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the evolution revealed
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TS12 500W RMS 26Hz(-6dB) 15Hz 2 x line level phone 2 x XLR balanced 2 x XLR balanced (direct or 80Hz high pass) 2nd order low pass, 50Hz - 150Hz, -6dB After approximately 12 mins. in absence of input signal 300mm (12“) Closed box 22 litre / 0.78cu.ft Phase control Crossover defeat switch for LFE operation Soft limiting to avoid overload LF extension control 372 x 335 x 335mm 5 1 1 14 /8 x 13 /8 x 13 /8” 12.5kg / 27.5 lbs 120V nominal AC~60Hz 230V nominal AC~50Hz 120V - T5AL / 250V 230V - T2.5AL
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& & & & PERFORMANCE TS8 TS10 Output power 200W RMS 300W RMS Low frequency response 32Hz(-6dB) 29Hz(-6dB) Limit for usable output 18Hz 16Hz Inputs 2 x line level phone 2 x line level phone 2 x XLR balanced 2 x XLR balanced Outputs 2 x XLR balanced 2 x XLR balanced (direct or 80Hz high pass) (direct or 80Hz high pass) Input filter 2nd order low pass, 2nd order low pass, 50Hz - 150Hz, -6dB 50Hz - 150Hz, -6dB Auto mute After approximately 12 mins. After approximately 12 mins. in absence of input si
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Reveal 66 Reveal 66 Passive centre channel Frequency response (1) 60Hz-51kHZ reference monitor Recommended Amplifier Power 80 to 150W @ 8W Optimised bass-reflex loaded Power Handling Average RMS 80W cabinet with 40mm thick front Normal Impedance 6 baffle Sensitivity (3) 92dB for 1W at 1m 1 Two shielded 165mm (6 /2”) Distortion <0.6% woofers, multi fibre paper pulp Crossover Frequency 2.7kHz cones Dispersion (@-6dB) 90 degrees Shielded 25mm (1”) titanium dome neodymium tweeter DRIVE UNITS
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Reveal 6 Frequency response (1) 63Hz-51kHZ Recommended Amplifier Power 50 to 100W @ 8W Power Handling Average RMS 50W Normal Impedance 6 Sensitivity (3) 90dB for 1W at 1m Distortion <0.6% Crossover Frequency 2.9kHz Dispersion (@-6dB) 90 degrees DRIVE UNITS 1 Drive Units - LF/MID 165mm (6 /2”) multi fibre paper pulp cone WideBand™ HF 25mm (1”) titanium dome neodymium magnet system Cabinet Type Optimised bass-reflex loaded Construction MDF cabinet and front baffle. Tongue and groove front and back
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Just because a speaker sounds great in one room doesn’t mean it will sound great in your studio. Room acoustics, speaker placement and monitoring distance play a great role in the way a speaker sounds. Until now there wasn’t much you could do about that without spending more money on expensive equalisers and a professional acoustician to place the speakers and tune them to the room. Tannoy’s exclusive Activ-Assist™ technology ensures that the great-sounding monitors we build will sound great wh
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1 XLR / /2” 10 Activ-Assist™ jack combination DIP switches control connector for LF alignment - balanced input mid/near/close field & half/quarter/eighth Digital input space compensation on / off 10 Activ-Assist™ 3-way switch DIP switches (post 2 channel DAC) control mid band selects SPDIF stream and HF shelving trim channel to be decoded - Left/Right/Mono Switch selection of DIP switch ‘flat’ 12dB/8ve 80Hz high setting shown on pass filter for use with the back AV subwoofers panel artwork SPEC
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PERFORMANCE 66D Reveal 66D Active centre channel reference Frequency response (1) 49Hz-51kHZ monitor with Active-Assist™ Max SPL (2) 117dB Optimised bass-reflex loaded Distortion <0.4% cabinet with 40mm thick front Dispersion @-6dB, 10kHz, horizontal 90 degrees baffle 1 Two shielded 165mm (6 /2”) DRIVE UNITS woofers, multi fibre paper 1 Drive Units – LF/MID 2 x 165mm (6 /2”) multi fibre pulp cones paper pulp cone Shielded 25mm (1”) titanium TM WideBand HF 25mm (1”) titanium dome, dome neo
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PERFORMANCE 8D Frequency response (1) 46Hz-51kHz Max SPL (2) 118dB Distortion <0.4% Dispersion @-6dB, 10kHz, horizontal 90 degrees DRIVE UNITS Drive Units – LF/MID 200mm (8”) multi fibre paper pulp cone TM WideBand HF 25mm (1”) titanium dome, neodymium magnet system. ELECTRONIC SYSTEM Inputs 600 balanced XLR/Jack, SPDIF RCA SPDIF sampling rate 44.1 – 96kHz Input Sensitivity (0dBu = 0.775mV) -10dBu to +4dBu for a max SPL of 118dB Amplifier output power 120W LF / 60W HF Outputs SPDIF slave out RCA
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PERFORMANCE 6D Frequency response (1) 60Hz-51kHZ Max SPL (2) 115dB Distortion <0.5% Dispersion @-6dB, 10kHz, horizontal 90 degrees DRIVE UNITS 1 Drive Units – LF/MID 165mm (6 /2”) multi fibre paper pulp cone TM WideBand HF 25mm (1”) titanium dome, neodymium magnet system. ELECTRONIC SYSTEM 1 Inputs 600 balanced XLR/ /4” jack Frequency response (1) 60Hz-51kHZ combination, SPDIF RCA Max SPL(2) 115dB SPDIF sampling rate 44.1 – 96kHz Distortion < 0.5% Input Sensitivity (0dBu = 0.775mV) -10dBu to +4d
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PERFORMANCE 5A Frequency response (1) 70Hz-30kHZ Max SPL (2) 109dB Distortion <0.7% Dispersion @-6dB, 10kHz, horizontal 90 degrees DRIVE UNITS Drive Units – LF/MID 130mm (5”) multi fibre paper pulp cone TM WideBand HF 25mm (1”) soft dome, neodymium magnet system. ELECTRONIC SYSTEM 1 Inputs 600 balanced XLR/ /4” jack combination Sensitivity 775mV for 40W Amplifier output power 40W LF / 20W HF User controls Front panel mounted on/standby/mute switch, multi-function LED, gain control Cabinet dimens
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The Antidote to Compromise Few if any manufacturers have the reputation and track record of Tannoy in the professional studio monitor market. Right from the emergence of the studio monitor itself as a product in the early 1940’s through the British invasion of the ‘60’s and every genre of music since then, Tannoy has been helping track, mix and master the hits. You don’t dominate a segment for over 60 years by cutting corners. You do it by staying true to your values; and letting others chase t
