Summary of the content on the page No. 1
PYD-1918/PYD1928
PYD-1938/PYD-1948
PYD-1958
4 channel
professional
proseries
Summary of the content on the page No. 2
Your PYLE PRO Series Performance Mixer is a sophisticated control center, perfect for mixing sound from multiple playback sources such as microphones, tuners, CD players, turntables or the audio outputs from a VCR. This mixer is ruggedly constructed for home or professional use. Wide range volume controls permit you to adjust sound levels accurately to achieve just the right mix for playing through your speaker system or for recording. Please read this manual thoroughly before you attempt to set
Summary of the content on the page No. 3
Features and Controls: PYD1918 Mixer MIC 1 Combo Input Jack For Channel Gain Control Lets you adjust the gain of the input source connecting a balanced or unbalanced low impedance microphone with XLR- Channel Input Selector Lets you choose the input source to play type or 1/4” plug for each channel Channel CUE Switch Allows you to monitor the selected audio MIC 2 Input Jack (on input panel) input source and prepare it prior to mixing it in. For connecting a balanced or unbalanced low impedance m
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Features and Controls: PYD1928 Mixer MIC 1 Combo Input Jack For Channel Gain Control Lets you adjust the gain of the input source connecting a balanced or unbalanced low impedance microphone with XLR- Channel Input Selector Lets you choose the input source to play type or 1/4” plug for each channel Channel CUE Switch Allows you to monitor the selected audio MIC 2 Input Jack (on input panel) input source and prepare it prior to mixing it in. For connecting a balanced or unbalanced low impedance m
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Features and Controls: PYD1938 Mixer Channel Gain Control Lets you adjust the gain of the input source Channel Input Selector Lets you choose the input source to play for each channel Channel CUE Switch Allows you to monitor the selected audio MIC 1 Combo Input Jack For input source and prepare it prior to mixing it in. connecting a balanced or unbalanced low impedance microphone with XLR- Dual Display Meter Indicates the levels of Left and Right Master type or 1/4” plug Channels Master Level Co
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Features and Controls: PYD1948 Mixer Channel Gain Control Lets you adjust the gain of the input source Channel Input Selector Lets you choose the input source to play for each channel Channel CUE Switch Allows you to monitor the selected audio input source and prepare it prior to mixing it in. Dual Display Meter Indicates the levels of Left and Right Master Channels Master Level Control Lets you control mixer’s overall volume level Master Mono/Stereo Selector MIC 1 Combo Input Jack For connectin
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Features and Controls: PYD1958 Mixer Channel Gain Control Lets you adjust the gain of the input source Channel Input Selector Lets you choose the input source to play for each channel Channel CUE/Sample Switch Allows you to monitor the selected audio input source and set up the destination channel for the sampled signal Dual Display Meter Indicates the levels of Left and Right Master Channels Master Level Control Lets you control mixer’s overall volume level Master Mono/Stereo Selector Master Ba
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Presetting the Controls Before Use Since sudden high output levels from your Pyle Pro mixer can damage not only audio devices connected to the mixer output but your hearing as well (especially if you are using headphones), please adjust the mixer’s controls BEFORE connecting AC power or turning on the unit. Set up the mixer controls like this before you start: CONTROL SETTING Power On/Off OFF Balance MID Gain MID Tone Controls, Treble, Mid & Bass 0 MIC 1/2, CH 1/2/3/4, Master & Cue Levels 0 Cros
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Connecting High Level Output Audio Sources Connect up to 8 such sources (tuner, cassette deck, CD Player, camcorder or VCR) to the input jacks for Line 1 (if not being used as Phono 1 input), Line 2, Line 3 (if not being used as Phono 2 input), Line 4, Line 5 and Line 6. Please note that Phono 1 and Line 1 (as well as Phono 2 and Line 3) use the same jacks. The selector switch(e)s below the jacks should be set to Line position if the jacks are used for the High Level input sources described here
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Using the Channel Input Gain Controls Adjusting the Gain controls for each channel permits you to fine tune the level of each of the audio inputs, since input levels usually vary. Rotate the Gain controls clockwise to increase levels. After you preset the gain levels for each input, it is recommended that you do not adjust them further, as you can cause sound level imbalances during a mix. Connecting the Mixer Outputs Output to an Amplifier To play the mixer’s output signal through your speaker
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Using Headphones Plug a pair of stereo headphones (not supplied) with a 1/4” jack into the Phones input. Using headphones not only affords you the opportunity to listen privately, but also enables you to monitor (”cue”) the incoming audio sources so you can locate an exact passage or section before mixing it in. It also gives you the opportunity to set up the relative volume level of the upcoming passage before it joins the mix. Listen Safely! Please observe the following: Do not listen at extre
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Using the Mixer Controls Turning on the Mixer 1. Turn on the output amplifier and temporarily set its volume to the minimum setting. 2. On the mixer, turn ON the power switch. The adjacent power LED will illuminate. 3. Turn on the audio input sources you wish to mix, and set them to play (or talk continuously into the microphone). 4. To monitor the audio input sources so that you can decide when to mix in each input, see “Monitoring ‘Cueing’ the Inputs.” 5. To mix the audio input sources so that
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Adding Equalization to the Mix You can further tailor the sound processed through the mixer to match your acoustic surroundings or suit your personal preferences by using the ten frequency sliders for each channel. To engage the equalization module, press the Equalization On/Off Switch. The LED next to the switch will be illuminated, indicated the EQ mode has been engaged. Each one of the sliding controls boosts or cuts the selected frequency by up to 10 dB. If you leave a slider at the center (
Summary of the content on the page No. 14
Using the Mono/Stereo Mode Switch When the MASTER MONO/STEREO switch is in the MONO position, the mixer combines the right and left channels and sends them to the OUTPUT R and L jacks. These combined outputs can be used by a monoaural amplifier, such as a PA amp. In the STEREO position, right and left channels remain separate. The mixer outputs can be used by a stereo amplifier or recorder. The ZONE MONO/STEREO switch works similarly, except that its setting affectstheZONER&L Outs. Using the Cro
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4. To playback the recorded sample ONCE, turn the SAMPLER MODE switch to SINGLE, and press START/STOP. The LED will go on, indicating that a sample is playing. Pressing START/STOP during playback will stop the playback. Each time you press the START/STOP control, the unit will replay the recorded sample from the beginning and play it through the end of the recorded sound. Rapid, consecutive pressing of the START/STOP button will create an interesting stuttering effect. 5. To playback the record
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Specifications PYD1918/1928/1938/1948/1958 Input Sensitivity/Impedance Equalizer Control Frequencies 30, 60, 120, 250, 500 1K, 2K, 4K, 8K, and 16KHz Mic 1-2 1.5 mV/600 Ohms, bal/unbal Phono 1-2 3.0 mV/50K Ohms Line 1-8 150.0 mV/27K Ohms Boost/Cut Range +/- 10 dB from center MIC Tone Control Output Level Treble 10kHz; +10/-30dB Amp 2.0 V/10-kOhms Mid 1 kHz; +10/-30dB Zone 2.0 V/10-kOhms Bass 100Hz; +10/-30dB Record 150mV/10-kOhms Talkover Attenuation -16dB Frequency Response 20Hz – 20kHz +/- 3 dB
