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DYNAMIC MICROPHONE
OWNERS MANUAL
Copyright 2001, Samson Technologies Corp.
Printed May, 2001
Samson Technologies Corp.
575 Underhill Blvd.
P.O. Box 9031
Syosset, NY 11791-9031
®
Phone: 1-800-3-SAMSON (1-800-372-6766)
Fax: 516-364-3888
www.samsontech.com
Thank you for purchasing the Samson R21 Dynamic Microphone. The R21 dynamic
microphone brings a high level of accuracy and audio performance to vocal miking
applications.
The R21 is a hand held dynamic microphone that excels in both live performa
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Withstands high SPLs lending itself to a wide range of miking situations Ultra sensitive element picks up all of the nuances of any performance Gold plated XLR Connector Microphone Placement and Tone Quality Listed are some common microphone placement techniques. Use these sugges- tions as a guide and let your ears determine what works best in your situation. Sound source less than 6 inches away from mic—Full sound, pronounced bass, increased isolation from background noise. Sound sour
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The R211 can be connected to any mixer, mixer/amplifier, or mic preamp using a standard microphone cable. As shown in the wiring diagrams below, connect the female XLR end directly to the R21’s gold-plated connector and the other end (normally a male XLR end, although some mixers use 1/4" connectors) to the mixer, mixer/amplifier, or mic preamp. Hot (2) Hot (2) Common (1) Common (1) Solder Points Solder Points 12 2 1 1 2 21 3 3 3 3 End View End View Cold (3) Cold (3) Female XLR Male XLR Hot (2)
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In contrast, directional cardioid mics are specifically designed to accept mostly signal coming from directly in front, and to reject signal coming from behind or from the side. The cardioid pattern is utilized by the R21 (as shown in the illustra- tion below). For this reason, the R21 excels in environments where there is a good deal of unwanted ambient sound—it delivers those signals originating directly in front of the mic capsule itself while rejecting those that originate from behind. The p
