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A New Dimension In Digital Live Sound A lot has changed in the past few years – with more than a little help from Yamaha. Where analog consoles were the only accepted means of handling serious sound reinforcement applications, high-performance digital consoles such as the Yamaha PM1D now share the limelight with their analog brothers such as the PM4000, and more recently the PM5000. Digital consoles are accepted particularly in applications where programmability and recall capability are pro
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The Yamaha Digital Advantage Model PM5D or PM5D-RH: A Choice Of Two High-capacity, Versatile Mix Performance Configurations The PM5D can accommodate a total of 130 input connections (48 channel inputs, four stereo inputs, five 2 TR IN’s plus four Mini-YGDAI slots), and can handle up to 64 inputs Customers have a choice of two front-end configurations. The PM5D includes 48 XLR/balanced simultaneously. The 64 input mixing channels are configured by default as 48 mono input TRS analog mono inpu
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RCL and MUTE SAFE Indicators Channel Fader CUE Key Elegant, Efficient, and Eminently Practical The RCL SAFE LED lights when the channel is set to the recall These very smooth and quiet 100mm motorized faders Sends the channel signal to the cue bus for monitoring safe mode so that it will not be affected by scene recall control and display the channel input level, or the send level according to the currently selected cue mode: LAST CUE, MIX Everything you need for hands-on mix control is right
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Flexibility To Create The Ideal Mix For Any Application In addition to dual stereo mix buses that can be used together for LCR send, the PM5D offers 24 independent mix buses that you can use for submix, auxiliary, effect, or just about any other type of send your application requires … all with master mix control as well as individual mix send level control from all available inputs. And they have 8-band EQ, compression, and delay that you can control via the SELECTED CHANNEL controls to opti
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Level Meters Comprehensive Monitoring Facilities A complete set of level meters is provided on the console panel. Layer select keys let you monitor input channels 1 through 24 or input channels 25 through 48 plus the stereo inputs or effect returns. MIX/MATRIX key allows visual monitor of the 24 mix buses and the 8 matrix outputs. Individual stereo meters are also provided for the STEREO A, STEREO B, and CUE buses. A PEAK HOLD key engages or Staying in touch with your sound is vital to creatin
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DIRECT RECALL/ Lamp Dimmer and LED, LCD Brightness Control Details That Make the Job a Pleasure MUTE MASTER The lamp dimmer controls the brightness of the LA5000 light These eight keys can be used either to directly gooseneck. Parameter visibility can be an issue, depending These are the features that make a difference in workflow and efficiency. On the PM5D they attest to the fact that Yamaha has recall assigned scene numbers, or to mute the on your work environment. The PM5D lets you contr
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Name Number Total Libraries Scene Memory Preset 1 + User 500 501 Input Patch Library Preset 1 + User 99 100 Setting up the entire PM5D system from scratch can be a formidable task, so Yamaha has Output Patch Library Preset 1 + User 99 100 provided an extensive selection of presets in a range of libraries that can simply be selected and Input Channel Library Preset 1 + User 199 200 Output Channel Library Preset 1 + User 199 200 used as they are or modified to suit specific requirements. Of cour
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Complete Software Control Options The PM5D’s real I/O versatility comes in the form of four mini-YGDAI expansion slots. The expansion slots are 24 bit/96 kHz As with other Yamaha digital consoles, editor application software is provided to PM5D users. The PM5D Editor is designed compatible, so you can select mini YGDAI plug-in cards to create the input/output configuration that’s perfect for your needs. for the offline programming and on-line control, with comprehensive analog-style visual re
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System Examples 1. Remote Microphone Preamplifer Control 3. Cascaded PM5D Consoles Using MY-series expansion cards and the PM5D’s HA REMOTE outputs, it is possible to receive input from and remotely control up to eight high- Two PM5D consoles can easily be connected with bidirectional control capability. performance Yamaha AD8HR 8-channel A/D microphone preamplifiers. If you don’t need bidirectional control you can cascade up to four PM5Ds. The AD8HR’s mic preamp gain can be remotely contr
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Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω Ω ANALOG OUTPUT CHARACTERISTICS PM5D, PM5D-RH Specifications Output Level *1. XLR-3-32 type connectors are Actual Source *4 Output Terminals For Use With Nominal GAIN SW Connector balanced. (1 = GND, 2 = HOT, Impedance Nominal Max. Before Clip 3 = COLD) +24dB (default) +4dBu (1.23 V) +24dBu (12.28 V) *1 *2. Phone jack are balanced. STEREO A, B [L, R] 150 600 Lines XLR-3-32 T
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SELECT MATRIX1 MATRIX2 MATRIX3 MATRIX4 MATRIX5 MATRIX6 MATRIX7 MATRIX8 MONO MONO DIM DIM MONO Ω Ω Ω Ω Block Diagram System Level Diagram PM5D Analog Digital Digital Analog Analog Digital INPUT MS- EQ DCA BUS EQ MASTER DCA MASTER OUTPUT Analog PAD GAIN AD PHASE ATT. HPF INSERT INSERT GATE COMP INSERT DELAY LEVEL INSERT ON PAN INSERT INSERT COMP INSERT BAL INSERT DELAY DA PATCH DECDE (x4) (x8) Adder (x8/4) LEVEL (x2) ON PATCH dBu Bit dBu dBFS 1 Max. Input [+30dBu] INSERT IN IN IN IN IN IN IN IN Di
