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Parameter Guide
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Contents DIVIDER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 . . . . . . . . . . . . . . . . . . Basic Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 . . . . . . . . . . . . . . SINGLE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 . . . . . . . . . . . . . . . . DUAL Ch . A, DUAL Ch . B . . . . . . . . . . . . . . . . . . . . . . . . 22 . . . . . . . . . . EZ TONE . . . . . . . . . . . . . . .
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Basic Operation Editing on the GT-100 is extremely simple; the procedure is always the same . . Choose what you’re going to edit 1 Press one of the following buttons . page 5 Effect System page 26 Here you can edit the parameters of each effect . Here you can make settings that apply to the entire GT-100, such as output settings and phrase loop settings . page 4 EZ (Easy) Tone page 31 Here you can create the desired tone simply by Control/Expression choosing a musical style and the type of son
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EZ TONE PATCH CREATE OD/DS CUSTOMIZE Lets you easily create your sound starting from your choice of musical style Lets you intuitively customize the overdrive/distortion . and type of song . Parameter Value Explanation Parameter Value Explanation OD-1 This models the sound of the BOSS OD-1 . BLUES Blues sound OD-2 This is a overdrive sound with high gain . Soul Funk Soul and Funk sound CRUNCH This is a crunch sound . Jazz Jazz sound This gives a basic, traditional distortion DS-1 sound . LIVERP
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EFFECT OD/DS TYPE COMP This is a list of distortion types that can be selected for OD/DS . This is an effect that produces a long sustain by evening out the volume Category Type Explanation level of the input signal . This is a booster with unique characteristics in the midrange . Parameter Value Explanation MID BOOST Making the connection before the COSM ON/OFF OFF, ON Turns this effect on/off . amp produces sound suitable for solos . BOSS COMP This models a BOSS CS-3 . This not only functio
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EFFECT Parameter Value Explanation CUSTOM OD/DS SETTING Select the speaker type . OFF This turns off the speaker simulator . Parameter Value Explanation ORIGIN This is the built-in speaker of the amp you OD-1 This models the sound of the BOSS OD-1 . (ORIGINAL) selected with PREAMP TYPE . OD-2 This is a overdrive sound with high gain . This is a compact open-back speaker cabinet 1x8" with one 8-inch speaker . CRUNCH This is a crunch sound . This is a compact open-back speaker cabinet DS-1 This
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EFFECT Category Type Explanation PREAMP TYPE This is a list of the amp types that can be selected for PREAMP . This is a custom preamp . CUSTOM You can customize it however you like to match the sound you want . Category Type Explanation An unembellished, clean sound that NATURL CLEAN minimizes the amp’s idiosyncrasies, such as its trebly character and boomy low end . An amp with a broad frequency range and an extremely flat response . FULL RANGE Good for acoustic guitar . Crunch sound that
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EFFECT CUSTOM AMP SETTING EQ This adjusts the tone as a equalizer . A parametric type is adopted for the Parameter Value Explanation high-middle and low-middle range . JC CLEAN This models the sound of the Roland JC-120 . TW CLEAN This models a Fender Twin Reverb . Parameter Value Explanation This is a crunch sound that can faithfully ON/OFF OFF, ON Turns this effect on/off . CRUNCH reproduce the nuances of picking . LOW GAIN -20–+20 dB Adjusts the low frequency range tone . This is a combo am
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EFFECT Effect Name Explanation FX1/FX2 With the volume level of the left and right sides alternately changing, when playing sound in stereo, you can get an effect that PAN With FX1 and FX2, you can select the effect to be used from the following . makes the guitar sound appear to fly back and forth between the You can select the same effect for FX1 and FX2 . speakers . This consecutively interrupts the sound to create the impression SLICER Parameter Value Explanation that a rhythm backing p
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EFFECT T. WAH SUB WAH You can produce a wah effect with the filter changing in response to the You can control the wah effect in real time by adjusting the [EXP] pedal or guitar level . the expression pedal connected to the SUB CTL 1, 2/SUB EXP jack . Parameter Value Explanation Parameter Value Explanation Selects the wah mode . Selects the type of wah . This models the sound of the CRY BABY wah This creates a wah effect over a wide CRY WAH LPF MODE pedal popular in the ‘70s . frequency range
