JBL SOUNDPOINT SERIES SP5II user manual

User manual for the device JBL SOUNDPOINT SERIES SP5II

Device: JBL SOUNDPOINT SERIES SP5II
Category: Speaker System
Manufacturer: JBL
Size: 0.31 MB
Added : 3/4/2013
Number of pages: 8
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Abstracts of contents
Summary of the content on the page No. 1

Soundpoint OM SP5-6-6C-8-8 7/7/06 9:36 AM Page 3
®
®
SOUNDPOINT SERIES
SP5II, SP6II, SP6CII,
SP6CSII, SP8II, SP8CII
OWNER’S GUIDE

Summary of the content on the page No. 2

Soundpoint OM SP5-6-6C-8-8 7/7/06 9:36 AM Page 2 THANK YOU FOR CHOOSING JBL For more than 60 years, JBL We’re confident that the Please take a moment to has been involved in every JBL loudspeakers you have register your product on our aspect of music and film chosen will provide every Web site at www.jbl.com. It recording and reproduction, note of enjoyment that you enables us to keep you posted from live performances to expected – and that when on our latest advancements, monitoring the reco

Summary of the content on the page No. 3

Soundpoint OM SP5-6-6C-8-8 7/7/06 9:36 AM Page 3 MODELS SP5II, SP6II, SP8II AS REAR SPEAKERS 5 – 6 ft. WALL WALL WALL WALL IN-CEILING MODELS SP6CII, SP6CSII, SP8CII ble, they may be placed in a the other toward the right of the wall (or in the ceiling) behind listening position, aimed at ear- the listening position, facing for- level height. ward. The surround speakers The SP6CSII may also be used should not call attention to to play the left and right sur- themselves. They should round cha

Summary of the content on the page No. 4

Soundpoint OM SP5-6-6C-8-8 7/7/06 9:36 AM Page 4 SPEAKER CONNECTIONS CONNECTION TIPS The wires for both speakers the correct polarity remains should be the same length. If equally important in order to one speaker is placed closer to preserve the proper ambience the amplifier than the other, and directionality of the hide the excess wire behind program material. the wall. Speakers and elec- To use the push-type speaker tronics terminals have corre- terminals, press the red (+) or sponding (+)

Summary of the content on the page No. 5

Soundpoint OM SP5-6-6C-8-8 7/7/06 9:36 AM Page 5 EXISTING CONSTRUCTION SP5II, SP6II, SP8II ≥1/2" ≥1/2" ≥1/2" Remove the grille from the Determine the correct speaker Note: Always allow at least speaker frame by pulling on location. one-half inch between a wall the paper tab. If the tab is Note: Remove the inner template, stud and the speaker cutout or missing, to avoid scratching which is the paint shield, at the the locking tabs will not be able the grille or baffle you may perforation. Use

Summary of the content on the page No. 6

Soundpoint OM SP5-6-6C-8-8 7/7/06 9:36 AM Page 6 EXISTING CONSTRUCTION SP6CII, SP6CSII, SP8CII ≥1/2" ≥1/2" ≥1/2" Remove the grille from the Determine the correct speaker Cut the drywall. speaker frame by pulling on location. Note: Always allow at least the paper tab. If the tab is Note: Remove the inner template, one-half inch between a wall missing, to avoid scratching which is the paint shield, at the stud and the speaker cutout or the grille or baffle you may perforation. Use the outer te

Summary of the content on the page No. 7

Soundpoint OM SP5-6-6C-8-8 7/7/06 9:36 AM Page 7 NEW CONSTRUCTION You will need to purchase the correct rough-in frame kit for your model: SPEAKER MODEL ROUGH-IN FRAME KIT SP5II RIF5 SP6II RIF6 SP6CII RIF6C SP6CSII RIF6CS SP8II RIF8 SP8CII RIF8C Detailed installation instructions are supplied with the rough-in kit. PAINTING THE SPEAKER FRAME AND GRILLE SoundPoint Series loud- baffle. This will protect the Note: Gently remove the speakers can be painted to speaker components and baf- acoustic

Summary of the content on the page No. 8

Soundpoint OM SP5-6-6C-8-8 7/7/06 9:36 AM Page 2 SPECIFICATIONS SP5II SP6II SP6CII SP6CSII SP8II SP8CII Frequency Response Frequency Response Frequency Response Frequency Response Frequency Response Frequency Response 45Hz– 20kHz (–10dB) 38Hz – 20kHz (–10dB) 40Hz– 20kHz (–10dB) 40Hz – 20kHz (–10dB) 30Hz – 20kHz (–10dB) 32Hz – 20kHz (–10dB) Recommended Maximum Recommended Maximum Recommended Maximum Recommended Maximum Recommended Maximum Recommended Maximum Amplifier Power † Amplifier Power


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