Mackie PPM1012の取扱説明書

デバイスMackie PPM1012の取扱説明書

デバイス: Mackie PPM1012
カテゴリ: ミュージックミキサー
メーカー: Mackie
サイズ: 6.16 MB
追加した日付: 8/11/2013
ページ数: 36
説明書を印刷

ダウンロード

使い方は?

私たちの目的は、皆様方にデバイスMackie PPM1012の取扱説明書に含まれたコンテンツを可能な限り早く提供することです。オンラインプレビューを使用すると、Mackie PPM1012に関してあなたが抱えている問題に対する解決策の内容が素早く表示されます。

便宜上

説明書Mackie PPM1012をこちらのサイトで閲覧するのに不都合がある場合は、2つの解決策があります:

  • フルスクリーン表示 – 説明書を(お使いのコンピュータにダウンロードすることなく)便利に表示させるには、フルスクリーン表示モードをご使用ください。説明書Mackie PPM1012のフルスクリーン表示を起動するには、全画面表示ボタンを押してください。
  • コンピュータにダウンロード - Mackie PPM1012の説明書をお使いのコンピュータにダウンロードし、ご自身のコレクションに加えることもできます。デバイス上のスペースを無駄にしたくない場合は、いつでもManualsBaseサイトでダウンロードすることもできます。
Mackie PPM1012 取扱説明書 - Online PDF
Advertisement
« Page 1 of 36 »
Advertisement
印刷版

多くの人々は画面表示ではなく印刷された説明書を読むほうを好みます。説明書を印刷するオプションも提供されており、上記のリンクをクリックすることによりそれを利用できます - 説明書を印刷。説明書Mackie PPM1012を全部印刷する必要はなく、選択したページだけを印刷できます。紙を節約しましょう。

要旨

次のページにある説明書Mackie PPM1012の内容のプレビューは、以下にあります。次のページにある説明書の内容をすぐに表示したい場合は、こちらをご利用ください。

内容要旨
ページ1に含まれる内容の要旨

N
N
N
N
N
N
N
N
I
I
I
I
I
I
I
I
A
A
A
A
A
A
A
A
G
G
G
G
G
G
G
G
PPM1012
12-Channel, 2 x 800 W Professional Powered Mixer
1+ 1+
1 1
OWNER’S MANUAL
L
L
1 1 L LAMP
12V 0.5A
L
R
IN OUT FX
2 2 R
FOOTSWITCH
MIC 1 MIC 2 MIC 3 MIC 4 MIC 5 MIC 6 MIC 7 MIC 8 MON SEND FX SEND TAPE MAIN INSERT
TIP: FX1
RING: FX2
R
R
HI-Z HI-Z
LINE LINE LINE LINE LINE LINE LINE LINE L L L L
(BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (MONO) (MONO) (MONO) (MONO)
PHONES
M MAX

ページ2に含まれる内容の要旨

Important Safety Instructions 1. Read these instructions. 20. NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC 2. Keep these instructions. Rules. These limits are designed to provide reasonable protection 3. Heed all warnings. against harmful interference in a residential installation. This equip- 4. Follow all instructions. ment generates, uses, and can radiate radio frequency energy and, if 5. Do not use

ページ3に含まれる内容の要旨

Owner’s Manual Don’t use guitar cords for speaker cables! They’re not designed to handle speaker-level Read This Page! signals and could overheat. We realize that you must be really keen to try out your new powered mixer. Please Set the levels read the safety instructions on page 2 and this page, and the rest can wait until It’s not even necessary to hear what you’re doing to you’re ready. But please read it — you’ll be glad you did. set optimal levels. But if you’d like to: Plug headphon

ページ4に含まれる内容の要旨

� Two independent internal FX processors, each with 24 Running Man 32-bit effects with input Introduction gain, tap delay, and mute/unmute Thank you for choosing a Mackie PPM1012 profes- � Footswitch connection for FX mute/unmute sional powered mixer. This powerful mixer is designed � 9-band, constant-Q, graphic EQ on main mix, to meet the needs of almost any small to medium-sized assignable to monitor 2 club/meeting room/sanctuary/outdoor gathering. � 9-band, constant-Q, graphic EQ on mo

ページ5に含まれる内容の要旨

Owner’s Manual Contents IMPORTANT SAFETY INSTRUCTIONS ........................ 2 40. CHANNEL FADER ....................................20 READ THIS PAGE! .................................................... 3 41. SOLO .....................................................20 INTRODUCTION ...................................................... 4 MASTER CONTROLS HOOKUP DIAGRAMS............................................... 6 42. POWER LED ...........................................21 FEATURES ....

