Inhaltszusammenfassung zur Seite Nr. 1
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PPM1012
12-Channel, 2 x 800 W Professional Powered Mixer
1+ 1+
1 1
OWNER’S MANUAL
L
L
1 1 L LAMP
12V 0.5A
L
R
IN OUT FX
2 2 R
FOOTSWITCH
MIC 1 MIC 2 MIC 3 MIC 4 MIC 5 MIC 6 MIC 7 MIC 8 MON SEND FX SEND TAPE MAIN INSERT
TIP: FX1
RING: FX2
R
R
HI-Z HI-Z
LINE LINE LINE LINE LINE LINE LINE LINE L L L L
(BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (MONO) (MONO) (MONO) (MONO)
PHONES
M MAX
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Important Safety Instructions 1. Read these instructions. 20. NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC 2. Keep these instructions. Rules. These limits are designed to provide reasonable protection 3. Heed all warnings. against harmful interference in a residential installation. This equip- 4. Follow all instructions. ment generates, uses, and can radiate radio frequency energy and, if 5. Do not use
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Owner’s Manual Don’t use guitar cords for speaker cables! They’re not designed to handle speaker-level Read This Page! signals and could overheat. We realize that you must be really keen to try out your new powered mixer. Please Set the levels read the safety instructions on page 2 and this page, and the rest can wait until It’s not even necessary to hear what you’re doing to you’re ready. But please read it — you’ll be glad you did. set optimal levels. But if you’d like to: Plug headphon
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� Two independent internal FX processors, each with 24 Running Man 32-bit effects with input Introduction gain, tap delay, and mute/unmute Thank you for choosing a Mackie PPM1012 profes- � Footswitch connection for FX mute/unmute sional powered mixer. This powerful mixer is designed � 9-band, constant-Q, graphic EQ on main mix, to meet the needs of almost any small to medium-sized assignable to monitor 2 club/meeting room/sanctuary/outdoor gathering. � 9-band, constant-Q, graphic EQ on mo
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Owner’s Manual Contents IMPORTANT SAFETY INSTRUCTIONS ........................ 2 40. CHANNEL FADER ....................................20 READ THIS PAGE! .................................................... 3 41. SOLO .....................................................20 INTRODUCTION ...................................................... 4 MASTER CONTROLS HOOKUP DIAGRAMS............................................... 6 42. POWER LED ...........................................21 FEATURES ....
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N N N N N N N N I I I I I I I I A A A A A A A A G G G G G G G G Hookup Diagrams Microphones Portable Recorder L L 1 1 L LAMP 12V 0.5A 2 X 800W PROFESSIONAL POWERED M L R 2 2 IN OUT R FX FOOTSWITCH SPEAKER OUT SPEAKER OUT MIC 1 MIC 2 MIC 3 MIC 4 MIC 5 MIC 6 MIC 7 MIC 8 MON SEND FX SEND TAPE MAIN INSERT TIP: FX1 RING: FX2 A B R R HI-Z HI-Z LINE LINE LINE LINE LINE LINE LINE LINE L L L L (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (MONO) (MONO) (M
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Owner’s Manual N N N N N N N N I I I I I I I I A A A A A A A A G G G G G G G G Acoustic Guitar Microphones and Mic L L 1 1 L LAMP 12V 0.5A 2 X 800W PROFESSIONAL POWERED MIXER L R 2 2 IN OUT R FX FOOTSWITCH SPEAKER OUT SPEAKER OUT MON SEND FX SEND TAPE MAIN INSERT MIC 1 MIC 2 MIC 3 MIC 4 MIC 5 MIC 6 MIC 7 MIC 8 TIP: FX1 RING: FX2 A B R R HI-Z HI-Z LINE LINE LINE LINE LINE LINE LINE LINE L L L L (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (MONO)
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N N N N N N N N I I I I I I I I A A A A A A A A G G G G G G G G Wireless Microphone Microphones Wireless Mic Receiver L L 1 1 L LAMP 12V 0.5A 2 X 800W PROFESSIONAL POWE L R 2 2 IN OUT R FX SPEAKER OUT SPEAKER OUT MAIN INSERT FOOTSWITCH MIC 1 MIC 2 MIC 3 MIC 4 MIC 5 MIC 6 MIC 7 MIC 8 MON SEND FX SEND TAPE TIP: FX1 RING: FX2 A B R R HI-Z HI-Z LINE LINE LINE LINE LINE LINE LINE LINE L L L L (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (MONO) (MONO)
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Owner’s Manual N N N N N N N N I I I I I I I I A A A A A A A A G G G G G G G G Microphones L L 1 1 L LAMP 12V 0.5A 2 X 800W PROFESSIONAL POWERED MIXER L R IN OUT FX 2 2 R FOOTSWITCH SPEAKER OUT SPEAKER OUT MIC 1 MIC 2 MIC 3 MIC 4 MIC 5 MIC 6 MIC 7 MIC 8 MON SEND FX SEND TAPE MAIN INSERT TIP: FX1 RING: FX2 A B R R HI-Z HI-Z LINE LINE LINE LINE LINE LINE LINE LINE L L L L (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (MONO) (MONO) (MONO) (MONO) PHO
