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MIXER
MELANGEUR
MISCHPULTE
MEZCLA
Operation Manual
Manuel d’instructions
Bedienungsanleitung
Manual de Operación
MIC IN LINE IN SUB IN +4dB TAPE IN –10dBV REC OUT –10dBV ST OUT +4dB
1 23456
L L L L
R R R R
AUX RETURN –10dB AUX SEND +4dB MONI OUT +4dB
LINE IN
7L 9L 11L 13L 1L 2L 1 L
MONO MONO MONO MONO MONO MONO
1 2 3 4 5 6 8R 10R 12R 14R 1R 2R 2 R
+4dB –20dB +4dB –20dB +4dB –20dB +4dB –20dB
–10dB –10dB –10dB –10dB
–14 –60 –14 –60 –14 –60 –14 –60 –14 –60 –14 –60
GAIN GAIN GAIN GAIN GAIN GAIN
+10
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FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions
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MIXER OPERATION MANUAL English
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Dit produkt is gefabriceerd in overeenstemming met de radiostoringsvoorschriften van de Richtlijn van de Raad (82/499/ EEG). AYTH H ΣYΣKEYH ANTAΠOKPINETAI ΣTIΣ AΠAITHΣEIΣ TΩ N O∆ HΓIΩ N THΣ EYPΩΠ AIKHΣ OIKONOMIKHΣ KOINOTHTAΣ 82/499/E.O.K.. Este produto está de acordo com o radio de interferencia frequente requiridos do Conselho Diretivo 82/499/EEC. IMPORTANT NOTICE FOR Dette apparat overholder det gaeldende EF-direktiv vedrørende THE UNITED KINGDOM radiostøj. Connecting the Plug and Cord Cet app
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Introduction Thank you for purchasing the Yamaha MM1402 mixer. The MM1402 is a mixer that provides 6 MONO IN channels and 4 STEREO IN channels, for a total of 14 inputs. It is a console-type stereo mixer suitable for a wide variety of input sources. Features The six MONO IN channels feature two types of input jack; XLR type MIC IN jacks (con- tinuously variable over –14 ~ –60 dB, balanced) and TRS phone LINE IN jacks (continuously variable over +10 ~ –36 db, balanced). The MIC IN jacks are als
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Precautions 1. Location 5. Always power off before making connections Keep the unit away from locations where it is likely to be Always turn the power OFF before connecting or discon- exposed to high temperatures or humidity — such as near necting cables. This is important to prevent damage to the radiators, stoves, etc. Also avoid locations which are unit itself as well as other connected equipment. subject to excessive dust accumulation or vibration which 6. Handle Cables Carefully could cause
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Control panel Channel control section (mono input section) 1 GAIN control Use this knob to adjust the level of the input signal to the optimal level. For the best balance of S/N ratio and dynamic range, adjust this knob so that the peak indicator 5 lights occasionally. For mic inputs connected to the XLR connector, the range is –14dB – –60dB. For line inputs connected to the phone connector, the range is +10 – –36dB. 1 –14 –60 2 HIGH, MID, LOW equalizer (3 band) GAIN +10 –36 These knobs contro
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(Stereo input section) 8 GAIN select switch Use this switch to adjust the sensitivity of the input as appropriate for the level of the input signal. For the best balance of S/N ratio and dynamic range, adjust this switch so that the peak indicator B lights occasionally. 8 9 HIGH, LOW equalizer (2 band) +4dB –20dB –10dB These knobs control high mid and low equalization at the following frequen- cies. HIGH: 12kHz, maximum effect ±15dB LOW: 80Hz, maximum effect ±15dB –15 +15 When the knob is in t
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E ST L, R master control Master control section These faders adjust the final level of all channels, and output the combined signal to the ST OUT jacks. The OUTPUT LEVEL L, R meters allow you to monitor the L and R outputs. F AUX RETURN 1-2 controls The knobs control the input levels from the effect units etc. connected to AUX RETURN. Since the signals input at AUX RETURN pass through this control and are then L J output from the ST OUT jacks, AUX RETURN can be PHANTOM 00 –20 –15 –10 –6 –3 0 +
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P PHONE jack A set of stereo headphones can be connected to this jack. Normally, the headphones will monitor the same signal as the STEREO OUT jacks, but the following two signals can also be monitored. 1. When a 8 PFL switch is turned on, the signal of the input channel after the equalizer will be monitored. 2. When the M TAPE input select switch is turned on, the signal input to the TAPE IN jacks will be monitored. METER SUM GEQ INV L (MONI) ST OUT +4dB METER SUM GEQ INV R (MONI) PAD L R
