PYLE Audio PYD2808 user manual

Summary of the content on the page No. 1

Specifications
PYD1808/2808/3808
Input Sensitivity/Impedance Equalizer
Control Frequencies 60, 150, 400, 1K, 2.4k,
6k,and 15k
Mic 1-2 1.5 mV/600 Ohms, bal/unbal
Phono 1-2 3.0 mV/50K Ohms
Boost/Cut Range +/- 12 dB from center
Line 1-8 150.0 mV/27K Ohms
MIC Tone Control
Output Level
Treble 10kHz; +12/-12dB
Amp 1.5 V/10-kOhms
Booth 1.5 V/10-kOhms
Bass 100Hz; +12/-12dB
Record 150mV/10-kOhms
Talkover Attenuation -16dB
Frequency Response 20Hz – 20kHz +/- 3 dB
Echo Delay Time 20mS-200mS
S/N Ratio (

Summary of the content on the page No. 2

Your PYLE PRO Series Performance Mixer Features and Controls: PYD 1808 Mixer is a sophisticated control center, perfect for mixing sound from multiple playback sources such as microphones, tuners, CD players, turntables or the audio outputs from a VCR. This mixer is ruggedly constructed for home or professional use. Wide range volume controls permit you to adjust sound levels accurately to achieve just the right mix for playing through your speaker system or for recording. MIC 1 Combo Input Jack

Summary of the content on the page No. 3

Features and Controls: PYD 3808 Mixer Features and Controls: PYD 2808 Mixer Channel Input Selector Lets you choose the input source to play for each channel Channel Input Selector Lets you choose the input source to play Channel CUE Switch Allows you to monitor the selected audio for each channel input source and prepare it prior to mixing it in. MIC 1 Combo Input Jack For connecting a balanced or unbalanced Channel CUE Switch Allows you to monitor the selected audio Dual Display Meter Indicates

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Presetting the Controls Before Use Connecting High Level Output Audio Sources Since sudden high output levels from your PYLE PRO mixer can damage not only audio devices Connect up to 8 such sources (tuner, cassette deck, CD Player, camcorder or VCR) to the input jacks connected to the mixer output but your hearing as well (especially if you are using headphones), for Line 1 (if not being used as Phono 1 input), Line 2, Line 3 (if not being used as Phono 2 input), please adjust the mixer’s contro

Summary of the content on the page No. 5

Connecting the Mixer Outputs Using Headphones Plug a pair of stereo headphones (not supplied) with a 1/4” jack into the Phones input. Using Output to an Amplifier headphones not only affords you the opportunity to listen privately, but also enables you to monitor (”cue”) the incoming audio sources so you can locate an exact passage or section before mixing it To play the mixer’s output signal through your speaker system (for events such as parties, dances, in. It also gives you the opportunity t

Summary of the content on the page No. 6

Adding Equalization to the Mix Using the Mixer Controls Turning on the Mixer You can further tailor the sound processed through the mixer to match your acoustic surroundings or suit your personal preferences by using the ten frequency sliders for each channel. To engage 1. Turn on the output amplifier and temporarily set its volume to the minimum setting. the equalization module, press the Equalization On/Off Switch. 2. On the mixer, turn ON the power switch. The adjacent power LED will illumina

Summary of the content on the page No. 7

4. To playback the recorded sample ONCE, turn the SAMPLER MODE switch to SINGLE, and press Using the Mono/Stereo Mode Switch START/STOP. The LED will go on, indicating that a sample is playing. Pressing START/STOP When the MASTER MONO/STEREO switch is in the MONO position, the mixer combines the right during playback will stop the playback. and left channels and sends them to the OUTPUT R and L jacks. These combined outputs can be used by a monoaural amplifier, such as a PA amp.