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EFFECT LIMITER PARAMETRIC EQ The limiter attenuates loud input levels to prevent distortion . Adjusts the tonal quality . You can adjust the sound quality in four bands . Parameter Value Explanation Parameter Value Explanation Selects the limiter type . LOW GAIN -20–+20 dB Adjusts the low frequency range tone . BOSS LIMITER This selects a stereo limiter . HIGH GAIN -20–+20 dB Adjusts the high frequency range tone . TYPE RACK 160D This models a dbx 160X . Adjusts the overall volume level of the
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EFFECT GUITAR SIM DEFRETTER Simulation of the characteristics of particular guitar components such as This simulates a fretless guitar . pickups and different guitar bodies allows you to switch among a number of different guitar types all while using a single guitar . Parameter Value Explanation This controls the input sensitivity of the Parameter Value Explanation SENS 0–100 defretter . Selects the type of the guitar simulator . DEPTH 0–100 This controls the rate of the harmonics . Changes fr
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EFFECT SITAR SIM. PITCH SHIFTER This simulates the sound of the sitar . This effect changes the pitch of the original sound (up or down) within a range of two octaves . Parameter Value Explanation Parameter Value Explanation Adjusts the sensitivity of the sitar . When it is set to a lower value, no effect of the sitar is Selects the number of voices for the pitch shift sound . obtained with weaker picking, while stronger One-voice pitch-shifted sound output in SENS 0–100 picking produces th
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EFFECT Parameter Value Explanation HARMONIST C C– C–C– C– C Harmonist is an effect where the amount of shifting is adjusted according Db Db– Db–Db– Db– Db to an analysis of the guitar input, allowing you to create harmony based D D– D–D– D– D on diatonic scales . Eb Eb– Eb–Eb– Eb– Eb * Because of the need to analyze the pitch, chords (two or more sounds played simultaneously) cannot be played . E E– E–E– E– E * When you are to play the next string while a certain sound is still playing, F F
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EFFECT Parameter Value Explanation AC. PROCESSOR This sets the cycle of the step function that changes the rate and depth . When it is set This processor allows you to change the sound produced by the pickup on to a higher value, the change will be finer . an acoustic electric guitar, creating a richer sound similar to that obtained Set this to “Off” when not using the Step with a microphone placed close to the guitar . function . * When set to BPM, the value of each Parameter Value Expla
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EFFECT TREMOLO UNI-V Tremolo is an effect that creates a cyclic change in volume . This models a Uni-Vibe . Although this resembles a phaser effect, it also provides a unique Parameter Value Explanation undulation that you can’t get with a regular phaser . Adjusts changes in volume level . A higher WAVE SHAPE 0–100 value will steepen wave’s shape . Parameter Value Explanation Adjusts the frequency (speed) of the change . Adjusts the rate of the UNI-V effect . * When set to BPM, the value of ea
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EFFECT SLICER RING MOD. This consecutively interrupts the sound to create the impression that a This creates a bell-like sound by ring-modulating the guitar sound with the rhythm backing phrase is being played . signal from the internal oscillator . The sound can be unmusical and lack distinctive pitches . Parameter Value Explanation Parameter Value Explanation Select the slice pattern that will be used to PATTERN P1–P20 cut the sound . This selects the mode for the ring modulator . Adjust th
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EFFECT 2X2 CHORUS SUB DELAY Frequency band division is employed to produce two different choruses, This is a delay with the maximum delay time of 1,000 ms . This effect is one for low frequencies and one for higher frequencies, for both the left useful for making the sound fatter . and right channels (for a total of four) . This allows you to achieve a more natural chorus sound . Parameter Value Explanation Use this to choose the type of delay . Parameter Value Explanation MONO A simple monaur
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EFFECT COMMON DELAY This effect adds delayed sound to the direct sound, giving more body to Parameter Value Explanation the sound or creating special effects . This determines the delay time . * When set to BPM, the value of each Parameter Value Explanation parameter will be set according to the value of the “MASTER BPM” specified for DELAY OFF, ON Turns this effect on/off . ON/OFF each patch . This makes it easier to achieve 1 ms–2000 ms, DELAY TIME effect sound settings that match the
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EFFECT MODULATE REVERB This effect adds reverberation to the sound . Parameter Value Explanation Adjusts the modulation rate of the delay MOD RATE 0–100 Parameter Value Explanation sound . REVERB ON/ Adjusts the modulation depth of the delay OFF, ON Turns this effect on/off . MOD DEPTH 0–100 OFF sound . This selects the reverb type . Various different simulations of space are offered . Simulates an ambience mic (off-mic, placed at a distance from the sound source) used in CHORUS AMBIENC re
