Shure AXS1 user manual

User manual for the device Shure AXS1

Device: Shure AXS1
Category: Headphones
Manufacturer: Shure
Size: 0.35 MB
Added : 10/8/2014
Number of pages: 17
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Summaries

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Abstracts of contents
Summary of the content on the page No. 1

USER’S
GUIDE
ACCESS
performance microphones
®
®
Shure Incorporated
®
®
222 Hartrey Avenue, Evanston, Illinois U.S.A. 60202-3696
Phone: 800-25-SHURE Fax: 847-866-2279
In Europe, Phone: 49-7131-72140 Fax: 49-7131-721414
Outside of U.S. and Europe, Phone: 847-866-2200 Fax: 847-866-2585
www.shure.com
PERFORMANCE WITHOUT LIMITS.
27D3074 (AC)

Summary of the content on the page No. 2

AXS 1 UNIDIRECTIONAL DYNAMIC MICROPHONE The AXS 1 is a multi–purpose dynamic microphone designed to per- form in a variety of acoustically demanding environments. Its cardioid pickup pattern helps control feedback, rejects unwanted sound, and provides increased on-axis sensitivity. Its neodymium magnet pro- vides a high output level and increased signal-to-noise rato. A superior shock mount system, a dent-resistant steel mesh grille, and a sturdy die-cast handle. A built-in pop filter protects a

Summary of the content on the page No. 3

AXS 1 MICROFONO DINAMICO UNIDIRECCIONAL El modelo AXS 1 es un micrófono dinámico para uso general diseña- do para dar un buen rendimiento en los entornos más acústicamente exigentes. El patrón de captación unidireccional ayuda a controlar la retroalimentación, reduce la captación de señales no deseadas, y au- menta la sensibilidad en el eje de captación. Su imán de neodimio pro- porciona un nivel de salida más alto. El modelo AXS 1 también cuenta con un filtro incorporado para reducir los ruidos

Summary of the content on the page No. 4

AXS 2 DYNAMIC MICROPHONE The Shure AXS 2 is multi-purpose dynamic microphone designed for use in a variety of sound reinforcement and recording applications, including close-up vocals, instrument pickup, and public address. The AXS 2 features a smooth frequency response Its cardioid pickup pattern ensures high gain before feedback and excellent isolation from unwanted sound sources. A neodymium magnet provides high output level and an increased signal-to-noise ratio. A superior shock mount syst

Summary of the content on the page No. 5

AXS 2 MICROFONO DINAMICO El modelo AXS 2 de Shure es un micrófono dinamico para uso general diseñado para trabajar en aplicaciones de refuerzo de sonido y graba- ciones de bajo costo, incluyendo la captación de cantantes, instru- mentos, y oradores. Su cartucho destaca una respuesta de frecuencia uniforme y un imán de neodimio para generar una señal de salida de nivel alto. Su patrón de captación de cardioide asegura un alto nivel de ganancia antes de realimentación y ofrece un excelente rechazo

Summary of the content on the page No. 6

AXS 3 DYNAMIC MICROPHONE The AXS 3 is a dynamic vocal microphone designed for sound rein- forcement and project studio recording applications. Its smooth frequency response is tailored for vocals. The cardioid po- lar pattern remains uniform throughout its frequency range, ensuring high gain before feedback, maximum rejection of unwanted sound, and minimum off-axis sound coloration. A neodymium magnet pro- vides high output level and high signal-to-noise ratio. A steel mesh ball grille, die-cast

Summary of the content on the page No. 7

AXS 3 MICROFONO DINAMICO El modelo AXS 3 es un micrófono dinámico diseñado para uso en re- fuerzo de sonido y en estudios de grabación. Su respuesta de frecuencia diseñada para reproducción de voces de cantantes. Su patrón de captación de cardioide mantiene uniforme por toda su gama de frecuencias, lo cual asegura un alto valor de ga- nancia antes de realimentación, rechazo máximo de fuentes sonoras no deseadas y coloración tónica mínima del sonido generado fuera de su eje de captación. Un imá

Summary of the content on the page No. 8

AXS 4 CONDENSER MICROPHONE The AXS 4 is a professional quality condenser microphone suitable for sound reinforcement and studio recording of acoustic guitar, drums, stringed instruments, and vocals (when mounted on a stand). The AXS 4 has a wide frequency response for natural sound repro- duction. It maintains a cardioid polar pattern throughout its frequency range, which ensures high gain before feedback and maximum isola- tion from unwanted sound sources. Its high sensitivity and low self– noi

