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MIXING CONSOLE
TABLE DE MIXAGE
MISCHPULTE
CONSOLA DE MEZCLA
Operation Manual
Manuel d’instructions
Bedienungsanleitung
Manual de Operación
RR
LL
–10dB –10dBLR +4B
123456789 10 11 12 INPUT A 13 14 15 16 17 18 19 20 21 22 23 24
TAPE IN REC OUT STEREO OUT +4dB MONO OUT
123456789 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 1R 2R 3 4
INPUT B
1L/MONO 2L/MONO 1 2
123456789 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24
OUT IN OUT IN
INPUT CH INSERT I/O 0dB AUX RETURN +4dB AUX SEND +4dB
A A A A A A A A A
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Introduction Thank you for purchasing a Yamaha MX200 Mixing Console. The MX200 series provides an excellent balance of operability, functionality and ease of use. In order to take full advantage of the MX200’s capabilities and enjoy years of trouble-free use, please read this manual carefully. Features Contents The MX200-8 provides 8 channels of input (the MX200- Precautions ............................................................................ 1 12 has 12 channels, the MX200-16 has 16 c
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Precautions 1. Avoid Excessive Heat, Humidity, Dust and Vibration 5. Always power off before making connections Keep the unit away from locations where it is likely to be Always turn the power OFF before connecting or discon- exposed to high temperatures or humidity — such as near necting cables. This is important to prevent damage to the radiators, stoves, etc. Also avoid locations which are unit itself as well as other connected equipment. subject to excessive dust accumulation or vibration wh
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Control panel 1 Input selector Channel control section This button selects the input connector for the channel. When A ( ) is selected, the input signal will be taken from the rear A panel INPUT A connector (balanced XLR type). When B ( ) is 1 B selected, the input signal will be taken from the rear panel INPUT B con- 20dB 2 nector (balanced phone jack). 2 PAD switch 3 This pad switch provides 20dB of level reduction. –16 –60 GAIN If the input signal level is too high and the 3 GAIN control wi
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7 AUX1–4 controls 0 Channel PFL switch These knobs control the level of the signals sent to the This switch allows you to monitor the pre-fader channel AUX buses. input signal through headphones. • The AUX1 and AUX2 controls are pre-fader, and the It is convenient to use PFL when you wish to check the signal levels sent to the AUX 1 and 2 buses will be un- sound of the input signal, or when troubleshooting a affected by the channel fader setting. specific channel. • The AUX3 and AUX 4 controls a
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1 STEREO ON switch Master control section This switch turns the ST OUT output on/off. When this switch is off, levels will not be displayed in the ST meters. The MONO OUT signal will be sent regardless of this switch. MIXING CONSOLE 2 STEREO L, R master faders These faders adjust the final level of the combined signals 8 +6 +6 from all channels, and send them from the STEREO OUT +4 +4 connectors. +2 +2 0 0 –15 +15 –15 +15 The ST meters allow you to monitor the L and R outputs. HIGH HIGH –2 –2
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• The signals input to each input channel and processed This knob is a high frequency equalizer that provides through the 3-band EQ and the INPUT CH INSERT I/ 12kHz shelving equalization of the signal input at AUX O jack (Turn on a channel PFL switch.) RETURN. • The signal output to MONO OUT (Turn on the MONO OUT AFL switch.) • The AUX signals output from each AUX SEND 1–4 2BAND INV jack (Turn on an AUX SEND 1–4 AFL switch.) EQ L C METER SELECT switch and meter section AUX RETURN 1 +4dB T
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Connectors 45 6 7 RR 1 LL LR –10dB –10dB +4dB 12345678 INPUT A TAPE IN REC OUT STEREO OUT +4dB MONO OUT 12345678 1R 2R 3 4 2 INPUT B 8 1L/MONO 2L/MONO 1 2 12345678 3 OUT IN OUT IN INPUT CH INSERT I/O 0dB AUX RETURN +4dB AUX SEND +4dB 9 MICROPHONE CABLES AND MICROPHONES CONNECTION TO PREVENT HAZARD OR DAMAGE, ENSURE THAT ONLY MICROPHONE CABLES AND MICROPHONES DESIGNED TO THE IEC268-15A STANDARD ARE CONNECTED. 1 INPUT A In this case, the final output level is adjusted by the REC These are XLR ty
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8 AUX SEND (1, 2, 3, 4) These are unbalanced jacks with a nominal output and im- pedance of +4dB/600Ω . (AUX 1 and 2 are pre-fader, and AUX 3 and 4 are post-fader.) 9 AUX RETURN (1L/MONO, 1R, 2L/MONO, 2R) These are unbalanced jacks with a nominal input level and impedance of +4dB/10 kΩ . These jacks are usually used to receive the audio returned from an effect unit such as reverb or delay, but they can also be used as supplementary inputs. If a plug is inserted only in L/MONO, the same signal wi
