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User Manual
V-TONE
GMX1200H
True Analog Modeling 2 x 60-Watt Stereo Guitar Amplifier Head with 2 Independent Channels,
each Featuring 27 Modeled Sounds, FX Processor, Tuner and MIDI Control
GMX212
True Analog Modeling 2 x 60-Watt Stereo Guitar Amplifier with 2 Independent Channels,
each Featuring 27 Modeled Sounds, FX Processor, Tuner and MIDI Control
GMX210
True Analog Modeling 2 x 30-Watt Stereo Guitar Amp with 2 Independent Channels,
each Featuring 27 Modeled Sounds, FX Processor, Tuner
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2 V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual Table of Contents Important Safety Instructions ...................................... 3 Legal Disclaimer ............................................................. 3 Limited Warranty ........................................................... 3 1. Introduction ............................................................... 5 1.1 The concept .......................................................................... 5 1.2 Dynamizer t
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3 V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual 9. Do not defeat the safety purpose of the polarized UNDERTAKING OR REPRESENTATION. THIS MANUAL Important Safety or grounding-type plug. A polarized plug has two blades IS COPYRIGHTED. NO PART OF THIS MANUAL MAY Instructions with one wider than the other. A grounding-type plug BE REPRODUCED OR TRANSMITTED IN ANY FORM has two blades and a third grounding prong. The wide OR BY ANY MEANS, ELECTRONIC OR MECHANICAL, blade or the third pro
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4 V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual “Support” at behringer. com. If your country is not • connection or operation of the unit in any way (3) This warranty does not detract from the seller’s listed, please check if your problem can be dealt with that does not comply with the technical or safety obligations in regard to any lack of conformity of the by our “Online Support” which may also be found under regulations applicable in the country where the product and any hidden d
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5 V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual 1. Introduction 1.3 Before you get started Thank you for the trust that you have placed in us by buying your V-TONE. 1.3.1 Shipment You have gotten your hands on a latest-generation guitar amp that sets completely new standards when it comes to analog modeling. The V-TONE was carefully packed at the assembly plant to ensure secure transport. Our primary goal during development was to simulate the typical sounds of analog guitar amp
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6 V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual 1.3.3 Online registration (7) Use the MODE switch to choose one of three possible gain settings (CLEAN, HI GAIN and HOT) you wish to use with the basic sound you selected Please register your new BEHRINGER equipment right after your purchase with the AMP switch. by visiting http://behringer.com and read the terms and conditions of our warranty carefully. (8) The SPEAKER switch offers the simulations of two classic guitar speakers: 4
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7 V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual 2.2 Rear panel (30) The AUX IN lets you feed an additional stereo signal into the amp. This way, you can play to a backing track that supports you on-stage but should not (21) Connect the stereo jack connector of the provided footswitch to the be audible via the LINE outputs connecting the GMX210/GMX212 to the FOOTSWITCH connector. The footswitch has several functions: it lets you P.A. system. Additionally, you can use AUX IN togeth
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8 V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual 3. Applications 3.2 Recording setup with an external effects device The V-TONE features many different connectors, allowing you to adapt to all kinds of application challenges. We have listed just a few examples to show the flexibility your V-TONE. 3.1 Practice setup with playback DSP2024P FX In FX Out Footswitch HPS3000 Footswitch Insert Send Insert Return/ Aux In Drum Computer HPS3000 Aux/Tape In CD Player BEHRINGER Line Out V-TO
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9 V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual If you want to use another guitar preamp, or a modeling amp (e. g. the V-AMP 2 In this illustration, we’ve omitted the headphones and the additional equipment or the V-AMP PRO), connect it to the SLAVE IN connectors (except for the GMX110 from figure 3.1; this illustration serves as an expansion of the standard setup. and GMX112). The V-TONE now operates only as a power amp, with its preamp You can use the MIDI foot controller to contro
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10 V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual The multi-effects processor works basically in stereo, whereby only the TAPE and PHONES outputs are influenced in the case of the GMX110/GMX112. Both signals BEHRINGER V-TONE GMX1200H (left and right) are added up for the speaker and the mono power amp of the Loudspeaker GMX110/GMX112. However, you can still use stereo effects for recording purposes Output Left by utilizing the TAPE OUT or by playing with a second amp in stereo. The
