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O p e r a t i n g G u i d e
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Bandit 112
Bandit 112
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Studio Pro 112
Studio Pro 112
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E Envoy 110 nvoy 110
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Intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. Intended to alert the user of the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product. CAUTION: Risk of electrical shock — DO NOT OPEN! CAUTION: To reduce the risk of electric shock, do not remove cover. No user serviceable parts inside.
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ENGLISH ® ® ® Envoy 110, Studio Pro 112 and Bandit 112 ® TransTube Series Instrument Amplifiers ® Congratulations on your purchase of a Peavey TransTube Series instrument amplifier. Whether you are a beginner or seasoned pro, you could not have found a more practical, feature-packed amplifier. Peavey’s patented TransTube circuitry has moved forward into the second generation of products, leading the industry in tube emulation. There is no other solid-state amp that more closely replicates the c
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AC POWER In order to apply power to your TransTube Series amp you must first identify its required AC supply voltage. The proper voltage for your unit is labeled on the upper left corner of the rear panel. 1. AC Power Cord (Under Chassis) Locate the power cord tucked into the rear speaker compartment. This line cord provides the AC power to the unit. Connect the line cord to a properly grounded AC supply. Damage to the equipment may occur if improper line voltage is used. (See voltage marking o
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CHANNELS Your TransTube Series amp offers two-channel operation. Both the Clean and Lead channels provide a flexible platform for you to establish your favorite tone. The footswitch (optional on Envoy 110 and Studio Pro 112) allows remote switching between the two channels and is explained in detail on page 8 of this guide. 6 6. Channel Select Switch The Channel Select Switch determines which channel of the TransTube Preamp, LEAD or CLEAN, is active. This switch must be in the “LEAD” position
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position changes the overall function of the EQ and adds a hint of brightness to emulate some classic amp designs. Experiment with this switch, along with Clean EQ (9) adjustments, to capture your desired tone. You may refer to the Recommended Settings on page 11 for some creative starting points. 9. Clean EQ The TransTube EQ featured on the Clean channel of your amp offers 3-band tone adjustment. Each EQ control is passive (does not add gain) and has a frequency range dependent on the posi
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13. Post Gain Use this control to set the overall level of the Lead channel once your tone has been achieved. It is best to start with the control fully counterclockwise (minimum gain) and adjust clockwise until the desired level is achieved. After all EQ and voicing adjustments have been made to the channel, you may wish to reset this control. MASTER SECTION The Master sections of the TransTube Series amps vary from unit to unit. Please read carefully. Each feature’s description identifi
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REAR PANEL The rear panel features of the TransTube Series amps vary from unit to unit. Please read each carefully. Each feature’s description identifies its applicable model(s). 1 19 18 1 21 20 18 22 24 25 1 21 23 20 18 18. Remote Switch This jack accepts the appropriate remote footswitch for your amp. The footswitch (optional on Envoy 110 and Studio Pro 112) is a multi-function type. It is used to select between the Clean and Lead channels. Additionally, the footswitch is used to activate/dea
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21. External Speaker Jack This 1/4" jack is provided for the connection of an external speaker cabinet such as the Peavey 412M. The minimum external speaker impedance is 8 ohms. This jack disconnects internal speaker when used on Studio Pro 112 NOTE: The remaining features apply to the Bandit 112 model only. 22. Preamp Out The Preamp Output can be used to route the preamp signal to a mixing console, tape recorder, etc. Using a shielded instrument cable with mono 1/4" plugs, connect the Pre
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10 ® ® ® Envoy 110, Studio Pro 112 and Bandit 112, Level Diagram ® BANDIT 112 ® RESONANCE BANDIT PRESENCE EFFECTS PRE PWR POWER SEND RETURN OUT IN AMP 12" SPEAKER REVERB EXT. LEVEL LEAD SPEAKER EQUALIZATION T. DYNAMICS BYPASS LO MID HI POST FOOT SWITCH ® ® STUDIO PRO 112 STUDIO PRO PRE SWITCH POWER SWITCH EFFECTS LOGIC AMP LOGIC INPUTS SEND RETURN 12" SPEAKER HI VINTAGE MODERN REVERB GAIN EXT. LEVEL SPEAKER LO MID HI FOOT T. DYNAMICS SWITCH FOOT SWITCH VOLUME ® ® ENVOY 110 ENVOY SWITC
