ページ10に含まれる内容の要旨
On the MACHINE CONTROL page HUI EMULATE ID 01 TRA checked and REC 1-8. On the OPTION-SYNC/TC page I have SYNC SOURCE and MIDI IN MTC checked. This allows the DM- 24 automation to be triggered by the MTC sent from Pro Tools.
ページ11に含まれる内容の要旨
On the DM-24 EXTERNAL CONTROL page use the cursor to point to the JUMP TO SCREEN icon and press ENTER. This will take you to the HUI control screen. SEND A-E refer to aux sends. If you point to A and press ENTER, the encoders on the LCD will show you all of the levels for the first aux send on the channels viewed. Using the cursors, you can highlight the encoder area and adjust them 4 at a time. Pressing SHIFT flips the aux send controls from the POD knobs to the faders. This allows you to cont
ページ12に含まれる内容の要旨
ページ1に含まれる内容の要旨
Recording and mixing with the DM-24 and Digi 001
The combination of the TASCAM DM-24 and the Digi 001 make for a very powerful system. While the
001 provides 32 audio tracks in Pro Tools and audio I/O, the DM-24 provides 16 mic pres, 24-bit A/D
converters, compressors, gates, 4-band parametric EQ, and DSP effects like TC Works reverb, and
Antares mic/speaker modelers.
This document will show you how to use this combination for recording and mixing. You will be able to
record up to 8 tracks sim
ページ2に含まれる内容の要旨
WORD CLOCK In this example the 001 will be the wordclock master. On the I/O page set D-1 IN to RCA (S/PDIF.) On the DM-24 DIGITAL-CLOCK page, set the DM-24 to clock to the D-1 IN (RCA.)
ページ3に含まれる内容の要旨
SETTINGS In the example below, theDM-24 has mic/line inputs 1-8 assigned to channels 1-8. These channels are set to DIRECT OUT. Notice that RETURN C: ADAT trk 1-8 is also chosen for this group of 8 channels. This setting is needed to “send” the DIRECT OUTS to the ADAT digital output. These are the signals that will be sent to Pro Tools for recording. The output page must also be setup to send DIRECT 1-8 to the ADAT output.
ページ4に含まれる内容の要旨
To record in Pro Tools from the DM-24, you must assign your Pro Tools tracks to receive their input from the ADAT connection sent from the DM-24 direct outputs. INPUTS OUTPUTS You must also assign your outputs. This is where you decide what tracks you want to mix in the DM-24, and what tracks you want to mix in Pro Tools. In the example below the Tambourine is sent to analog output 5, the Bass is being sent to analog output 6 and the other tracks are being sent to the Pro Tools stereo buss.
ページ5に含まれる内容の要旨
In the example below, channels 17-32 are setup to receive 14 tracks from the 001 - 8 tracks via ADAT digital I/O and 6 tracks from the analog I/O. These channels are all assigned to the stereo buss of the DM-24. The stereo buss of the DM-24 is sent to the S/PDIF Digital Output 1.
ページ6に含まれる内容の要旨
In Pro Tools, create a stereo aux input. Set the input to S/PDIF. This is where the stereo buss signal of the DM-24 is sent to Pro Tools. This signal is assigned to the Pro Tools stereo buss. INPUTS OUTPUTS Assign channels 15 and 16 to D IN 1-L and D IN 1-R.
ページ7に含まれる内容の要旨
Assign channels 15-16 to BUSS 1-2 and nothing else. Assign EFFECT 1 and 2 to the Stereo buss. On the MONITOR page assign SEL 1 to BUSS 1-2. Press the SEL 1 key in the Control Room section to Monitor this section. This is how you route audio with this system. You are always monitoring the Pro Tools stereo buss. There are two different ways to monitor with reverb while you are recording. You can set up post fader aux sends on channels 1-8. The reverb returns have been sent directly to the stere
ページ8に含まれる内容の要旨
DM-24 HUI emulation with Pro Tools First, you must have an OMS setup which has MIDI I/O connected between the 001 and the DM-24 (HUI). As a device: Manuf: Mackie Model: other Device ID: 0 Name HUI Receives MTC is checked Is Controller is checked Receives on CH 1 In Pro Tools Session Startup window MTC to Port is checked and HUI is the chosen port.
ページ9に含まれる内容の要旨
Under SETUPS-PERIPHERALS-MIDI CONTROLLERS #1 TYPE is HUI Receive from HUI Send to HUI Channels 8 On the DM-24 EXTERNAL CONTROL page HUI EMULATE ID 01 MIDI RX checked.