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Panel 1 0 9 8 7 MIC IN LINE IN SUB IN +4dB TAPE IN –10dBV REC OUT –10dBV ST OUT +4dB 1 23456 L L L L R R R R AUX RETURN –10dB AUX SEND +4dB MONI OUT +4dB LINE IN 7L 9L 11L 13L 1L 2L 1 L MONO MONO MONO MONO MONO MONO 1 2 3 4 5 6 8R 10R 12R 14R 1R 2R 2 R 2 3 5 4 6 1 MIC IN Phantom Power Warning These are XLR type connectors to which microphones can To prevent hazard or damage, connect only be connected (1: GND, 2: hot, 3: cold). The nominal im- microphones and cables that conform to the IEC288-15A
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Application Example Front of House Main Speakers Stage Monitors Power Amp Graphic EQ Power Amp Effects Processor AUX SEND1 AUX RETURN L/R STEREO OUT AUX SEND2 Cassette Recorder REC OUT L/R CD Player TAPE IN L/R MIXER Headphones MIC IN LINE IN LINE IN HEAD PHONES L/R L/R Line Level Sources Mics Guitar Effect Processor 7
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Specifications General Specifications Maximum output level +20dB* (ST OUT L/R) @600Ω , 0.5% THD at 1kHz +20dB* (AUX SEND 1–2) @600Ω , 0.5% THD at 1kHz Total harmonic distortion < 0.1% @+14dB* 20Hz–20kHz (ST OUT L/R @600Ω , AUX SEND 1–2 @600Ω ) Frequency response 20Hz–20kHz +1dB, –2dB @+4dB* (ST OUT L/R @600Ω , AUX SEND 1–2 @600Ω ) Hum and noise –127dB* Equivalent input noise (INPUT 1–6) (Average, Rs=150Ω ) –95dB* Residual output noise (ST OUT L/R @600Ω , AUX SEND 1–2 @600Ω ) (20Hz–20kHz) –78dB
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3.9 H:104.9 93.4 7.6 78.5 Input Specifications Input level Gain Input Nominal Maximum non- Input Connector type Trim impedance impedance Sensitivity Nominal level clipping level MAX 2.5kΩ 50–600Ω –80dB –60dB –40dB XLR-3-31 type MIC IN microphone (77.5µ V) (775µ V) (7.75mV) Balanced 1=GND (1–6) MIN –34dB –14dB +6dB 2=hot (15.5mV) (0.155V) (1.55V) 3=cold MAX 47kΩ 600Ω line –56dB –36dB –16dB Phone jack LINE IN (1.23mV) (12.3mV) (0.123V) Balanced T=hot (1–6) MIN –10dB +10dB +30dB R=cold (0.245V) (
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Block and Level Diagrams PHANTOM OFF (+48V) ON (MIC IN) PHANTOM (PHANTOM) PEAK METER MIC IN HA EQ BA 1–6 PAN SUM GEQ INV L GAIN AUX 2 LINE IN PAD (MONI) 1–6 ST OUT AUX 1 +4dB METER (+V) SUM GEQ INV PFL R (MONI) PAD HA EQ BA L L MONO +4dB REC OUT –10dB –10dBV –20dB PAD BALANCE R LINE IN 7–14 SUM HA EQ BA 1 AUX SEND 1 R AUX SEND AUX 1 +4dB SUM 2 AUX SEND 2 (+V) (ST L) PFL PFL L HA BA L TAPE IN (ST R) TAPE IN TO MONI –10dBV MONITOR MONI OUT +4dB R HA BA R HA L/MONO SUM INV AUX RETURN
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MELANGEUR MANUEL D’INSTRUCTIONS Français
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Introduction Nous vous remercions d’avoir porté votre choix sur le mélangeur MM1402 de Yamaha. Le MM1402 vous propose 6 canaux MONO IN et 4 canaux STEREO IN, un total de 14 bornes donc. Il s’agit d’un mélangeur stéréo de type console adapté pour une large variété de sources d’entrée. Caractéristiques Les six canaux MONO IN ont deux types de bornes d’entrée: Bornes MIC IN de type XLR (variables de façon continue sur –14 ~ –60 dB, symétriques) et des prises casque LINE IN TRS (variables de façon
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Précautions 1. Emplacement 5. Coupez toujours l’alimentation avant de procéder à Ne placez pas l’appareil dans un endroit où il risque d’être des branchements exposé à des températures élevées ou une forte humidité N’oubliez jamais de mettre les appareils hors tension (évitez la proximité de radiateurs, poêles, etc). Evitez éga- avant de brancher ou de débrancher des câbles afin de ne lement les endroits poussiéreux ou soumis à des vibrations pas endommager l’appareil lui-même ainsi que le matér
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Panneau de commandes Section du contrôle de canal (section d’entrée mono) 1 Commande GAIN Utilisez ce bouton pour régler le niveau du signal d’entrée de manière opti- male. Pour obtenir le meilleur équilibre entre le rapport signal/bruit et la plage dyna- mique, réglez ce bouton de telle sorte que la diode de crête 5 s’allume spora- diquement. 1 Pour les micros branchés à la borne XLR, la plage est de –14dB ~ –60dB. –14 –60 GAIN Pour les entrées ligne branchées à la borne casque, la plage est
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(Section d’entrée stéréo) 8 Sélecteur GAIN Utilisez ce commutateur pour régler la sensibilité de l’entrée en fonction du niveau d’entrée du signal. Pour obtenir le meilleur équilibre entre le rapport signal/bruit et la plage dyna- mique, réglez ce commutateur de telle sorte que la diode de crête B s’allume sporadiquement. 8 +4dB –20dB –10dB 9 Egaliseur HIGH, LOW (2 bandes) Ces boutons commandent l’égalisation de l’aigu du grave au fréquences sui- vantes. HIGH: 12kHz, effet maximum ±15dB –15 +1
