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User Manual
STUDIO CONDENSER
MICROPHONES C-2
2 Matched Studio Condenser Microphones
ページ2に含まれる内容の要旨
18 STUDIO CONDENSER MICROPHONES C-2 User Manual Take care not to drop Important Safety your microphone as this can Instructions lead to severe damage. BEHRINGER assumes no liability for any damage caused by the user. After each use, wipe the microphone down with a soft cloth and place it back into its protective casing (included with the microphone). Terminals marked with this symbol Then, lay the small bag containing the carry electrical current of sufficient moisture-absorbing crys
ページ3に含まれる内容の要旨
19 STUDIO CONDENSER MICROPHONES C-2 User Manual LIMITED WARRANTY Please register your new BEHRINGER equipment right after your purchase by visiting behringer.com and read the terms and conditions of our warranty carefully. LEGAL DISCLAIMER TECHNICAL SPECIFICATIONS AND APPEARANCES ARE SUBJECT TO CHANGE WITHOUT NOTICE AND ACCURACY IS NOT GUARANTEED. BEHRINGER IS PART OF THE MUSIC GROUP (MUSIC-GROUP.COM). ALL TRADEMARKS ARE THE PROPERTY OF THEIR RESPECTIVE OWNERS. MUSIC GROUP ACCEPTS NO LI
ページ4に含まれる内容の要旨
20 STUDIO CONDENSER MICROPHONES C-2 User Manual 1. Introduction Congratulations! By purchasing the BEHRINGER C-2, you have obtained 2 condenser microphones that offer the highest quality standards and the best audio characteristics. Both microphones have been matched to one another (matched pair), and are therefore particularly well-suited for stereo recordings. Of course, you can also use the microphones individually. Their outstanding characteristics make these microphones a valuable tool
ページ5に含まれる内容の要旨
21 STUDIO CONDENSER MICROPHONES C-2 User Manual Of course, you can use your microphones individually as well. A cardioid pattern capsule is often used in recording situations in which several sound sources are present. Since this capsule selectively tones down the pickup of sounds located to the side of the microphone, this way you can achieve good separation of sound sources, thus easily avoiding feedback. 5. Low Cut-Filter and Signal Level Attenuation (-10 dB) The C-2 studio microphones f
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22 STUDIO CONDENSER MICROPHONES C-2 User Manual 0 0 30 30 60 60 90 90 dB -30 -20 120 120 -10 150 150 0 180 180 250 Hz 500 Hz 4 kHz 1 kHz 8 kHz 2 kHz 16 kHz Polar pattern 20 10 0 -10 -20 20 50 100 200 500 1k 2k 5k 10k 20k Frequency response
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23 STUDIO CONDENSER MICROPHONES C-2 User Manual 9. Specifications Transducer type condenser, 16 mm (0.63'') Operating principle pressure gradient Polar pattern cardioid Connector gold-plated balanced XLR connector Open circuit sensitivity (@ 1 kHz) −41 dBV (0 dBV = 1 V/Pa) Frequency response 20 Hz to 20 kHz level attenuation −10 dB, switchable Low-cut filter 6 dB/oct. @ 120 Hz (switchable) Max. SPL (≤ 1% THD @ 1 kHz) 140 dB (0 dB), 150 dB (−10 dB) Equivalent noise level (IEC 651) 19 dBA Signal
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We Hear You