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11 V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual 09-10 Concert: Here, you can choose between a small theater (preset 9) and a big concert hall (preset 10). Compared to Studio Reverb, this reverb is livelier and has richer highs. 48-51 Flanger: Using an LFO, the pitch of the effect signal is somewhat 11-12 Plate: The sound of the classic plates. A true classic, it gives your guitar modulated in constant tempo, and is then brought back to the input signal. sound a nice, pleasant note
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12 V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual Program Changes: You can dial up presets using MIDI program changes. Since program changes start at 0 and go up to 127, program change 0 corresponds to preset 0, program change 1 to preset 1, and so on 90-91 Compressor: A signal’s dynamic characteristics are often limited to (compare table 7.1 in the appendix). After the switch is done, the preset is assure its integration into the overall mix. This can be done by using a compressor
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13 V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual Channel switching: Changing modeling CHANNELS is done via controller #10. Nowadays, orchestras set the “a” with 444 Hz, and the Berlin Philharmonic If you send value 0 via this controller, then channel 1 is active. Sending value 1 Orchestra wishes to stay ahead: their “chamber tone a” lies at a full 447 Hz. activates channel change to channel 2. Program change instructions can also The reference tone “a” of the V-TONE is programmed at
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14 V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual 7. Appendix ¼" TRS headphones connector strain relief clamp 7.1 MIDI implementation sleeve ring MIDI Implementation Chart tip Function Transmitted Recognized Remarks Basic X OFF, 1 - 16 Default Changed memorized Channel X OFF, 1 - 16 sleeve X 1, 2 Default ground/shield Mode X X Messages Altered X X ring Note X X right signal True Voice Number X X tip left signal Note ON X X Velocity Note OFF X X After Keys X X Fig. 6.2: 1/4" stereo TRS
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15 V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual 7.2 Effect presets Preset-No. Effect Variation FX MIX Default Preset-No. Effect Variation FX MIX Default 0 REVERB medium Pre-Delay Mix 40 52 ultra Depth 50 1 short Pre-Delay Mix 25 53 slow Depth 50 SPRING FLANGER / REVERB 2 long Pre-Delay Mix 25 54 medium I Depth 50 REVERB 3 short Pre-Delay Mix 40 55 medium II Depth 40 STUDIO 4 long Pre-Delay Mix 40 56 fast Depth 40 5 short Pre-Delay Mix 30 57 ultra Depth 60 CHAMBER 6 long Pre-Delay Mix
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16 V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual 8. Specifications GMX1200H Audio Inputs MIDI Interface GUITAR IN 1/4 " TS jack, RF filtered Type 5-pin DIN socket, MIDI IN Input impedance approx. 1 MΩ unbalanced Digital Processing INSERT RETURN 1/4 " TS jack Converters 24-bit delta-sigma, Input impedance approx. 10 kΩ unbalanced 64/128-times oversampling SLAVE IN 1/4 " TRS jack (tip = input) Sampling rate 46.875 kHz Input impedance approx. 30 kΩ unbalanced Display AUX IN 1/4 " TRS ja
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17 V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual GMX212 Audio Inputs MIDI Interface GUITAR IN 1/4 " TS jack, RF filtered Type 5-pin DIN socket, MIDI IN Input impedance approx. 1 MΩ unbalanced Digital Processing INSERT RETURN 1/4 " TS jack Converters 24-bit delta-sigma, Input impedance approx. 10 kΩ unbalanced 64/128-times oversampling SLAVE IN 1/4 " TRS jack (tip = input) Sampling rate 46.875 kHz Input impedance approx. 30 kΩ unbalanced Display AUX IN 1/4 " TRS jack Input impedance ap
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18 V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual GMX210 Audio Inputs MIDI Interface GUITAR IN 1/4 " TS jack, RF filtered Type 5-pin DIN socket, MIDI IN Input impedance approx. 1 MΩ unbalanced Digital Processing INSERT RETURN 1/4 " TS jack Converters 24-bit delta-sigma, Input impedance approx. 10 kΩ unbalanced 64/128-times oversampling SLAVE IN 1/4 " TRS jack (tip = input) Sampling rate 46.875 kHz Input impedance approx. 30 kΩ unbalanced Display AUX IN 1/4 " TRS jack Input impedance ap
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19 V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual GMX112 Audio Inputs Display GUITAR IN 1/4 " TS jack, RF filtered Type 2-digit numeric LED display Input impedance approx. 1 MΩ unbalanced Loudspeaker INSERT RETURN 1/4 " TS jack Type 1 x 12" Input impedance approx. 10 kΩ unbalanced Model BUGERA Vintage Guitar Series TAPE IN RCA connector Input impedance approx. 10 kΩ unbalanced Power Supply Power consumption max. 150 W Audio Outputs Mains Voltage/Fuse INSERT SEND 1/4 " TS jack, low-imped
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20 V-TONE GMX1200H/GMX212/GMX210/GMX112/GMX110 User Manual GMX110 Audio Inputs Display GUITAR IN 1/4 " TS jack, RF filtered Type 2-digit numeric LED display Input impedance approx. 1 MΩ unbalanced Loudspeaker INSERT RETURN 1/4 " TS jack Type 1 x 10" Input impedance approx. 10 kΩ unbalanced Model BUGERA Vintage Guitar Series TAPE IN RCA connector Input impedance approx. 10 kΩ unbalanced Power Supply Power consumption max. 70 W Audio Outputs Mains Voltage/Fuse INSERT SEND 1/4 " TS jack, low-impeda