ページ6に含まれる内容の要旨

N N N N N N N N I I I I I I I I A A A A A A A A G G G G G G G G Hookup Diagrams Microphones Portable Recorder L L 1 1 L LAMP 12V 0.5A 2 X 800W PROFESSIONAL POWERED M L R 2 2 IN OUT R FX FOOTSWITCH SPEAKER OUT SPEAKER OUT MIC 1 MIC 2 MIC 3 MIC 4 MIC 5 MIC 6 MIC 7 MIC 8 MON SEND FX SEND TAPE MAIN INSERT TIP: FX1 RING: FX2 A B R R HI-Z HI-Z LINE LINE LINE LINE LINE LINE LINE LINE L L L L (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (MONO) (MONO) (M

ページ7に含まれる内容の要旨

Owner’s Manual N N N N N N N N I I I I I I I I A A A A A A A A G G G G G G G G Acoustic Guitar Microphones and Mic L L 1 1 L LAMP 12V 0.5A 2 X 800W PROFESSIONAL POWERED MIXER L R 2 2 IN OUT R FX FOOTSWITCH SPEAKER OUT SPEAKER OUT MON SEND FX SEND TAPE MAIN INSERT MIC 1 MIC 2 MIC 3 MIC 4 MIC 5 MIC 6 MIC 7 MIC 8 TIP: FX1 RING: FX2 A B R R HI-Z HI-Z LINE LINE LINE LINE LINE LINE LINE LINE L L L L (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (MONO)

ページ8に含まれる内容の要旨

N N N N N N N N I I I I I I I I A A A A A A A A G G G G G G G G Wireless Microphone Microphones Wireless Mic Receiver L L 1 1 L LAMP 12V 0.5A 2 X 800W PROFESSIONAL POWE L R 2 2 IN OUT R FX SPEAKER OUT SPEAKER OUT MAIN INSERT FOOTSWITCH MIC 1 MIC 2 MIC 3 MIC 4 MIC 5 MIC 6 MIC 7 MIC 8 MON SEND FX SEND TAPE TIP: FX1 RING: FX2 A B R R HI-Z HI-Z LINE LINE LINE LINE LINE LINE LINE LINE L L L L (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (MONO) (MONO)

ページ9に含まれる内容の要旨

Owner’s Manual N N N N N N N N I I I I I I I I A A A A A A A A G G G G G G G G Microphones L L 1 1 L LAMP 12V 0.5A 2 X 800W PROFESSIONAL POWERED MIXER L R IN OUT FX 2 2 R FOOTSWITCH SPEAKER OUT SPEAKER OUT MIC 1 MIC 2 MIC 3 MIC 4 MIC 5 MIC 6 MIC 7 MIC 8 MON SEND FX SEND TAPE MAIN INSERT TIP: FX1 RING: FX2 A B R R HI-Z HI-Z LINE LINE LINE LINE LINE LINE LINE LINE L L L L (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (MONO) (MONO) (MONO) (MONO) PHO

ページ10に含まれる内容の要旨

PPM1012 Features 2 X 800W PROFESSIONAL POWERED MIXER 3 3 2 SPEAKER OUT SPEAKER OUT POWER A B THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES AND THE ICES-003 FOR CANADA. OPERATION IS SUBJECT TO THE FOLLOWING AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR TWO CONDITIONS: (1) THIS DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND (2) THIS WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC DEVICE MUST ACCEPT ANY INTERFERENCE SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR RECEIVED, INCLUDING INTERFER