Summary of the content on the page No. 9

AXS 4 MICROFONO DE CONDENSADOR El modelo AXS 4 es un micrófono condensador de calidad profesional apropiado para uso en refuerzo de sonido y la captación de guitarras acústicas, tambores, instrumentos de cuerda y voces (al montarlo en un pedestal) en estudios de grabación. La respuesta de frecuencia del AXS 4 ofrece una reproducción natu- ral del sonido. El AXS 4 también mantiene su patrón de captación de cardioide por toda su gama de frecuencias, lo cual asegura un alto va- lor de ganancia ant

Summary of the content on the page No. 10

AXS 5 CONDENSER MICROPHONE The AXS 5 is a professional-quality vocal microphone suitable for stu- dio recording, lead vocal sound reinforcement, and high-profile public address. The AXS 5 frequency response is optimized for vocals. The micro- phone maintains a cardioid polar pattern throughout its frequency range, ensuring high gain before feedback, maximum rejection of un- wanted sound, and minimum off-axis sound coloration. Its high sensi- tivity and low self-noise make it an ideal choice for

Summary of the content on the page No. 11

AXS 5 MICROFONO CONDENSADOR El modelo AXS 5 es un micrófono para uso en refuerzo de sonido pro- fesional de voces principales y en estudios de grabación. El modelo AXS 5 tiene una respuesta de frecuencia ajustada para la cap- tación de voces. También mantiene su patrón de captación cardioide por toda su gama de frecuencias, lo cual asegura un alto valor de ganancia antes de realimentación, rechazo máximo de las fuentes sonoras no des- eadas, y coloración mínima de sonidos generados fuera del ej

Summary of the content on the page No. 12

AXS 6 DYNAMIC INSTRUMENT MICROPHONE The AXS 6 is a high output dynamic microphone designed for profes- sional sound reinforcement and studio recording. Typical applications include close miking of tom-toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds. The AXS 6 features a smooth, extended frequency response that is ideal for a wide variety of instruments. Its cardioid pickup pattern is consistent throughout its frequency range, ensuring high ga

Summary of the content on the page No. 13

AXS 6 MICROFONO DINAMICO UNIDIRECCIONAL El modelo AXS 6 es un micrófono dinámico diseñado para uso en re- fuerzo de sonido profesional y en estudios de grabación. Usos típicos incluyen la captación a corta distancia de tambores tom–tom y otros instrumentos de percusión, al igual que de amplificadores de guitarra e instrumentos de viento, y para captar voces. El AXS 6 tiene una respuesta de frecuencia uniforme y ampliada que es ideal para reproducción de instrumentos musicales. Su patrón de capta

Summary of the content on the page No. 14

POLAR PATTERNS PATRONES POLARES AXS 1 AXS 2 AXS 3 AXS 4 AXS 5 AXS 6 13

Summary of the content on the page No. 15

TYPICAL FREQUENCY RESPONSE RESPUESTA DE FRECUENCIA TIPICA AXS 1 Hz AXS 2

Summary of the content on the page No. 16

AMPLIFIER AMPLIFICADOR AMPLIFIER AMPLIFICADOR GENERAL RULES FOR MICROPHONE USE 1. For optimal signal-to-noise ratio, place the microphone as close as practical to the desired sound source. 2. Aim the microphone directly at the sound source and away from undesired sound sources. 3. Use no more than one microphone per sound source and use the fewest number of microphones necessary. 4. For maximum isolation, keep the distance between microphones at least three times the distance from each source to

Summary of the content on the page No. 17

REGLAS GENERALES DE USO DE MICROFONOS 1. Para obtener una relación óptima de señal a ruido, coloque el mi- crófono lo más cerca posible a la fuente sonora deseada. 2. Apunte el micrófono hacia la fuente sonora y en sentido opuesto a las fuentes no deseadas para obtener el nivel más alto de ganan- cia antes de realimentación y de rechazo de ruido no deseado. 3. Utilice sólo un micrófono para captar una fuente sonora y utilice la cantidad más baja de micrófonos posible. 4. Para ofrecer el aisl


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