ページ1に含まれる内容の要旨
Mic Memo
Mic Memo
Crowns Quarterly Microphone Newsletter Fall 2002 Bruce Bartlett, Editor
CM-700 Chosen for Dream Studios
if the room acoustics are very
CM-700 for
dead. Otherwise the mics pick
up a lot of room reverb which
Stage Vocals
muddies the sound. Also, ceil-
ing mics work poorly for sound
Although the CM-700 was not
reinforcement. The distance
designed to be a stage-vocal
from mic to source is just too
mic, it can be made to
ページ2に含まれる内容の要旨
Mic Memo the handheld mics. What sort of Ground loops can create hum. Harp Miking equalization is needed to do You might be held liable for Here's an unusal miking applica- this? messing with the organ electron- tion for sound reinforcement. ics. How do you mike a folk harp? It First, note that nearly all hand- The organ technician might is a small instrument about 4 held vocal mics are directional, remove the connection. feet tall. so they have proximity effect
ページ3に含まれる内容の要旨
Mic Memo we'd recommend using the bat- The PZM-185 has a high-fre- Letters From tery rather than phantom. quency rise for speech clarity. If you want to flatten the response Crown Mic Figure 1 shows some suggested to get a more natural sound, places to tape a PZM mic to the obtain a microphone foam wind- Users underside of the raised piano lid. screen. Cut off a 1/4" square For a mono recording with one about 1/8" thick and insert it into PZM Piano Miking mic, tape i
ページ4に含まれる内容の要旨
Mic Memo PZM Piano Miking stereo mini phone plug (Figure CM-311AE Fan (Continued from page 3) 3). On the mic end of both I just purchased the CM-311AE cables, wire a female XLR con- and I am so pleased with the Inside the female XLR connec- nector as described above. At headset, that I have placed a tor, connect pin 1 to the cable the other end of both cables, link to your site on our band's shield, connect pin 2 to the connect both shields to the site. cable center co