ページ11に含まれる内容の要旨

Owner’s Manual 1+ 1+ 1 1 10 11 13 14 21 L L 1 1 L LAMP 12V 0.5A 15 L 5 16 16 R 20 IN OUT FX 2 2 R FOOTSWITCH MAIN INSERT MIC 1 MIC 2 MIC 3 MIC 4 MIC 5 MIC 6 MIC 7 MIC 8 MON SEND FX SEND TAPE TIP: FX1 RING: FX2 R R 6 18 7 HI-Z 7 HI-Z LINE LINE LINE LINE LINE LINE LINE LINE L L L L (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (MONO) (MONO) (MONO) (MONO) PHONES 8 8 12 12 17 11 19 M MAX R R R R INSERT INSERT INSERT INSERT INSERT INSERT INS

ページ12に含まれる内容の要旨

1+ 1+ 1 1 10 11 13 14 21 L L 1 1 L LAMP 12V 0.5A 15 5 L 16 16 R 20 IN OUT FX 2 2 R FOOTSWITCH MIC 1 MIC 2 MIC 3 MIC 4 MIC 5 MIC 6 MIC 7 MIC 8 MON SEND FX SEND TAPE MAIN INSERT TIP: FX1 RING: FX2 R R 18 6 7 HI-Z 7 HI-Z LINE LINE LINE LINE LINE LINE LINE LINE L L L L (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (MONO) (MONO) (MONO) (MONO) PHONES 8 12 12 8 17 9 19 M MAX INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT R R R R M LEVE

ページ13に含まれる内容の要旨

Owner’s Manual 12. FX RTN 1 and FX RTN 2 16. MAIN OUTPUTS These 1/4" TRS input connectors allow you to add These balanced 1/4" TRS and XLR outputs supply the the stereo processed output from external effects stereo main mix at line-level. You can connect these processors to the main mix. Adjustment of the incom- outputs to the line-level inputs of external power ampli- ing signals is made with the FX return faders [57]. The fi ers running passive loudspeakers, or to the inputs of signals can

ページ14に含まれる内容の要旨

1+ 1+ 1 1 10 11 13 14 21 L L 1 1 L LAMP 12V 0.5A 15 5 L 16 16 R 20 IN OUT FX 2 2 R FOOTSWITCH MIC 1 MIC 2 MIC 3 MIC 4 MIC 5 MIC 6 MIC 7 MIC 8 MON SEND FX SEND TAPE MAIN INSERT TIP: FX1 RING: FX2 R R 18 6 7 HI-Z 7 HI-Z LINE LINE LINE LINE LINE LINE LINE LINE L L L L (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (MONO) (MONO) (MONO) (MONO) PHONES 8 12 12 8 17 9 19 M MAX INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT R R R R M LEVE

ページ15に含まれる内容の要旨

Owner’s Manual N N N N N N N N I I I I I I I I A A A A A A A A G G G G G G G G 1+ 1+ 1 1 Channel Controls The 10 vertical channel strips look very similar, and Stereo Channels 9/10 and 11/12 have a only few differences between them. Each chan- � Channels 9/10 and 11/12 are stereo channels, nel works independently, and just controls the signals and their controls affect signals coming into the plugged into the inputs directly above it. stereo line-level inputs 1 1 � The stereo channel EQ is a

ページ16に含まれる内容の要旨

N N N N N N I I I I I I A A A A A A G G G G G G 1+ 1+ 1 1 23. GAIN CONTROL 1 2345 U U U U U If you haven’t already, please read the level-setting 23 procedure on page 3. 0 +50 0 +50 0 +50 0 +50 0 +50 -20dB +30dB -20dB +30dB -20dB +30dB -20dB +30dB -20dB +30dB GAIN GAIN GAIN GAIN GAIN LOW CUT LOW CUT LOW CUT LOW CUT LOW CUT 100 Hz 100 Hz 100 Hz 100 Hz 100 Hz The gain knobs adjust the input sen- U 24 COMP COMP COMP COMP COMP sitivity of the mic and line inputs. This 25 allows signals from th

