Résumé du contenu de la page N° 1
8588 013 000
(359872)
Owner’s Manual
24bit Dual Multi Effect Processor
Model
EFFECT 1 EFFECT 2
TYPE VARIATION ADJUST MIX TYPE VARIATION ADJUST MIX
PARAM.1 PARAM.2 PARAM.3
F 6 DRY+EFF DLY+REV 6 DRY+EFF
MODE SINGLE1/DUAL SINGLE 2 MODE SINGLE1/DUAL SINGLE 2
7 MODE 7
A L.HALL L.HALL G DELAY DISTORTION E G5 VOCAL DELAY 5
DH 4 8 SINGLE2 PLATE MISC 4 8
B S.HALL S.HALL H MISC G.MULTI 1
SINGLE1 DUAL EFF MUTE
C ROOM ROOM I CHORUS G.MULTI 2 C I 3 9 ROOM CHO 3 9
D PLATE PLATE J PITCH B.MULTI 10
B J 2 10 S.
Résumé du contenu de la page N° 2
DE-10 Owner’s Manual CAUTION: CAUTION TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF RISK OF ELECTRIC SHOCK PLUG TO WIDE SLOT, FULLY INSERT. DO NOT OPEN ATTENTION: POUR EVITER LES CHOCS ELECTRIQUES, INTRODUIRE CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, LA LAME LA PLUS LARGE DE LA FICHE DANS LA BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU' DO NOT REMOVE COVER (OR BACK). AU FOND. NO USER - SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. The lightning flash with
Résumé du contenu de la page N° 3
DE-10 Owner’s Manual Table of Contents Precautions (please read before use) Precautions (please read before use) ............................3 Power supply • When unplugging the power cable from the AC Digital Effect Functions ....................................................4 outlet,be sure to grasp the power plug. The details of the preset Effects ......................................5 Attempting to unplug it by pulling on the power cable may damage the wiring. • Effects in DUAL mode ....
Résumé du contenu de la page N° 4
DE-10 Owner’s Manual Digital Effect Functions The DE-10 achieves superb ambience effects by employing the Fostex A.S.P. (Fostex Advanced Signal Processing Technology*), as well as simulations of microphones/amplifiers with overwhelming reality by employing the newly developed "A.S.P. +". *A. S. P. (Fostex Advanced Signal Processing Technology) The A. S. P. is an exclusive new digital effect processing technology designed by Fostex. This method extracts maximum efficiency from the limited DSP p
Résumé du contenu de la page N° 5
DE-10 Owner’s Manual The Details of the Preset Effects The DE-10 has 11 preset Effect Types available on both the Dual Mode and Single 1/2 Mode. Each Effect Type further offers a maximum of 11 variations. See Operations on page 18 and 19 for how to set up the Preset Effects. Effects in DUAL MODE • L.HALL (Large Hall) L.HALL 1 (Natural Large Hall) : Conventional large hall, with sonic detail, clarity, and an appropriate amount of early reflections. L.HALL 2 (Lo-Freq Large Hall) : Large hall wit
Résumé du contenu de la page N° 6
DE-10 Owner’s Manual • PLATE PLATE 1 (Normal Plate) : Contemporary-feeling plate reverb with a wide bandwidth. PLATE 2 (Old Plate) : Conventional plate reverb with the character of classic plate devices. PLATE 3 (Vivid Plate) : Crisp plate reverb with extended highs. PLATE 4 (Lo-Freq Plate) : Plate reverb with a gentle character. PLATE 5 (Sharp Plate) : Plate reverb with only the high-frequency component. PLATE 6 (Mono Plate) : Plate reverb panned to the center. PLATE 7 (Dark Plate) : Plate rev
Résumé du contenu de la page N° 7
DE-10 Owner’s Manual • MISC (Miscellaneous) MISC 1 (Random E/R) : Random early reflections. When applied to instruments with a slow attack, this produces a natural feeling of air and space. MISC 2 (Soft Random E/R) : Random early reflections. Less high range than MISC 1, so suitable for backing tracks. MISC 3 (Tight Random E/R) : Random early reflections with only high-frequency components. MISC 4 (Long E/R) : Miraculous ambience that could not exist in the real world, with early reflections th
