ページ1に含まれる内容の要旨
RAVE
USER MANUAL
▼▼ RAVE 80 Digital Audio Router (8 AES3 outputs)
▼▼▼
▼▼▼▼▼ RAVE 81 Digital Audio Router (8 AES3 inputs)
▼▼▼ RAVE 88 Digital Audio Router (4 AES3 inputs + 4 AES3 outputs)
▼▼
FPO
▼▼▼▼▼ RAVE 160 Digital Audio Router (16 analog audio outputs)
▼▼▼ RAVE 161 Digital Audio Router (16 analog audio inputs)
▼▼
▼▼▼▼▼ RAVE 188 Digital Audio Router (8 analog audio ins + 8 analog audio outs)
Rev. A
12345678901234567890123456789
1 234567890123456789012345678 9
1 234567890123456789012345678 9
1
ページ2に含まれる内容の要旨
Table of Contents RAVE Digital Audio Router User Manual Warning Notices................................................................................................................................................ 2 I. Introduction ................................................................................................................................................ 3 Glossary ..............................................................................................................
ページ3に含まれる内容の要旨
EXPLANATION OF GRAPHICAL FEDERAL CAUTION SYMBOLS COMMUNICATIONS RISK OF ELECTRIC SHOCK COMMISSION (FCC) DO NOT OPEN The lightning flash with arrowhead symbol, INFORMATION within an equilateral triangle, is intended to alert the user to the presence of uninsulated CAUTION: To reduce the risk of electric shock, do not remove NOTE: This equipment has been dangerous voltage within the products the cover. No user-serviceable parts inside. Refer servicing tested and found to comply enclosure that m
ページ4に含まれる内容の要旨
I. Introduction RAVE Digital Audio Router products provide a means of transporting audio signals over a data network. Using common Fast Ethernet as the physical medium, a RAVE system has a maximum capacity of 64 channels on a 100baseTX network. RAVE transports the audio signals over the network in a 48 kHz 20-bit digital format. Each unit has a female RJ-45 connector on its rear panel for connecting to a standard Ethernet twisted-pair cable. For economy and flexibility, you can use standard off
ページ5に含まれる内容の要旨
Rear views, from top: RAVE 160, RAVE 188, RAVE 161, RAVE 80, RAVE 88, and RAVE 81. GLOSSARY Below are some terms used in this manual that RAVE users should be familiar with. AES3—A technological specification for inter-device conveyance of a dual-channel (stereo) digital audio signal. Also called AES/EBU. Crossover cable—A type of twisted-pair Ethernet patch cable, but somewhat analogous in function to a null modem cable. Unlike a normal patch cable, the transmit and receive wire pairs are swapp
ページ6に含まれる内容の要旨
HOW IT WORKS Ethernet networks are most often used for computer systems; a typical application would be in an office with servers, workstations, and shared printers. These devices use the Ethernet medium in an unregulated, non- deterministic way. This means that they transmit data messages (called “packets”) only when necessary, and the length of the messages may vary depending on the sending device and on the type and amount of data being sent. When it has a message to send on the network, a de
ページ7に含まれる内容の要旨
Channel routing A RAVE network handles routing in groups of eight audio channels, and each group of eight transmitted on the network makes up one network channel. Each RAVE device handles two network channels—two sent, two received, or one of each. For example, a RAVE 161 unit, with 16 analog audio inputs, represents two transmitted groups, and thus two separate network channels; one comprises audio channels 1 through 8—the other, channels 9 through 16. Similarly, a RAVE 80, with eight AES3 digi
ページ8に含まれる内容の要旨
NETWORK TOPOLOGY EXAMPLES Two nodes with a direct cable connection Advantages: very low cost; very high reliability; simple to implement Disadvantages: limited to 100 meters (328 feet) total network size; no expandability; uses non-standard wiring of RJ-45 connectors on Ethernet cable The simplest and most direct RAVE network comprises two RAVE units connected by a single crossover cable. This network has only one segment, so the 100-meter limit applies to the segment and thus to the entire net-
ページ9に含まれる内容の要旨
Star topology Advantages: greater network size—up to 200 meters (656 feet); high reliability; readily expandable; uses standard Ethernet patch cables Disadvantages: higher cost Add nodes—i.e., RAVE units—to the previ- ous net layout and you have the classic star topology. This name comes from the hub being at the center and the nodes radiating out from it like the points of a star. It doesn’t matter if the nodes are actually right next to one another while the hub is in another room—it’s still a
ページ10に含まれる内容の要旨
Maximum system cable span (e.g., furthest node- to-hub + hub-to-hub + hub-to-node): 400 meters (1312 feet) Distributed star network topology Data signals sent over optical fiber don’t degrade as much as they do over copper wiring, and they are immune to induced interference from electromagnetic and RF sources, fluorescent lighting fixtures, etc. Consequently, a Fast Ethernet fiber optic network segment (100baseFX) can be up to 2 kilometers (6560 feet, or 1.24 miles) long, twenty times longer tha
