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PV™1 UHF
Wireless microphone system
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CONTENTS 2 INTRODUCTION 3 IMPORTANT SAFEGUARDS 3 RECEIVER 4 INSTRUMENT CONNECTION 6 HANDHELD MIRCROPHONE 6 BODYPACK TRANSMITTER 8 OPENING BATTERY COMPARTMENT 10 SPECIFICATIONS 11 FCC Class B Notice If your system is FCC Class B, the following applies: Note – This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to prov
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INTRODUCTION Thank you for purchasing a PEAVEY PV®-1 UHF Diversity Wireless Microphone System. The PV-1 UHF wireless systems have user friendly features and are available in handheld, lavalier, headset and guitar models. • Clear channel UHF operation in three available frequencies. • The proprietary compander circuitry yields a dynamic range of up to 120dB • Squelch control for locking out potential interference. Choice of Transmitters: • Bodypack with input level control. • Ha
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moving it. To reduce the risk of fire or shock DO NOT expose this equipment to moisture or dust. To reduce the risk of fire or shock use only with specified voltage. To reduce the risk of fire or shock DO NOT damage the power cord by placing it near a heat source or stacking heavy items on top of it. To prevent damage to unit DO NOT place on surface that is unstable or that can tip over. DURING OPERATION To reduce the risk of fire or shock DO NOT remove the chassis cover. There are no
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3. Squelch Adjustment In normal operation, the SQUELCH CONTROL (6) should be set fully clockwise to the factory preset RF level (Max. Sens.). However, in areas of high RF activity, the squelch (or mute, as it is sometimes called) may need to be adjusted to compensate for the adverse conditions in a particular location. If, with the transmitter off, the receiver’s A and/or B DIVERSITY LED INDICTORS (3) flicker or stay on, the squelch control should be turned counterclockwise until th
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4. Connecting the Audio Output The UHF receiver provides both a fixed mic level BALANCED MIC AUDIO OUTPUT XLR (7) and an adjustable line level AUX AUDIO OUTPUT ¼” JACK (9). [Note: As when making any connection, make sure the amplifier or mixing board volume is at the minimum level before plugging in the receiver to avoid possible sound system damage.] INSTRUMENT CONNECTION Insert an audio cord with a ¼” mono phone plug in the AUX AUDIO OUTPUT JACK (9) on the rear panel of the
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3. The microphone is now ready to use. The A and/or B DIVERSITY LED INDICATORS (2) on the receiver should now be lit, indicating a received signal from the transmitter. When ready to speak, slide the transmitter switch to the ON position. Adjust the volume of the receiver as per the Audio Output Microphone Connection section of the above receiver instructions. [Note: Observe care in selecting P.A. volume, transmitter location and speaker placement so that acoustic feedback will be a
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MIC CORD (24) as desired. To secure the connection, insert locking mini-XLR into the jack. To unplug, reverse the process. Slip the transmitter into a pocket or CLIP (28) it on to your clothes or instrument strap (if using it as an instrument transmitter). The CLIP can be rotated 90 degree if the transmitter is to be attached horizontally (instead of vertically) by loosening the screws holding the clip. 3. Turn on the body pack transmitter by sliding the OFF/STANDBY/ON SWITCH (26)
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To use the lavalier mic, attach it at chest level or higher. Do not place it too close to the mouth – a distance of about six inches is recommended. To use the headset mic, place it on your head and adjust the boom so that the mic is about one inch to the side of the front of the mouth. As the microphone cord also serves as the antenna, be sure to extend it fully. Rolling up or shortening the cord may reduce the effective operating range – keep it as straight as possible. When re
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18. Battery Compartment 23. Headset Mic 19. AA Batteries 24. Lavalier Mic 21. 3.5 mm Locking Jack 25. Battery Indicator LED 22. Instrument Cord 26. On/Off/Standby Switch 28. Clip 10
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SPECIFICATIONS • Frequency Response 50Hz – 15 KHz, +/- 3dB • Dynamic Range 120dB • Total Harmonic Distortion <0.6% • RF Carrier Frequency Range UHF, choice of single frequencies from 906.000 to 923.700MHz • Frequency Stability +/- 0.005%, Crystal controlled • Modulation FM (F3E), +/-20KHz • Operating Range Up to 250 ft. typical (depending on site conditions); up to 500+ feet optimum line of sight TRANSMITTERS Audio Inputs • Body pack 3.5mm locking mini-jack • Body pack requir
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