ページ1に含まれる内容の要旨
E 1
ENGLISH
OS Ver. 1.0
Advanced Edit
ページ2に含まれる内容の要旨
ページ3に含まれる内容の要旨
Table of Contents 1 Table of Contents Style Record mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Pad Chord Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45 The Style structure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 Import: Import Groove . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45 Style/Pad Import/Export . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
ページ4に含まれる内容の要旨
Table of Contents 2 Write MultiSample dialog box . . . . . . . . . . . . . . . . . . . . . . . . . . . 92 Reverb and Early Reflections (Reverb ER) . . . . . . . . . . . . . . . .152 Write Slice dialog box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92 Mono-Mono Serial (Mono-Mono) . . . . . . . . . . . . . . . . . . . . . .154 Delete Sample dialog box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93 Double Size . . . . . . . . . . . . . . . . . . . . .
ページ5に含まれる内容の要旨
Style Record mode 3 The Style structure Style Record mode By entering the Style Record mode, you can create your own Each Style Element is made up of smaller units, called Chord Styles, or edit an existing Style. Variations (CV), but not all of them have the same number of CVs. Variations 1-4 have up to 6 CVs each, while the other Style Elements have only up to 2 CVs. When you play on the chord recognition area (Lower, Upper or The Style structure Full, depending on the Chord Scanning section on
ページ6に含まれる内容の要旨
Style Record mode 4 Style/Pad Import/Export Just to summarize, when you play a chord on the chord recogni- • While in Style Play mode, you can assign a single Sound to tion area, the arranger determines which Style Element is used, the Style Settings (together with the other track parame- then determines which Chord Variation should be used for the ters), that remains the same for all Style Elements. played chord, then Style sequences for every track of that Chord Which Sounds are used depends
ページ7に含まれる内容の要旨
Style Record mode 5 Exit by saving or deleting changes Note: While in Record mode, the footswitch and EC5 pedals are disabled. On the contrary, volume/expression-type pedals can be List of recorded events used. The Style/Pad Record mode filters out some events that may cause wrong operation of the Style or Pad. Here are the recorded events, and the most important filtered-out events. Exit by saving or deleting changes Control function CC# When finished editing, you can save your Style or Pad in
ページ8に含まれる内容の要旨
Style Record mode 6 Main page - Record 1 Recording parameters area Main page - Record 1 Element (Style Element) This parameter lets you select a Style Element for editing. Each After having pressed the RECORD button, and having chosen Style Element corresponds to a button on the control panel car- whether you want to edit an existing Style or create a new one, rying the same name. After selecting a Style Element, select a the main page of the Style Record mode appears, with the tab Chord Variati
ページ9に含まれる内容の要旨
Style Record mode 7 Main page - Record 1 Warning: If you assign CV Length a value lower than Rec Length, Selected track info area the value of Rec Length is not immediately updated in the display. This line lets you see the Sound assigned to the selected track. Therefore, you are still free of changing the value of CV Length, before the measures exceeding its value are deleted (see warning in “CV Length (Chord Variation Length)” below). Track name Sound bank However, if you press START/STOP to b
ページ10に含まれる内容の要旨
Style Record mode 8 Main page - Record 1 Parallel/Root The root note (in CMaj = C) is transposed to the NTT Area missing notes. NTT Type/Table Parallel/Fifth The 5th note (in CMaj = G) is transposed to the missing notes. NTTs (Note Transposition Tables) are the sophisticated algo- rithms that allow Korg arrangers to convert recognized chords As recorded with NTT = Root or 5t h When you play a CM7 When you play a CM7 into musical patterns. The Note Transposition Table (NTT) (Key/Chord = CMaj )
ページ11に含まれる内容の要旨
Style Record mode 9 Main page - Record 2/Cue Delete Note button Main page - Record 2/Cue Use this command to delete a single note or a single percussive instrument from a track. For example, to delete a snare, keep the D2 note (corresponding to the snare) pressed. While in the main page, touch the “Record 2/Cue” tab to see this page. Most parameters in this page are the same as in “Main page 1. Select a track. - Record 1”. In addition, here you can see and select Sounds for 2. Touch the “Delete
ページ12に含まれる内容の要旨