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RECOMMENDED SETTINGS Clean Metal Your Your Preference Preference Jazz Moderate Distortion Your Preference Your Preference Clean Blues Dirty Blues ** Your Preference NOTE: The Bandit 112 is used for demonstration purposes. The settings illustrated above are also applicable to the Envoy 110 and Studio Pro 112, with the exception of the resonance and presence controls. 11
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® ENVOY 110 SPECIFICATIONS POWER AMPLIFIER SECTION: Preamp Low Gain Input: Impedance: High Z, 44k Ohms Power @ Clipping: (Typically) Nominal Input Level: -7dBV, 450mV RMS (5% THD, 1 kHz, 120V AC line) Minimum Input Level: -16dBV, 164mV RMS 40W RMS into 6 Ohms Maximum Input Level: +6dBV, 2V RMS Frequency Response: Headphone Output: +0, -2 dB 100 Hz to 20 kHz @ 35W RMS Load Impedance: 16 Ohms or greater into 6 Ohms Nominal Output Level: -3 dBV, 0.7V RMS Hum and Noise: System Hum and Noise
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® STUDIO PRO 112 SPECIFICATIONS POWER AMPLIFIER SECTION: Preamp Low Gain Input: Rated Power and Load: Impedance: High Z, 44 k Ohms Power specs measured with T-Dynamics @ 100% Nominal Input Level: -6 dBV, 500mV RMS 65W RMS into 8 Ohms Minimum Input Level: -17dBV, 142mV RMS Maximum Input Level: +6 dBV, 2V RMS Power @ Clipping: (Typically) (5% THD, 1 kHz, 120V AC line) Effects Send: 65W RMS into 8 Ohms Load Impedance: 1k Ohms or greater Nominal Output Level: Frequency Response: Effects Level
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® BANDIT 112 SPECIFICATIONS POWER AMPLIFIER SECTION: Effects Send: Rated Power and Load: Load Impedance: 1 k Ohms or greater Nominal Output Level: Power specs measured with T-Dynamics @ 100% Effects Level switch “out”: -10 dBV, 80W RMS into 8 Ohms 0.32V RMS 100W RMS into 4 Ohms Effects Level switch “in”: 0 dBV, 1V RMS Power @ Clipping: (Typically) Effects Return: (5% THD, 1 kHz, 120V AC line) Impedance: High Z, 22k Ohms 80W RMS into 8 Ohms Designed Input Level: 100W RMS into 4 Ohms
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ESPAÑOL ® ® ® Envoy 110, Studio Pro 112 y Bandit 112 ® de la Serie Transtube de Amplificadores para Instrumentos Felicitaciones por la compra de un amplificador para instrumento de la serie Transtube de Peavey. Seas un principiante o un profesional consagrado, no podrías haber encontrado un amplificador más práctico y con mejores características. Los circuitos patentados Transtube de Peavey han avanzado a la segunda generación de productos, siendo los primeros en la industria en emulación de b
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• Salida de preamplificador • Entrada para amplificador de poder • Conexión para bocinas externas ® • Control T-Dynamics • Control de presencia PODER DE CORRIENTE ALTERNA Para poder aplicar poder a tu amplificador de la Serie Transtube, primero debes identificar su suministro de voltaje de CA. El voltaje apropiado para tu unidad está rotulado en la esquina superior izquierda del panel trasero. 1. Cable de Poder de CA (Debajo del Chasis) Localiza el cable de poder que está guardado en el com
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5. Entrada de Baja Ganancia Esta entrada monofónica de 1/4" se incluye para instrumentos con salidas extremadamente altas, lo que puede resultar en una distorsión de la entrada de alta ganancia (4). Si se usan simultáneamente las entradas de alta y baja ganancia, los niveles de ambas son de baja ganancia. CANAL Tu ampli de la Serie Transtube ofrece operación a dos canales. Tanto el canal ‘clean’ como el ‘lead’ proveen una plataforma flexible para que establezcas tu tono favorito. El pedal (o
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hacia la derecha hasta lograr el nivel deseado. Después de hacer todos los ajustes de ecualización y voces en el canal, tal vez querrás reajustar este control. 8. Switch Modern/Vintage Este switch te permite cambiar instantáneamente el tono para emular amplificadores modernos y clásicos. La posición MODERN mantiene un tono cálido y estándar. La posición VINTAGE cambia la función general de la ecualización añadiendo algo de brillo y emulando algunos diseños de amplis clásicos. Experimenta con
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que depende de la posición del switch Modern/Vintage. Si reduces el control a la posición “0” (totalmente hacia la izquierda) introducirás el máximo corte de nivel para esa banda en particular. Están disponibles bandas para ajuste de graves, medios y agudos. 13. Post Ganancia Usa este control para ajustar el nivel de canal líder una vez que tu tono haya sido logrado. Lo más recomendable es empezar con el control totalmente hacia la izquierda y ajustarlo hacia la derecha hasta alcanzar el nive
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PANEL TRASERO Las características del panel trasero de los amplis de la Serie Transtube varían de unidad a unidad. Por favor lee cuidadosamente la descripción de cada característica e identifica a los modelos aplicables. 1 19 18 20 1 21 18 22 24 25 1 21 23 20 18 18. Switch Remoto Esta entrada recibe al pedal apropiado para tu amplificador. El pedal (opcional en los modelos Envoy 110 y Studio Pro 112) es del tipo multifuncional. Se usa para alternar entre los canales Limpio y Líder. Además, el