ページ11に含まれる内容の要旨
The illustration at right shows a simple 2-node network similar to the one decribed before, except nearly all of the interconnecting UTP cable between the RAVE devices has been replaced by a pair of 100baseTX-to-100baseFX converters and a length of fiber optic cable. This conversion to a fiber optic medium allows the distance between the RAVE units to be increased to up to 2 kilometers. More complex topologies with more than one fiber optic link are also possible, as shown below. Although any fi
ページ12に含まれる内容の要旨
* *Although any one fiber segment can be up to 2000 meters long, and any single UTP segment can be up to 100 meters long, it may be necessary to impose shorter limits, in consideration of cumulative delays caused by devices and cabling. See text for more information. Using optical fiber to link hubs in that its deterministic nature affords a bit more tolerance of delay than unregulated, non-deterministic network traffic can handle: a network span or diameter of up to 2560 bit periods (with Fast
ページ13に含まれる内容の要旨
III. Installation PRE-INSTALLATION PREPARATION: ANALOG SIGNAL LEVELS (RAVE 160, 161, AND 188 ONLY) The RAVE models which handle analog audio inputs and/or outputs require a signal level set-up to achieve optimum performance. This configuration should be completed before rack-mounting the units. (The digital AES3 models, however, do not require any such adjustment.) These adjustments are done internally by placing or arranging jumpers on the main circuit board. For access to these jumpers, you m
ページ14に含まれる内容の要旨
Input Level Sensitivity (RAVE 161 and 188 only) Input level sensitivity is the rms analog signal level at which a sinusoidal waveform will produce a digital full scale signal in the device. The available settings are +24dBu, +18dBu, and +12 dBu (reference: 0 dBu = 0.775 volt), which are 12.3, 6.1, and 3.1 volts rms, respectively. These correspond to 17.4, 8.7, and 4.4 volts peak. Check the specifications of the audio equipment driving the inputs to determine the correct setting. Each channel’s
ページ15に含まれる内容の要旨
RACK MOUNTING (ALL MODELS) A RAVE unit is 1 RU (1 rack space) high and mounts in any standard 19-inch equipment rack. The top cover of the chassis must be in place and properly secured with screws before you can mount the RAVE unit. • Use four mounting screws to fasten the front ears of the RAVE unit to the mounting rails of the rack. • The chassis of a RAVE unit also has mounting ears on its rear corners; if the rack also has rear rails, it’s a good idea to support the RAVE unit in the rear, to
ページ16に含まれる内容の要旨
To connect balanced inputs, insert the +, -, and shield into the header as shown at left. To connect unbalanced inputs, connect the signal conductor to the + terminal and the shield to the - terminal, with a jumper to the ground/shield terminal, as shown at below left. The analog RAVE models (RAVE 160, 161, and 188) use normal analog balanced audio inputs and outputs, with three terminals per channel: Hi (+), Lo (-) and Shield. Channel numbers and connector pinouts are labeled on the rear of the
ページ17に含まれる内容の要旨
RAVE 81 This model features eight AES3 input channels, a total of 16 audio channels. The AES3 inputs are labeled 1 through 8 on the rear of the unit. RAVE 80 This model features eight AES3 output channels, a total of 16 audio output channels. The AES3 outputs are labeled 1 through 8 on the rear of the unit. AC POWER A RAVE unit will operate on line voltages from 90 to 264 VAC, 47 to 63Hz. No user selection of line voltage or frequency is required; the internal power supply automatically switches
ページ18に含まれる内容の要旨
SLAVE INPUT The slave input is another BNC jack. Its use is to allow a RAVE unit to “slave” itself to another RAVE unit, as a backup in mission-critical applications. To slave one RAVE unit to another, connect a BNC jumper cable from the sync output of the main unit to the slave input of the redundant unit. Select the same network channel(s) on the slave unit as are selected on the main unit. As long as the slave input detects the clock signal from the main RAVE unit, it will maintain a sort of
ページ19に含まれる内容の要旨
V. Operation STATUS INDICATORS The eight status indicator LEDs display the operating condition of the RAVE unit and its Ethernet network. They are color coded such that green LEDs, when lit, signify something good or normal, while red ones signify a problem. The “Conductor” LED is yellow because it doesn’t signify good nor bad; it’s simply informational. Network activity LEDs Link This LED lights green when the unit is properly connected to an operating Ethernet network. In normal operation, th
ページ20に含まれる内容の要旨
The RAVE units in a common network select a conductor according to three priorities. The priorities are, from highest to lowest: 1. Models 161 and 81 2. Models 188 and 88 3. Models 160 and 80 When a unit is connected to the network, it first looks to see if there is a conductor with lower priority already present. If so, or if there is no conductor present, the unit takes over as conductor. If not, the existing conductor keeps its job. If the conductor of a network is removed or taken offline,
