 Y=
=E3& <d K!-3   ^L
876 AC |0W 876d • FiUJ A * @' 6=† K AC O† >=L( .
=9m* h: E c:%b& K!:-3 :  ^:L
.:
AC |0W: , :
1%:3 ) • F'0; G O% .+ S 2 & 
'@ Pd SJU 8 & 0=+ AD-5 :7X
AC 77/.  WO. .
AC 66 |0W , 3 1R ,% P 8 <'+ G=@ G
• c%3 

Streszczenie treści zawartej na stronie nr. 17

MfH
[RH W .Z Phones/Output  :;H h* & $& =9m* ,7&  D7 =E
& +:" 8 * 8 t"@&s ,  T PIN , 3  KH 4%I 4q =E3 F'\ GWD @'3  Ž \ 
G=@ <d F f  O"( =E3 S' =T' INPUT 1 PHONES/OUTPUT INPUT 2 A * @' [
Z t 3&s ,  T & A *
@ G=@ }  0( , 
<(  , 
 D PHONES/OUTPUT G=@ V@f
 E"( ' * P “MIDI” VR F?3:
& * "9 <d MIDI G=@ 8 * & Q0& 4%I • F8 ' Ar-30

Streszczenie treści zawartej na stronie nr. 18

 MRN6 > & MIC VOLUME TONE Number buttons MAIN VOLUME POWER/MODE FA * @'  ((  '"E c6& .+ 
'E
0 c{ UJ "2%' C": Yq "2% ) 87=* P: > & >=L(3 FJL* & =0* P F6 )b 2 876 ,”26 WOOD BASS” L* P :OB
F <
 986 F <
 mR6 98
<= FNORMAL < POWER/MODE 
KH1  (3 E
* _( A * @ < E % z • @ 
L* P MAIN VOLUME & >=L(2 F WD <u7

Streszczenie treści zawartej na stronie nr. 19

 MRN6 /D
 RL
M
H F8 2u ?H <d   ON/OFF _0dN8 2u* 
O@2 99 PERCUSSION :OB
: :::
K:Q:* P:: MIC VOLUME ::
>=:L::(3 & %: $# "!n VR FA: * @': G=0=+ ':;  & 
* "2:% iUJ FZ5* YU  <d   F'
9 8  A-6 T P % & o'   ON /OFF t_0d N8 2u*s 
M_
/po MN@d Microphone ON/OFF switch  ?: <'+ =:"E0 ~:% \: 1R ,79 <@ 77 :\  :bm* "2:R ?

1:R& Œ

Streszczenie treści zawartej na stronie nr. 20

   

U%$ %%o POWER/MODE RHYTHM Number buttons START/STOP TEMPO % $ # #!""
!               
Q52 baR
 >` =<0; : 9 1U% ['8Q; U%$   54"33 54'"3! '(2 1"'0 % $  '/ .
  -, +*'!)! '( &'"
 +%"4 - 50 >
 : HD
>
 ='<0; :' 9 # #'!""'
! ' ' '  ' "'8 &"'
 7'6'
 $ +4 1d ,6 _Z ,“64 WALTZ” %"4"
:[R : HD
 6
 < < ,D'A F. ED2 B.C * &60  ' B