Résumé du contenu de la page N° 8
DE-10 Owner’s Manual Effects in SINGLE 1 MODE • L. HALL (Large Hall) L. HALL 1 (Natural Large Hall) : Same as DUAL mode L. HALL 1, but higher density reverberation. L. HALL 2 (Lo-Freq Large Hall) : Same as DUAL mode L. HALL 2, but higher density reverberation. L. HALL 3 (Vivid Large Hall) : Same as DUAL mode L. HALL 3, but higher density reverberation. L. HALL 4 (Hard-Wall Large Hall) : Same as DUAL mode L. HALL 4, but higher density reverberation. L. HALL 5 (Soft-Wall Large Hall) : Same as DUA
Résumé du contenu de la page N° 9
DE-10 Owner’s Manual PLATE 7 (Dark Plate) : Same as DUAL mode PLATE 7, but higher density reverberation. PLATE 8 (Hi-Freq Plate) : Same as DUAL mode PLATE 8, but higher density reverberation. PLATE 9 (Mid-Freq Plate) : Same as DUAL mode PLATE 9, but higher density reverberation. PLATE 10 (Large E/R Plate) : Unusual plate reverb with a light flanging effect applied. PLATE 11 (Flat Plate) : Special reverb with an aggressive flanging effect applied. * [EFFECT 1_ADJUST] knob (PARAM.1): Adjust the R
Résumé du contenu de la page N° 10
DE-10 Owner’s Manual • MISC (Miscellaneous) MISC 1 (Random E/R) : Random early reflections. When applied to instruments with a slow attack, this produces a natural feeling of air and space. MISC 2 (Soft Random E/R) : Random early reflections. Less high range than MISC 1, so suitable for backing tracks. MISC 3 (Tight Random E/R) : Random early reflections with only high-frequency components. MISC 4 (Long E/R) : Miraculous ambience that could not exist in the real world, with early reflections th
Résumé du contenu de la page N° 11
DE-10 Owner’s Manual • FLANGE FLANGE 1 (Stereo Flange) : Stereo flanger which applies flanging effect while maintaining the stereo image. Slow rate. FLANGE 2 (Stereo Flange ) : Stereo flanger which applies flanging effect while maintaining the stereo image. Fast rate. FLANGE 3 (Stereo Dual Flange) : Stereo flanger which applies two (normal and reverse) flanging effects while maintaining the stereo image. Slow rate. FLANGE 4 (Stereo Dual Flange ) : Stereo flanger which applies tw
Résumé du contenu de la page N° 12
DE-10 Owner’s Manual Effects in SINGLE 2 MODE • L. HALL (Large Hall) L. HALL-1 (Special Large Hall 1) : Hall reverb simulating a large hall with ideal acoustic characteristics which applies soft early reflection sound. L. HALL-2 (Special Large Hall 2) : Hall reverb simulating a large hall which applies different early reflection sound from L. HALL-1. L. HALL-3 (Large Stage Reverb) : Hall reverb sounding on the stage in a large hall. L. HALL-4 (Large Stadium) : Large stadium reverb. L. HALL-5 (L
Résumé du contenu de la page N° 13
DE-10 Owner’s Manual • MIC SIM (Microphone Simulation) MIC SIM-1 (Trad Condenser 3k, Low Cut: Off) : Simulates the sound of a multipurpose professional condenser microphone with a large diaphragm. Its warm and transparent sound is suitable for a vocal, as well as a drum overhead or guitar amplifier. MIC SIM-2 (Trad Condenser 3k, Low Cut: On) : Simulates the sound of “MIC SIM-1” above with the Low Cut switch to On. You can suppress boosted low frequencies as a result from placing a microphone
Résumé du contenu de la page N° 14
