Behringer V-AMP3 user manual

Summary of the content on the page No. 1

Guitar Modeling/Eff ects Processors
V-AMP3
Next-Generation Virtual Guitar
Amplifi er with USB Audio Interface
and energyXT2.5 Recording Software
4 all-new plus 28 improved amp
models multiplied by 15 speaker
cabinet simulations give you a total
Playing along with MP3s on a PC Any classic you like
of 480 virtual combos
If a lack of money and fl oor space is all The V-AMP 3’s 32 amp models are
USB audio interface included, that’s been standing between you and organized into four groups: CLEA

Summary of the content on the page No. 2

Page 2 of 5 V-AMP3 Laptop UCA222 V-AMP3 HPS3000 USB Audio Interface Balanced stereo Line output can be confi gured for many recording and live applications Top tone—in full eff ect Stunning in the studio Adjustable auto-chromatic tuner The V-AMP 3 gives you fl anger, chorus, The V-AMP 3 features several plus eff ective global confi gurations compression, delay and 12 other beautiful confi gurations that make it an and equalization easily adapts the digital eff ects to apply to your sound.

Summary of the content on the page No. 3

Page 3 of 5 Computer Recording V-AMP3 HPS3000 V-AMP3 Use Live Mode 2 to run the V-AMP 3 into the eff ects return inputs of 2 diff erent guitar amps. This confi guration does not feature speaker simulation, allowing the amplifi er’s natural speaker UCA222 sound to go unaltered. In this scenario, the amps USB Audio Interface would be mic’d on stage to get the sound to the house speakers, and having a dedicated monitor would be less important. Laptop XENYX 502 B3031A In Live Mode 3, you can

Summary of the content on the page No. 4

Page 4 of 5 SAVAGE BEAST Half-English, so to speak, this List of Amps model has extreme power and is therefore highly popular with CLEAN heavy metal guitarists. TUBE PREAMP Tube amps add warmth to all kinds CUSTOM HI GAIN Based on a variation of the BRIT of sounds. By default, this amp BLUES, modifi ed by a famous model does not use a speaker V-AMP3 eruption-inducing guitarist’s simulation, and can be used with technician. Great midrange without vocals, but adding a speaker cab the

Summary of the content on the page No. 5

Page 5 of 5 ¼" LINE OUT balanced left and right outputs V-AMP3 CONFIGURATION Preset A…E buttons select the bank’s presets, but also live/studio confi gurations, MIDI settings, drive intensity, GAIN cabinet models, reverb varieties and noise gate intensity TREBLE doubles as PRESENCE AUX LEVEL when TAP is for AUX IN pressed and held jack AC IN AUX IN MIDI IN and MIDI EFFECTS level also OUT/THRU doubles as a 2nd eff ects parameter control MID EFFECTS FOOTSWITCH jack selector accom