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V2.00 MANUAL ADDENDUM
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MANUAL ADDENDUM Version 2.00
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Improvements to MAIN Mode ................................................................................................. 1 Track Lock...................................................................................................................................1 MIDI Receive Indicator...............................................................................................................1 Navigation Improvements .....................................................................
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Fade Out ...........................................................................................................................................................................15 Improvements to PROGRAM Mode...................................................................................... 16 KEYGROUP Type Program .........................................................................................................16 Creating a Keygroup Program ....................................
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1 Improvements to MAIN Mode Track Lock Individual tracks in a sequence can now be locked for editing. This will allow data on that track to be protected when performing global functions, and protects from accidental adding, deleting or changing the sequence data on the track. All data, including MIDI notes, controller changes, Q-LINK events etc will be preserved. Programs can be changed to allow you to audition different sounds on the locked track while preserving the data from e
ページ6に含まれる内容の要旨
2 Pads C01-C16 Tracks 33-48 Pads D01-D16 Tracks 49-64 Metronome Improvements The Metronome has been updated to now include the following parameters: Volume Controls the overall level of the Metronome. Out Selects the output that the Metronome signal will be sent. The following outputs are available: LR The Metronome will be output to the stereo out. 1/2 The Metronome will be output stereo to [ASSIGNABLE MIX OUT] 1/2. 3/4 The Metronome will be output stereo to [ASSIGNABLE MI
ページ7に含まれる内容の要旨
3 PAD MUTE To turn on Pad Mute Quantization, do the following: 01. Press the [TRACK MUTE] Button This will open the TRACK MUTE Page. 02. Press the [F3] (PdMUTE) button to select the PAD MUTE Tab. 03. Press the [F5] (T.C.) button. The [F5] button will darken to indicate it is active as shown on the right. 04. Press a pad you would like to mute. The MPC5000 will mute the selected pad on the next division of the T.C. setting. Tip: For more information on Pad Mute, see page 81
ページ8に含まれる内容の要旨
4 Next Sequence for next bar Sequences can now be changed at the end of the current measure that is playing using the NXTBAR option. In NEXT SEQUENCE Mode, switch to the next sequence on the next bar by doing the following: 01. While the MPC is playing, hit the pad corresponding to the Sequence you would like to switch to. The Sequence Selected will be indicated in the lower left of the screen as shown to the right. 02. Press the [F3] (NXTBAR) button. The [NXTBAR] Button will darken
ページ9に含まれる内容の要旨
5 Improvements to STEP EDIT Mode Track Lock Individual tracks in a sequence can now be locked for editing. This will allow data on that track to be protected when performing global functions, and protects from accidental adding, deleting or changing the information on the track. A Track's LOCK Status is indicated by the padlock icon in the upper right corner of the display. To lock or unlock a track, do the following: 03. Select the TRACK LOCK icon 04. Turn the [DATA] Wheel, or
ページ10に含まれる内容の要旨
6 Improvements to GRID EDIT Mode Track Lock Individual tracks in a sequence can now be locked for editing. This will allow data on that track to be protected when performing global functions, and protects from accidental adding, deleting or changing the information on the track. A Track's LOCK Status is indicated by the padlock icon in the upper right corner of the display. To lock or unlock a track, do the following: 01. Select the TRACK LOCK icon 02. Turn the [DATA] Wheel, or
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7 03. To edit an individual event with more detail, select the event and press the [WINDOW] button. This will display the EVENTS Window. Here, events can be individually edited with more detail, or deleted by pressing the [F5] (DELETE) button.
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8 Improvements to SONG Mode LOCATE Locate is now available in SONG Mode, as well as MAIN Mode. To access Locate in SONG Mode, press the [LOCATE] button. Tip: For more information on Locate, see page 26 of the MPC5000 Reference Manual.
ページ13に含まれる内容の要旨
9 Improvements to REC SAMPLE Mode When recording samples, it is now possible to set the Root Note. This parameter determines at what key the sample will play at it's true pitch when loaded into a Keygroup. To set the Root Note, you can scroll in this field with the [DATA] wheel, or by pressing a MIDI Note.
ページ14に含まれる内容の要旨
10 Improvements to HD RECORD Mode Track Mix Access in HD RECORD Mode When in HD RECORD Mode, it is now possible to access the Sequence Track Mixer. This will allow the mixing of Sequence tracks while recording HD tracks. Selecting Track Mix To access the Track Mixer from HD RECORD Mode and on the HD MIX page, press the [F5] (TrkMIX) button. Returning to HD MIX To return to the HD Mixer from the Track Mixer, press [F3] (HD MIX). Erasing HD Track Automatio
ページ15に含まれる内容の要旨
11 Improvements to MIXER Mode Take Over Mode When 'Take Over Mode' is active, when on the TrkMIX, PrgMIX, HD MIX, SYNTH, and EFFECTS EDIT pages, moving a Q-LINK will only update when the current value of the control is crossed. For example, if a HD MIX Channel is set to a volume of 70, and the corresponding Q-LINK is set to its minimum position, if 'Take Over Mode' is active, the channel's volume wouldn’t change until the Q-LINK moves past 70, allowing for a smooth volume adjustment.
ページ16に含まれる内容の要旨
12 Improvements to TRIM Mode Popup List for Samples When selecting Samples to edit in TRIM Mode, all samples in memory are displayed in a scrollable list. Press any pad to audition the highlighted sample. To close this window, press the [F4] (CLOSE) button. TIP: You can easily navigate to the beginning or the end of this list by holding the [SHIFT] button and pressing the [UP] or [DOWN] arrows, and pressing a letter using the [NUMERIC] keypad will jump to the first item alphabe
ページ17に含まれる内容の要旨
13 Other Improvements Assigns a sample to a pad directly in TRIM Mode The MPC5000 can now directly assign samples to a pad. To do so, do the following: 01. Press and hold the [SHIFT] button. The screen on the right will be displayed. 02. Hit the pad you wish to assign the sample to. The Sample will be assigned to the selected pad in the current program. Selecting a Pad’s Sample to Edit. The MPC5000 can now easily jump to a sample from the current program from with
ページ18に含まれる内容の要旨
14 [F4] (CANCEL) / [F5] (DO IT) Press [F4] (CANCEL) to abort the GAIN operation. Press [F5] (DO IT) to apply the change. Bit Reduce The Bit Reducer removes bits from a sample. Using the Bit Reducer can be effective at achieving a "dirty" sound on drum loops, without the harshness of distortion. This is similar in sound to the Resampler effect, but permanently applies the change to the sample. Bit Depth This field sets the amount that the Bit Reducer will reduce the source ma
ページ19に含まれる内容の要旨
15 Fade Out This function sets an automatic fade Out between the in and out point of the selected section. The following fade types are available: Linear Fade Out This selection fades out the audio with a linear curve. A linear curve will go from start to end with no curve, creating a straight line. Logarithmic Fade Out This selection fades out the audio with a Logarithmic curve. A logarithmic curve will quickly loer, and then even out for the middle section, lowering qui
ページ20に含まれる内容の要旨
16 Improvements to PROGRAM Mode KEYGROUP Type Program New to the MPC5000 is a program type called KEYGROUP. A Keygroup program is a keymapped, multisampled program, which allows several samples to be played chromatically across a standard keyboard. Keygroups use velocity switching, crossfading, and key ranges to yield a very realistic sound across the entire keybed. Up to 128 keygroups, each with up to 4 samples can be used, to a total of 512 samples. Creating a Keygroup Program