ページ17に含まれる内容の要旨

Owner’s Manual 25. COMPRESSOR (Channels 1–6 only) +20 Channels 1 to 6 have an in-line compressor circuit with a variable threshold. This is very useful for com- +15 pression of vocals, and snare drums for example, so you might consider connecting your microphones and drum mics to channels 1 to 6, rather than other channels. +10 When the incoming signals exceed the threshold level +5 set by this knob, the signal level is automatically com- pressed. This reduces the dynamic range, and reduces

ページ18に含まれる内容の要旨

N N N N N N N N I I I I I I I I A A A A A A A A G G G G G G G G 1+ 1+ 1 1 1 2345678 9/10 11/12 U U U U U U U U U U 23 0 +50 0 +50 0 +50 0 +50 0 +50 0 +50 0 +50 0 +50 -20 +20 -20 +20 -20dB +30dB -20dB +30dB -20dB +30dB -20dB +30dB -20dB +30dB -20dB +30dB -20dB +30dB -20dB +30dB GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN LOW CUT LOW CUT LOW CUT LOW CUT LOW CUT LOW CUT LOW CUT LOW CUT 100 Hz 100 Hz 100 Hz 100 Hz 100 Hz 100 Hz 100 Hz 100 Hz 24 COMP COMP COMP COMP COMP COMP 26 26 HI-Z HI-Z

ページ19に含まれる内容の要旨

Owner’s Manual 32. LOW EQ 27. HIGH EQ +15 +15 The low EQ provides up to 15 The high EQ provides up to 15 +10 +10 dB of boost or cut below 80 Hz. dB of boost or cut above 12 kHz, +5 +5 The circuit is fl at (no boost or 0 and it is also fl at at the detent. 0 –5 –5 cut) at the center detent posi- Use it to add sizzle to cymbals, –10 –10 tion. This frequency represents an overall sense of transpar- –15 –15 20Hz 100Hz 1kHz 10kHz 20kHz 20Hz 100Hz 1kHz 10kHz 20kHz the punch in bass drums, bass en

ページ20に含まれる内容の要旨

37. PAN 41. SOLO For the mono channels (1 to 8) this control allows you Whenever a solo switch is engaged, you will only hear to adjust how much of the channel signal goes to the the soloed channel(s) in the headphones. This gives you left main mix, and how much goes to the right main mix. the opportunity to audition the channels before they are It has no effect on the aux, as these are mono. In the added to the main mix. center position, the mono channel is split equally to the You can als


類似の説明書
# 取扱説明書 カテゴリ ダウンロード
1 Mackie Digital 8 BUS Version 3.0 取扱説明書 ミュージックミキサー 56
2 Mackie CFX.MKII 取扱説明書 ミュージックミキサー 1398
3 Mackie DS3232 取扱説明書 ミュージックミキサー 16
4 Mackie D8B 取扱説明書 ミュージックミキサー 537
5 Mackie EXPANDER LM-3204 取扱説明書 ミュージックミキサー 21
6 Mackie 1220i 取扱説明書 ミュージックミキサー 16
7 Mackie CFX16 MkII 取扱説明書 ミュージックミキサー 1120
8 Mackie 1620i 取扱説明書 ミュージックミキサー 20
9 Mackie EXPANDER LM-3204E 取扱説明書 ミュージックミキサー 5
10 Mackie ONYX 4Bus 取扱説明書 ミュージックミキサー 5
11 Mackie MUSIC CONTROLLER SP2400 取扱説明書 ミュージックミキサー 3
12 Mackie Onyx 1640i 取扱説明書 ミュージックミキサー 47
13 Mackie ONYX 820i 取扱説明書 ミュージックミキサー 88
14 Mackie HR624 MK2 取扱説明書 ミュージックミキサー 3
15 Mackie Onyx 1640 取扱説明書 ミュージックミキサー 274
16 Sony 2-190-733-11 (1) 取扱説明書 ミュージックミキサー 1
17 Sony DMBK-R103 取扱説明書 ミュージックミキサー 6
18 Sony DMBK-R106 取扱説明書 ミュージックミキサー 1
19 Sony RS-232C 取扱説明書 ミュージックミキサー 1
20 Sony DMBK-R105 取扱説明書 ミュージックミキサー 1