Resumen del contenido incluido en la página 1
S SA A..5 5
OWNER’S MANUAL
STANTON MAGNETICS, INC
information@stantondj.com • 954.689.8833
www .stantondj.com
Resumen del contenido incluido en la página 2
WELCOME! Thank you for making Stanton your first choice in professional DJ mixers. Our innovative family of mixers has been developed with input from the profes- sional DJ community. Stanton offers an affordable combination of user-friendly mixers with functional design, rugged construction and professional quality fea- tures which had been previously unavailable. Stanton and your authorized Stanton dealer are dedicated to your complete sat- isfaction by offering benchmark service and support th
Resumen del contenido incluido en la página 3
PLEASE READ CAREFULLY BEFORE USE FAI LU R E TO F O LLO W TH E I N S TR U C TI O N S PR I N TE D B E LO W M AY V O I D WAR R AN TY • Follow all security advice printed on your mixer. • When removing the unit's AC plug from the power source, grasp and pull the plug, NEVER the cord itself! • Avoid placing your mixer near heat sources, such as power amplifiers. • When in use, place your mixer on a stable surface, away from vibration. Always use care when carrying your mixer. Impact, or heavy
Resumen del contenido incluido en la página 4
SA.5 FEATURES Introducing the world’s first all fader battle mixer from Stanton. The SA.5 is a high- end, affordable mixer with all the requirements of today’s top turntablist. The sim- plicity of the layout is sure to make the SA.5 the preferred mixer for the battle cir- cuit. Features include: • Only mixer in the world with all faders (no rotary knobs) • OS II optical phono/line switches (for "noise-free" transforms) with lock feature • 3-way adjustable curve control on line faders & crossfad
Resumen del contenido incluido en la página 5
DESCRIPTION OF FUNCTIONS 2 4 3 1 6 8 5 10 7 12 9 14 11 13 15 15 16 18 17 1. Session Level control: Controls the input level of the session or mic input, depending on setting of session/ Mic switch (27). 2. Gain: Controls the gain of each input channel. The sensitivity of the gain faders is adjusted by the phono trim (25) knob on the back of the mixer. 3. Program Reverse: Reverses the signal of input channels 1 and 2. When switched down, channel 1 will control channel 2’s inputs. 4. Master Volume
Resumen del contenido incluido en la página 6
MIXER FUNCTIONS 6. Crossfader Reverse: Reverses the direction of the crossfader. When switched down, channel 1 will be assigned to the right side of the crossfader, and channel 2 to the left side. 7. OS2 lock: Locks the OS2 in its current position to avoid accidentally switching sources. Whether the OS2 is in phono or line, activating the OS2 lock will keep it there even if the OS2 is moved. 8. Cue Level: Controls the headphone output level. 9. EQ: Individual controls for low frequency, midrange
Resumen del contenido incluido en la página 7
BACK PANEL 22 23 25 26 25 26 27 20 28 29 19 30 31 21 24 31 32 32 19. AC IN: Input connection for the included power supply. 20. Power switch: Turns the mixer on or off. 21. Balanced Master output: TRS balanced (1/4”) connectors are typically used to connect to a P.A. mixer or an amplifier for live performances or a recording console for recording. 22. Unbalanced Master output: RCA connectors are typically used to connect to a home stereo or to another mixer with RCA inputs for practicing or team
Resumen del contenido incluido en la página 8
BACK PANEL 28. Headphone output: Standard 1/4” headphone output connector. 29. Session/Mic switch: Used to assign the Session/Mic fader to either the Session input or the MIC input. 30. Microphone input: 1/4” connector for connecting a microphone. 31. Phono Inputs: Phono level inputs for channels 1 and 2. Do not plug line outputs into phono inputs. 32. Line inputs: Line level inputs for channels 1 and 2. FRONT PANEL 34 34 34 33 35 36 35 37 33. Headphone output: Standard 1/8” (mini jack) head
Resumen del contenido incluido en la página 9
FADER CLEANING AND REPLACEMENT After constant scratching, the SA.5 faders may need to be cleaned and lubricated from time to time. This will ensure long life and keep a smooth feeling throughout the fader's lifetime. Follow the instructions below to lubricate and clean your faders: REMOVING A FADER: 1. Make sure mixer is powered off and power supply is disconnected from the back of the mixer. 2. To remove the lower faceplate, take off all the fader knobs and then remove the 4 screws located on t
Resumen del contenido incluido en la página 10
FADER CLEANING AND REPLACEMENT 5. Examine the center channel of the fader body (found inside the bottom of the fader casing) and if dirty, clean using cotton buds. 6. Re-assemble and lubricate the fader as follows: a) Secure the end block and guide rail onto the fader body. b) Insert track into the fader body. c) Insert slider assembly onto guide rail and into the fader body. Move slider from end to end to disperse the oil evenly. Carefully wipe away any excess oil using a tissue or cloth. d) Lu
Resumen del contenido incluido en la página 11
TECHNICAL SPECIFICATIONS Line input: 2 (RCA) x 2 channels, -10 dBV / 10 kOhm Session Input: 2 (RCA), -10 dBV / 10 kOhm Phono input: 2 (RCA) x 2 channels, -50 dBV / 47 kOhm Mic input: 1(1/4") -50 dBV / 2.4 kOhm balanced Master output: 2 (1/4”) Balanced / 2 (RCA) unbalanced, +4 dBu balanced / -10 dBV unbalanced Record output: 2 (RCA), -10 dBV / < 100 Ohms Headphone output: 2 (1/4 inch), 1 (1/8 inch) Greater than 32 Ohm load Frequency Response (Line): 20 Hz to 20 kHz +/-1 dB THD+N: < 0.015 % at 1
Resumen del contenido incluido en la página 12
WARRANTY Stanton Magnetics, Inc. – Warranty Provision – Returns for Repairs or Replacement Warranty Through Stanton’s authorized dealers around the World, Stanton, or one of Stanton’s authorized distributors outside the U.S., will, without charge, repair or replace, at the sole discretion of the entity responsible for making the repair or providing the replacement, any Stanton merchandise proved defective in material or workmanship for a period of one (1) following the date of original purchase.
