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Music Mix Music Mix Music Mixer er er
Music Mix Music Mixer er
User Guide User Guide User Guide
User Guide User Guide
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IMPORTANT Please read this manual carefully before using your mixer for the first time. © Harman International Industries Ltd. 2005 All rights reserved Parts of the design of this product may be protected by worldwide patents. Part No. ZM0336-01 Soundcraft is a trading division of Harman International Industries Ltd. Information in this manual is subject to change without notice and does not represent a commitment on the part of the vendor. Soundcraft shall not be liable for any loss or damage w
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Contents Contents Contents Contents Contents IMPORTANT SAFETY INSTRUCTIONS 4 SAFETY SYMBOL GUIDE 6 INTRODUCTION 7 7 INSTALLATION 8 GENERAL PRECAUTIONS 8 MAINS INSTALLATION 8 INITIAL WIRING CONSIDERATIONS 9 AUDIO WIRING 9 SHIELDING 9 POINTS TO REMEMBER 10 WORKING SAFELY WITH SOUND 10 INSPECTION AND INSTALLATION 11 MAKING ADJUSTMENTS AND FITTING SPARES 12 MOVING THE REAR CONNECTOR PANEL 14 REPOSITIONING THE RACK EARS 14 ENABLING THE EXTERNAL MUTE FEATURE 14 CONNECTING TO A TYPICAL SOUND SYSTEM 15
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IMPORTANT SAFETY INSTRUCTIONS Read these instructions. Keep these instructions. Heed all warnings. Follow all instructions. Do not use this apparatus near water. Clean only with a dry cloth. Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat. Do not defeat the safety purpose of a polarised or grounding type plu
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Note: It is recommended that all maintenance and service on the product should be carried out by Soundcraft or its authorised agents. Soundcraft cannot accept any liability whatsoever for any loss or damage caused by service, maintenance or repair by unauthorised personnel. WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture. Do not expose the apparatus to dripping or splashing and do not place objects filled with liquids, such as vases, on t
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For your own safety and to avoid invalidation of the warranty please read this section carefully. SAFETY SYMBOL GUIDE For your own safety and to avoid invalidation of the warranty all text marked with these symbols should be read carefully. WARNINGS The lightning flash with arr The lightning flash with arr The lightning flash with arr The lightning flash with arr The lightning flash with arrowhead symbol, is owhead symbol, is owhead symbol, is owhead symbol, is owhead symbol, is intended to aler
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INTR INTR INTRODUCTION ODUCTION ODUCTION INTR INTRODUCTION ODUCTION Welcome Thanks for purchasing a UREI by Soundcraft 1603/1605 mixer, we hope you get just as much joy from using it as we got from designing it. The UREI by Soundcraft engineering team have 30 years experience in progressive audio design and take the utmost pride in the way we develop and manufacture products. Our consoles are in use 24 hours a day, every day all around the globe performing flawlessly by the most demanding indust
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INST INST INSTALLA ALLA ALLATION TION TION INST INSTALLA ALLATION TION The 1605/1603 is ruggedly constructed with the highest quality components. As such, it should provide years of trouble free use with normal care. All parts used are conservatively rated for their application, and workmanship meets UREI by Soundcraft’s rigid standards. NO SPECIAL PREVENTIVE MAINTENANCE IS REQUIRED, AND (WITH THE EXCEPTION OF THE PRE-TRIM ATTENUATORS) THERE ARE NO INTERNAL SERVICE ADJUSTMENTS. GENERAL PRECAUT
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INITIAL WIRING CONSIDERATIONS For optimum performance, it is essential for the earthing system to be clean and noise free, as all signals are referenced to this earth. A central point should be decided on for the main earth point system, and all earths should be 'star fed' from this point. It is common electrical practice to `daisy chain' the earths to all electrical outlets but this method is unsuitable for audio installations. The preferred method is to run an individual earth wire from each o