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Application Example Effects processor 88 88 AUX SEND2 AUX AUX AUX STEREO AUX AUX SEND1 SEND4 RTN2 RTN1 OUT SEND3 TAPE IN MIXING CONSOLE Cassette Deck or REC OUT DAT 8
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Specifications General specifications Maximum output level +24dB (STEREO L/R) @600Ω , 0.5% THD at 1kHz +24dB (MONO OUT) @600Ω , 0.5% THD at 1kHz +20dB (AUX SEND) @600Ω , 0.5% THD at 1kHz Total harmonic distortion < 0.1% @+14dB 20Hz–20kHz (ST L/R, MONO, AUX SEND @600Ω ) Frequency response 20Hz–20kHz +1dB, –2dB (ST L/R, MONO, AUX SEND @600Ω ) Hum and noise –127dB equivalent input noise (Average, Rs=150Ω ) –95dB residual output noise (STEREO L/R, MONO) (Measured with DIN AUDIO) –95dB residual out
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Dimensions (W × H × D) 449 × 124.6 × 461.7 mm MX200-8 569 × 124.6 × 461.7 mm MX200-12 689 × 124.6 × 461.7 mm MX200-16 929 × 124.6 × 461.7 mm MX200-24 Weight 9.5kg MX200-8 11kg MX200-12 13.5kg MX200-16 17kg MX200-24 0dB=0.775 Vrms Input specifications Input connectors Input level Input impedance Nominal impedance Connector type Gain Max. before PAD Sensitivity Nominal level trim clipping CH Input –80dB –60dB –40dB INPUT A –60 50–600Ω mic (77.5µ V) (775µ V) (7.75mV) XLR 3-31 type OFF balanced (0
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Block and level diagrams 11 PHANTOM (ST OUT L) METER OFF (AUX SEND 1) (+48V) PEAK (ST OUT R) ON METER (AUX SEND 2) (INPUT A) PHANTOM INPUT CH (MONO OUT) METER INSERT I/O (AUX SEND 3) (PHANTOM) 0dB 1-* (PHONES) METER (AUX SEND 4) INPUT A METER SELECT 1-* 3BAND PAD HA HPF EQ ON PAN (METER) INPUT B A AUX 1 20dB GAIN 80 SUM INV L 1-* B AUX 2 STEREO OUT +4dB AUX 3 *=8,12,16,24 SUM INV R ON AUX 4 (PHONES) L REC OUT PFL -10dBv R 2BAND INV EQ L REC OUT (METER) MONO OUT LEVEL AUX RETURN 1 LOW HIGH SUM
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Dimensions 101.2 8 80.6 Wi 57.3 W H: 124.6 MODEL Wi W MX200-8 417 449 MX200-12 537 569 MX200-16 657 689 (54.5) (54.5) MX200-24 897 929 Units: mm 12 D: 461.7 295 54.5
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TABLE DE MIXAGE Manuel d’instructions Français
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Introduction Nous vous remercions d’avoir fait l’acquisition d’une console de mixage MX200 Yamaha. La série MX200 apporte un excellent équilibre entre fonctionnalité et facilité d’emploi. Afin de tirer pleine- ment partie des possibilités du MX200 et de garantir des années d’utilisation sans problème, lire at- tentivement ce manuel. Caractéristiques Table des matières Le MX200-8 possède 8 canaux d’entrée (le MX-200-12 Précautions ................................................................
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Précautions 1. Evitez tout emplacement excessivement chaud, hu- 5. Coupez toujours l’alimentation avant de procéder à des mide, poussiéreux ou soumis à des vibrations branchements Ne placez pas l’appareil dans un endroit où il risque d’être N’oubliez jamais de mettre les appareils hors tension avant exposé à des températures élevées ou une forte humidité de brancher ou de débrancher des câbles afin de ne pas en- (évitez la proximité de radiateurs, poêles, etc). Evitez éga- dommager l’appareil lu
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Panneau de commande 1 Sélecteur d’entrée Section de contrôle de canal Cette touche sélectionne le connecteur d’entrée du canal. Lorsque A ( ) est sélectionné, le signal d’entrée est pris à partir du A connecteur d’entrée A (INPUT A) (type XLR symétrique) du panneau 1 B arrière. Lorsque B ( ) est sélectionné, le signal d’entrée est pris à partir 20dB 2 du connecteur d’entrée B (INPUT B) (prise casque symétrique). 2 Commutateur PAD 3 Ce commutateur fournit une réduction de niveau de 20dB. –16 –6
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7 Commandes auxiliaires (AUX1–4) 0 Commutateur de canal PFL Ces commandes contrôlent le niveau des signaux envoyés Ce commutateur permet de contrôler le signal d’entrée de aux bus AUX. canal du pré-fader avec le casque. • Les commandes AUX1 et AUX2 sont pour les pré- Il est commode d’utiliser le commutateur PFL lorsqu’on faders, et les niveaux de signaux envoyés aux bus AUX veut vérifier le son du signal d’entrée, ou lors du dépistage 1 et aux 2 bus ne sont pas affectés par le réglage de d’une p
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3 Commutateur d’activation mono (MONO ON) Section de contrôle principale Ce commutateur active/désactivé la sortie mono (MONO OUT). MIXING CONSOLE 4 Commutateur MONO AFL Lorsque ce commutateur est activé, le signal envoyé à la sortie mono (MONO OUT) peut être contrôlé au casque. 8 +6 +6 +4 +4 5 Fader MONO +2 +2 0 0 –15 +15 –15 +15 Ce fader ajuste le niveau de sortie du connecteur de sortie HIGH HIGH –2 –2 mono (MONO OUT). –4 –4 –7 –7 +15 +15 –15 –15 LOW LOW –10 –10 6 Commutateurs AFL de sortie
