Summary of the content on the page No. 1
Summary of the content on the page No. 2
• Lens: AF-S Micro NIKKOR 60mm f/2.8G ED • Image quality: 14-bit RAW (NEF) • Exposure: [M] mode, 1/250 second, f/8 • White balance: Color Temp. (4550k) • Sensitivity: ISO 100 • Picture Control: Standard © Frank P. Wartenberg
Summary of the content on the page No. 3
• Lens: AF-S NIKKOR 24-70mm f/2.8G ED • Image quality: 14- bit RAW (NEF) • Exposure: [M] mode, 1/125 second, f/10 • White balance: Flash • Sensitivity: ISO 100 • Picture Control: Standard © Frank P. Wartenberg
Summary of the content on the page No. 4
• Lens: AF-S Micro NIKKOR 60mm f/2.8G ED • Image quality: 14-bit RAW (NEF) • Exposure: [M] mode, 1/60 second, f/8 • White balance: Color Temp. (4760k) • Sensitivity: ISO 100 • Picture Control: Portrait © Frank P. Wartenberg
Summary of the content on the page No. 5
• Lens: PC-E Micro NIKKOR 85mm f/2.8D • Image quality: 14-bit RAW • Lens: PC-E Micro NIKKOR 85mm f/2.8D • Image quality: 14-bit RAW (NEF) • Exposure: [M] mode, 1/60 second, f/32 • White balance: Auto (NEF) • Exposure: [M] mode, 1/60 second, f/32 • White balance: Auto • Sensitivity: ISO 100 • Picture Control: Standard • Sensitivity: ISO 100 • Picture Control: Standard © Kenji Aoki © Kenji Aoki
Summary of the content on the page No. 6
• Lens: AF-S NIKKOR 24-70mm f/2.8G ED • Image quality: 14-bit RAW (NEF) • Exposure: [M] mode, 1/200 second, f/10 • White balance: Auto • Sensitivity: ISO 100 • Picture Control: Standard © Tim Andrew
Summary of the content on the page No. 7
• Lens: AF-S VR Nikkor 200mm f/2G IF-ED • Image • Lens: AF-S NIKKOR 24-70mm f/2.8G ED • Image quality: 12-bit RAW (NEF) • Exposure: [M] mode, 1/80 quality: 12-bit RAW (NEF) • Exposure: [M] mode, 1/50 second, f/2 • White balance: Auto • Sensitivity: ISO 800 second, f/13 • White balance: Auto • Sensitivity: ISO • Picture Control: Standard 100 • Picture Control: Standard © Tim Andrew © Tim Andrew
Summary of the content on the page No. 8
• Lens: AF-S NIKKOR 24-70mm f/2.8G ED • Image quality: 14-bit RAW (NEF) • Exposure: [A] mode, 1/100 second, f/5.6 • White balance: Auto • Sensitivity: ISO 100 • Picture Control: Landscape ©John Shaw
Summary of the content on the page No. 9
THE W ORLD IS Y OUR STUDIO l l Extreme-resolution photography once meant a sacrifice in mobility, versatility and spontaneity. Now, the Nikon D3X builds Nikon FX-format CMOS image sensor with 24.5 effective megapixels Exceptional noise control from ISO 100 to ISO 1600 upon the world-renowned D3, merging 24.5 megapixels of imaging performance with the speed and handling characteristics l Near-instantaneous shutter release time lag of approx. 0.04 seconds (based on CIPA Guideline)* l 5-fram
Summary of the content on the page No. 10
EXQUISITE DETAILS IMAGES WITH THE X-FACTOR The sensor's 24.5 megapixels are only the beginning. No matter how you shoot – tightly controlled or on the fly – Images with the X-factor are what your clients expect and your reputation deserves. Nikon's EXPEED processing the camera's phenomenally wide dynamic range retains subtlety of shadow and highlight detail that contributes to system is much more than a mere label or processing chip component. The EXPEED at work in the D3X is designed breathta
Summary of the content on the page No. 11
RAPID RESPONSE THE ART OF ERGONOMICS Not every subject poses for the camera. Whether it's on the catwalk, in the studio or roaming in the wild, The logic is simple: a camera that functions naturally in your hands allows creative work to flow. The D3X features photographers must capture their subject beautifully and accurately. With its 51 individually selectable AF points, Nikon's world-renowned ergonomics, placement of controls and intuitive menu systems to help you follow your the D3X autofo
Summary of the content on the page No. 12
COMPREHENSIVE PROTECTION CREATIVE FREEDOM Spectacular images can be found far beyond the controlled confines of the studio. Unlike less robust 36x24mm Whether it's the world-renowned NIKKOR lenses or the industry-leading Speedlight system, shooting with a D3X D-SLRs or more cumbersome medium-format equipment, the D3X was designed to be at home both on the set opens the door to a range of creative opportunities that only Nikon can offer. The Nikon Total Imaging System, and on location. Its perf
Summary of the content on the page No. 13
Four of the world's top professional photographers worked with the D3X on a variety of assignments. D3X: On Assignment S t u d i o w o r k i s a g a m e o f certain that the D3X images would AF-S NIKKOR 500mm f/4G ED VR For studio shooting, the D3X's shooting difficult for fashion The D3X's control layout is virtually Working fast, as time was tight, When Nikon asked me to take a resolution is amazing, rivaling photographers are now diminished millimeters: the slightest move can be vastly i
Summary of the content on the page No. 14
Nikon Digital SLR Camera D3X Specifications Type Focus Type Single-lens reflex digital camera Autofocus Nikon Multi-CAM 3500FX autofocus sensor module with TTL phase-detection; 51 focus Lens Mount Nikon F mount with AF coupling and AF contacts points (including 15 cross-type sensors); AF fine tuning possible Picture Angle Equivalent to angle produced by lens focal length (1.5 times when DX format is selected) Detection Range -1 to +19 EV (ISO 100 at 20°C/68°F) Lens Servo 1) Autofocus: Single-se