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POINTS TO REMEMBER When using balanced connections use good quality twin screened audio cable. Check for instability at the output. Always connect both conductors at both ends, and ensure that the screen is only connected at one end. Do not disconnect the mains earth from each piece of equipment. This is needed to provide both safety and screen returns to the system star point. It is important to remember that all equipment which is connected to the mains is a potential source of hum and interf
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INSPECTION AND INSTALLATION UNPACKING AND INSPECTION Your 1605/1603 was carefully packed at the factory, and the container was designed to protect the unit from rough handling. Nevertheless, we recommend careful examination of the shipping carton and its contents for any sign of physical damage which could have occurred in transit. If damage is evident, do not destroy any of the packing material or the carton, and immediately notify the carrier of a possible claim for damage. Shipping claims mu
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MAKING ADJUSTMENTS AND FITTING SPARES CAUTION: THE FOLLOWING SECTION IS FOR USE BY QUALIFIED SERVICE PERSONNEL ONLY. TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE THE TOP FASCIA OR THE FADER PANEL TO PERFORM ANY SERVICING OR OTHER TASKS, UNLESS YOU ARE QUALIFIED TO DO SO. BEFORE REMOVING THE TOP FASCIA OR THE FADER PANEL ENSURE THE UNIT IS DISCONNECTED FROM THE MAINS SUPPLY. ONLY REMOVE THE ALLEN SCREWS INDICATED ON THE DIAGRAM OPPOSITE. WARNING: DO NOT OVER-TIGHTEN THE SCREWS AFTERWARDS.
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Undo the 7 (1605) or 6 (1603) Allen screws using a 2mm Allen key. The fader panel can now be lifted clear of the subframe underneath. Take care not to bend the panel. Replacing The Channel Faders Using a 2mm Allen key undo and remove the 2 screws which secure the fader to the fader panel. Unplug the 8-pin connector, appying slight lateral force to the plug from side to side as you pull the plug from the socket. Plug the connector into the new fader. The connector is keyed so that it cannot be i
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MOVING THE REAR CONNECTOR PANEL It is possible to move the rear connector panel from its factory default position to its alternative location underneath the console. This alternative position can make it easier to rack or furniture-mount the console. To move the rear connector panel proceed as shown in the following diagram. REPOSITIONING THE RACK EARS The rack ears are shipped fitted to the sides of the console, but they are upside-down with the ears tucked underneath the console. To reposition
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CONNECTING TO A TYPICAL SOUND SYSTEM The diagram below shows how to connect the different parts of a typical sound system. 15
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BL BL BLOCK DIA OCK DIA OCK DIAGRAM GRAM GRAM BL BLOCK DIA OCK DIAGRAM GRAM 16
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USING THE CONSOLE USING THE CONSOLE USING THE CONSOLE USING THE CONSOLE USING THE CONSOLE MIC / DJ CHANNEL 1 The Channel 1 has a slightly different arrangement from the other input channels. There are four differences between this channel and all of the others. They are: The mic input to this channel can be made to form part of a venue’s emergency announcement system. The output from the channel’s fader is routed directly to the master output buses rather than the A or B buses. This means that
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Mid This gives a cut or boost of +/-12dB to frequencies centred at 600Hz Low This gives a cut or boost of +/-12dB to frequencies below 60Hz On When this switch is depressed its internal LED lights up. This indicates that the channel’s signal is being routed to the master section. The cue signal (see below) is not affected by the position of the ON switch. Cue Pressing this button routes the pre-fader signal to the headphones and meters. A LED in the switch indicates when Cue is selected. Signal-
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CHANNELS 2-7 (2-4 ON 1603) Mic This switch is a ‘push on, push off’ type. When this switch is pushed down, the MIC input on the rear connector panel is selected. A LED in the switch lights up to show that the mic is selected. When the switch is in the ‘up’ position the phono or line input is selected (dependiing on the position of the phono/line switch). Phono/Line This switch is a ‘push on, push off’ type. It routes the signal from the line input when it is ‘up’, and the phono input when it is