Style Record mode 10 Main page - Guitar Mode Cue area Main page - Guitar Mode Cue mode for [Style element] This parameter lets you decide how the current Style Element While in the main page, and a Guitar track has been selected, will enter after it has been selected. This setting is only available touch the “Guitar Mode” tab to see this page. This is where you for the ‘Variation’ and ‘Fill’ Style Elements. can access Guitar Mode programming: Immediate, first measure The Style Element enters imm
ページ13に含まれる内容の要旨
Style Record mode 11 Main page - Guitar Mode key; with them, you can always play the lowest notes of an arpeg- Recording strumming types gio. This octave also includes an ‘all mute’ key (F#): The octave from C1 to B1 is devoted to selecting a strumming Pa3X 76 type. By pressing these keys, you play fast strumming samples: Pa3X 61 Pa3X 76 Pa3X 61 All Mute Recognized Chord Full Down Slow Mute Power Chord Fifth Recognized Full Up Mute Up Mute 4-Strings Full Down/Up Chord Root Full Down Mute Down Mu
ページ14に含まれる内容の要旨
Style Record mode 12 Main page - Guitar Mode You can record the pattern by playing it in the range shown by Vel. Range from Str. to Str. Position the diagram. 34 4 Strings Treble I IV 3 Pa3X 76 35 4 Strings Treble I IV 4 Pa3X 61 36 4 Strings Treble I IV 5 37 3 Strings Bass IV VI 0 38 3 Strings Bass IV VI 1 39 3 Strings Bass IV VI 2 40 3 Strings Bass IV VI 3 41 3 Strings Bass IV VI 4 42 3 Strings Bass IV VI 5 43 3 Strings MiddleBas III V 0 44 3 Strings MiddleBas III V 1 45 3 Strings M
ページ15に含まれる内容の要旨
Style Record mode 13 Main page - Guitar Mode Capo - Fret Vel. Range from Str. to Str. Position A capo (from the Italian “capotasto”, “head of fingerboard”) is a 87 2 Strings Treble I II 2 movable bar attached to the fingerboard of the guitar, to uni- 88 2 Strings Treble I II 3 formly raise the pitch of all the strings. Its use makes the strings 89 2 Strings Treble I II 4 shorter, therefore changing the timbre and position of the chords 90 2 Strings Treble I II 5 (but not its shape). 0 Op
ページ16に含まれる内容の要旨
Style Record mode 14 Style Record procedure Realtime Record procedure Style Record procedure 1. Select the track to record. Its status icon will turn to ‘Record’. (For more details, see “Tracks volume/status area” on page 9). There are two different methods for recording a Style: Realtime and Step. Note: When entering the Record mode, a track is already in Record status. When you press START/STOP after • Realtime Recording allows you to record Style patterns in entering the Record mode, you can
ページ17に含まれる内容の要旨
Style Record mode 15 Style Record procedure 8. When back to the main page of the Style Record mode, you Step Record procedure may turn all tracks to the play status, then press START/ 1. While in the main page of the Style Record mode, select the STOP to listen to the Style. Press START/STOP again to “Overdub Step Recording” command from the page menu, stop the playback. to enter the Overdub Step Record mode. 9. From the main page of the Style Record mode, select either 2. The “Pos” parameter s
ページ18に含まれる内容の要旨
Style Record mode 16 Edit menu Other pages have a slightly different structure. Edit menu Operating mode Edit section Page menu Chord icon From any page (apart for Step Record), press the MENU button to open the Style Record edit menu. This menu gives access to the various Style Record edit sections. When in the menu, select an edit section, or press EXIT to exit Parameters the menu and return to the main page. To return to the main area page, you can also select the Main Page menu item. When
ページ19に含まれる内容の要旨
Style Record mode 17 Event Edit: Event Edit Position Event Edit: Event Edit Position of the event, expressed in the form ‘aaa.bb.ccc’: • ‘aaa’ is the measure •‘bb’ is the beat The Event Edit is the page where you can edit each single MIDI event of the selected Chord Variation. You can, for example, • ‘ccc’ is the tick (each quarter beat = 384 ticks) replace a note with a different one, or change its playing strength You can edit this parameter to move the event to a different posi- (i.e., veloci
ページ20に含まれる内容の要旨
Style Record mode 18 Event Edit: Event Edit When in this dialog box, select a target measure, and touch OK. 9. Scroll though the various events by using the scrollbar. The first event available in the target measure will be selected. 10. Select an event to be edited by touching it in the display. This is usually a note, that you can edit. Insert Touch the Insert button in the display to insert a new event at the current shown Position. The default values are Type = Note, For more information on