DE-10 Owner’s Manual DIST-8 (Metal) : You can get a shred sound. DIST-9 (Bass 1) : Simulates a bass amplifier. DIST-10 (Bass 2) : You can get a sound like recording a distorted bass sound through a line. DIST-11 (Bass 3) : You can get a fat bass sound. *[EFFECT 1_ADJUST] knob (PARAM.1): Adjust the Distortion Gain. *[EFFECT 2_ADJUST] knob (PARAM.2): Adjust the Distortion Output Level. *[EFFECT 2_MIX] knob (PARAM.3): Adjust the Gate Threshold. OUTPUT 1 (L) INPUT 1 Distortion Gate OUTPUT 1 (R) • G
Résumé du contenu de la page N° 15
DE-10 Owner’s Manual • BASS MULTI B. MULTI-1 (Normal Bass) : Normal bass sound with compression tuned for a bass. B. MULTI-2 (Slap Bass) : Slap bass sound with compression and natural modulation. B. MULTI-3 (Fretless Bass) : Deeply moderated bass sound. B. MULTI-4 (Distortion Bass 1) : Slightly distorted bass sound which stands out in the orchestra sound. B. MULTI-5 (Distortion Bass 2) : More distorted sound than B. MULTI-4, resulting in more distinct sound. B. MULTI-6 (Distortion Bass 3) : Dis
Résumé du contenu de la page N° 16
DE-10 Owner’s Manual Names and Functions (Front panel section) EFFECT 1 EFFECT 2 TYPE VARIATION ADJUST MIX TYPE VARIATION ADJUST MIX PARAM.1 PARAM.2 PARAM.3 DRY+EFF DRY+EFF F 6 DLY+REV 6 MODE SINGLE1/DUAL SINGLE 2 MODE SINGLE1/DUAL SINGLE 2 MODE 7 A L.HALL L.HALL G DELAY DISTORTION E G5 7 VOCAL DELAY 5 SINGLE2 8 DH 4 8 PLATE MISC 4 B S.HALL S.HALL H MISC G.MULTI 1 SINGLE1 DUAL EFF MUTE C C I 3 9 ROOM CHO 3 9 ROOM ROOM I CHORUS G.MULTI 2 D PLATE PLATE J PITCH B.MULTI B J 2 10 S.HALL PITCH 2 10 E
Résumé du contenu de la page N° 17
DE-10 Owner’s Manual Names and Functions (Rear panel section) FOOT SW R L R L 2 DUAL MODE 1 (1&2) model 8051 (MONO) (MONO) R SINGLE MODE L(MONO) TRIM LINE MIC/G MIC MIN MAX MIN MAX GUITAR EFF MUTE OUTPUT 2 OUTPUT 1 LINE INPUT (-10dBV) MIC/GUITAR INPUT 3 4 5 678 1 2 6. LINE INPUT 1 jack and Input level control 1. Power cord This jack connects to a line level (-10 dBV) source. It is active when the input select switch is set to "LINE". 2. FOOT SW jack By connecting the optional Model 8051 foot sw
Résumé du contenu de la page N° 18
DE-10 Owner’s Manual How to use the Dual Mode We describe how to use the Dual Mode below. 1. You can use the DE-10 as a two-channel effect processing unit. 2. Each effect processor (EFFECT 1 and EFFECT 2) provides a mono input and stereo output jacks. 3. A main parameter for each effect can be edited from the preset value. The following shows the example of using the dual mode, in which the DE-10 is connected between the AUX SEND and AUX RTN jacks for applying
Résumé du contenu de la page N° 19
DE-10 Owner’s Manual How to use the Single (1/2) Mode We describe how to use the single (1 or 2) mode below. 1. You can use the DE-10 as a high quality single-channel effect processing unit. 2. Stereo inputs and outputs are provided. 3. Three main parameters for each effect can be edited from the preset values. 4. You can apply a higher density reverberation than the dual mode. 5. For the delay, flange and pitch effects, the independent channel algorithm is e
Résumé du contenu de la page N° 20
DE-10 Owner’s Manual In the single (1/2) mode, these controls and indi- cators are not used. EFFECT 2 TYPE VARIATION ADJUST MIX TYPE VARIATION ADJUST MIX PARAM.1 PARAM.2 PARAM.3 DRY+EFF F 6 DLY+REV 6 DRY+EFF SINGLE1/DUAL SINGLE 2 2 MODE MODE E G5 7 VOCAL DELAY 5 7 L G DELAY DISTORTION DH 4 8 SINGLE2 PLATE MISC 4 8 L H MISC G.MULTI 1 SINGLE1 DUAL EFF MUTE I I CHORUS G.MULTI 2 C 3 9 ROOM CHO 3 9 J PITCH B.MULTI 10 B J 2 10 S.HALL PITCH 2 DRY EFF 11 EFF DRY M K FLANGER VO.MULTI A K1 L.HALL FLANGE
