Resumen del contenido incluido en la página 14
Welcome 1 1 Welcome Thank you for choosing the Yamaha 02R96 Digital Mixing Console. The 02R96 Digital Mixing Console offers 24-bit/96 kHz digital audio processing without compromise, comprehensive surround mixing and monitoring, including bass manage- ment, and hands-on control of popular DAW (Digital Audio Workstation) systems. Sonic Spec • Linear 24-bit, 128-times oversampling A/D converters • Linear 24-bit, 128-times oversampling D/A converters • 20 Hz–40 kHz (0.5, –1.5 dB) freq
Resumen del contenido incluido en la página 15
2 Chapter 1—Welcome I/O Patching • Any available input port can be patched to the Input Channels, Insert Ins, or Effects inputs • Direct Outs, Insert Outs, Bus Outs, Aux Sends, and the Stereo Out can be patched to any output port • Input and output ports can be named for easy identification • Patches can be stored in the Input and Output Patch libraries EQ • 4-band parametric EQ on all Input and Output Channels • EQ library with 40 presets, 160 user memories Groups & Pairs • Hori
Resumen del contenido incluido en la página 16
Welcome 3 Surround Sound • 3-1 and 5.1 Surround modes • Joystick control • Bass management • Monitor matrix • Surround monitor speaker alignment functions • Surround monitor library with 32 user memories Remote Control • Control and manage your 02R96 from your Mac or PC by using the bundled Studio Man- ager software • Remote Layers for external equipment control, including predefined targets for controlling DAW systems, and user defined targets for controlling MIDI equipment, with Lea
Resumen del contenido incluido en la página 17
4 Chapter 2—Control Surface & Rear Panel 2 Control Surface & Rear Panel Control Surface 02R96—Owner’s Manual SELECTED CHANNEL Section (p. 11) Display Section (p. 10) +48V +48V +48V +48V +48V +48V +48V +48V +48V +48V +48V +48V +48V +48V +48V +48V ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF 17 19 21 23 AD Input Section (p. 5) PAD 010 +10 34 +10 34 +10 34 +10 34 Monitor, Phones & Talkback GAIN GAIN GAIN GAIN 26dB 26dB 26dB
Resumen del contenido incluido en la página 18
Control Surface 5 AD Input Section AD Input #1 is shown at the top; AD Inputs #17 and #18 below. +48V ON A +48V ON/OFF switches (AD 1–16) 1 OFF These switches turn on and off the +48 V phantom power feed to each INPUT A (XLR-type connector). Phantom power is typically used to power condenser-type PAD 2 26dB microphones or direct boxes. See “Phantom Power (AD 1–16)” on page 39 for more information. 3 -16 -60 GAIN 4 B PAD switches (AD 1–16) PEAK SIGNAL 5 These swit
Resumen del contenido incluido en la página 19
6 Chapter 2—Control Surface & Rear Panel D SOLO buttons These buttons are used to solo Channels. The [SOLO] button indicators of channels that are soloed light up. See “Soloing Channels” on page 102 for more information. E ON buttons These buttons are used to mute Input and Output Channels. Their exact operation depends on the currently selected Layer. The [ON] button indicators of channels that are on light up. F Channel faders These 100 mm touch-sensitive motorized faders are used to set the
Resumen del contenido incluido en la página 20
Control Surface 7 C AUX button This button is used to select the Aux Encoder mode. Its indicator lights up when this mode is selected. In this mode, the Encoders function as Aux Send level controls when an Input Channel Layer is selected. While the Master Layer is selected, Encoders 1–8 function as Input Channel 49–56 Aux Send controls, and Encoders 9–24 are inactive. See “Selecting Encoder Modes” on page 36. D ASSIGN 1 & 2 buttons These buttons are used to select the assignable Encoder mode
Resumen del contenido incluido en la página 1
DIGITAL MIXING CONSOLE
Owner’ Owner’ Owner’s Manual s Manual s Manual
Keep This Manual For Future Reference.
E
Resumen del contenido incluido en la página 2
FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installati
Resumen del contenido incluido en la página 3
i Important Information Warnings • Connect this unit’s power cord only to an AC outlet of the type stated in this Owner’s Man- ual or as marked on the unit. Failure to do so is a fire and electrical shock hazard. • Do not allow water to enter this unit or allow the unit to become wet. Fire or electrical shock may result. • Do not place heavy objects, including this unit, on top of the power cord. A damaged power cord is a fire and electrical shock hazard. In particular, be careful not to
Resumen del contenido incluido en la página 4
ii • This unit has ventilation holes along the front underside and at the rear to prevent the inter- nal temperature from rising too high. Do not block them. Blocked ventilation holes are a fire hazard. In particular, do not operate the unit while it’s on its side, is upside down, or while it’s covered with a cloth or dust sheet. • If you are using the optional MB02R96 Peak Meter Bridge, do not hold only the MB02R96 when moving the 02R96. Otherwise, the meter brackets may be damaged, t
Resumen del contenido incluido en la página 5
iii 02R96 Exclusion of Certain Responsibility Manufacturer, importer, or dealer shall not be liable for any incidental damages including personal injury or any other damages caused by improper use or operation of the 02R96. Trademarks ADAT MultiChannel Optical Digital Interface is a trademark and ADAT and Alesis are reg- istered trademarks of Alesis Corporation. Apogee is a trademark of Apogee Electronics, Inc. Apple, Mac, and Power Macintosh are registered trademarks and
Resumen del contenido incluido en la página 6
iv Stereo Out chapters contain cross-references to the relevant sections of the “Common Channel Functions” chapter. Conventions Used in this Manual The 02R96 features two types of button: physical buttons that you can press (e.g., ENTER and DISPLAY) and buttons that appear on the display pages. References to physical buttons are enclosed in square brackets, for example, “press the [ENTER] button.” References to dis- play page buttons are not emphasized, for example, “press the ENTER b
Resumen del contenido incluido en la página 7
v Contents 1 Welcome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 2 Control Surface & Rear Panel . . . . . . . . . . . . . . . . . 4 Control Surface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23 3 Operating Basics . . . . . . . . . . . . . . . . . . . . . . . . . .
Resumen del contenido incluido en la página 8
vi 7 Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59 Patching Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59 Metering Input Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59 Reversing the Signal Phase . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59 Gating Input Channels . . . . . . . . . . . . . . . . . .
Resumen del contenido incluido en la página 9
vii 9 Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76 Patching Bus Outs to Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76 Routing Input Channels to Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76 Metering Bus Outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76 Monitoring Bus Outs . . . . . . . . . . . . . . . . . . . .
Resumen del contenido incluido en la página 10
viii 11 Common Channel Functions . . . . . . . . . . . . . . . . . 87 Metering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87 Attenuating Signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90 Using EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91 Grouping Output Channel EQs . .
Resumen del contenido incluido en la página 11
ix 16 Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145 About Automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145 What’s Recorded in an Automix? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145 Automix Main Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146 Channel Strip [AUTO] Buttons . . . . . . . . . .
Resumen del contenido incluido en la página 12
x 19 Remote Control . . . . . . . . . . . . . . . . . . . . . . . . . . 189 About the Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189 Assigning a Target to the Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189 Configuring the User Defined Remote Layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190 Using the User Defined Remote Layer . . . . . . . . . . . . . . . . . . . . . .
Resumen del contenido incluido en la página 13
xi Appendix C: MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . 273 Scene Memory to Program Change Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 273 Initial Parameter to Control Change Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 274 MIDI Data Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275 Format Details . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