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PPM1012 Features 2 X 800W PROFESSIONAL POWERED MIXER 3 3 2 SPEAKER OUT SPEAKER OUT POWER A B THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES AND THE ICES-003 FOR CANADA. OPERATION IS SUBJECT TO THE FOLLOWING AVIS: RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR TWO CONDITIONS: (1) THIS DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND (2) THIS WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC DEVICE MUST ACCEPT ANY INTERFERENCE SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR RECEIVED, INCLUDING INTERFER
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Owner’s Manual 1+ 1+ 1 1 10 11 13 14 21 L L 1 1 L LAMP 12V 0.5A 15 L 5 16 16 R 20 IN OUT FX 2 2 R FOOTSWITCH MAIN INSERT MIC 1 MIC 2 MIC 3 MIC 4 MIC 5 MIC 6 MIC 7 MIC 8 MON SEND FX SEND TAPE TIP: FX1 RING: FX2 R R 6 18 7 HI-Z 7 HI-Z LINE LINE LINE LINE LINE LINE LINE LINE L L L L (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (MONO) (MONO) (MONO) (MONO) PHONES 8 8 12 12 17 11 19 M MAX R R R R INSERT INSERT INSERT INSERT INSERT INSERT INS
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1+ 1+ 1 1 10 11 13 14 21 L L 1 1 L LAMP 12V 0.5A 15 5 L 16 16 R 20 IN OUT FX 2 2 R FOOTSWITCH MIC 1 MIC 2 MIC 3 MIC 4 MIC 5 MIC 6 MIC 7 MIC 8 MON SEND FX SEND TAPE MAIN INSERT TIP: FX1 RING: FX2 R R 18 6 7 HI-Z 7 HI-Z LINE LINE LINE LINE LINE LINE LINE LINE L L L L (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (MONO) (MONO) (MONO) (MONO) PHONES 8 12 12 8 17 9 19 M MAX INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT R R R R M LEVE
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Owner’s Manual 12. FX RTN 1 and FX RTN 2 16. MAIN OUTPUTS These 1/4" TRS input connectors allow you to add These balanced 1/4" TRS and XLR outputs supply the the stereo processed output from external effects stereo main mix at line-level. You can connect these processors to the main mix. Adjustment of the incom- outputs to the line-level inputs of external power ampli- ing signals is made with the FX return faders [57]. The fi ers running passive loudspeakers, or to the inputs of signals can
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1+ 1+ 1 1 10 11 13 14 21 L L 1 1 L LAMP 12V 0.5A 15 5 L 16 16 R 20 IN OUT FX 2 2 R FOOTSWITCH MIC 1 MIC 2 MIC 3 MIC 4 MIC 5 MIC 6 MIC 7 MIC 8 MON SEND FX SEND TAPE MAIN INSERT TIP: FX1 RING: FX2 R R 18 6 7 HI-Z 7 HI-Z LINE LINE LINE LINE LINE LINE LINE LINE L L L L (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (BAL/UNBAL) (MONO) (MONO) (MONO) (MONO) PHONES 8 12 12 8 17 9 19 M MAX INSERT INSERT INSERT INSERT INSERT INSERT INSERT INSERT R R R R M LEVE
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Owner’s Manual N N N N N N N N I I I I I I I I A A A A A A A A G G G G G G G G 1+ 1+ 1 1 Channel Controls The 10 vertical channel strips look very similar, and Stereo Channels 9/10 and 11/12 have a only few differences between them. Each chan- � Channels 9/10 and 11/12 are stereo channels, nel works independently, and just controls the signals and their controls affect signals coming into the plugged into the inputs directly above it. stereo line-level inputs 1 1 � The stereo channel EQ is a
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N N N N N N I I I I I I A A A A A A G G G G G G 1+ 1+ 1 1 23. GAIN CONTROL 1 2345 U U U U U If you haven’t already, please read the level-setting 23 procedure on page 3. 0 +50 0 +50 0 +50 0 +50 0 +50 -20dB +30dB -20dB +30dB -20dB +30dB -20dB +30dB -20dB +30dB GAIN GAIN GAIN GAIN GAIN LOW CUT LOW CUT LOW CUT LOW CUT LOW CUT 100 Hz 100 Hz 100 Hz 100 Hz 100 Hz The gain knobs adjust the input sen- U 24 COMP COMP COMP COMP COMP sitivity of the mic and line inputs. This 25 allows signals from th
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Owner’s Manual 25. COMPRESSOR (Channels 1–6 only) +20 Channels 1 to 6 have an in-line compressor circuit with a variable threshold. This is very useful for com- +15 pression of vocals, and snare drums for example, so you might consider connecting your microphones and drum mics to channels 1 to 6, rather than other channels. +10 When the incoming signals exceed the threshold level +5 set by this knob, the signal level is automatically com- pressed. This reduces the dynamic range, and reduces
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N N N N N N N N I I I I I I I I A A A A A A A A G G G G G G G G 1+ 1+ 1 1 1 2345678 9/10 11/12 U U U U U U U U U U 23 0 +50 0 +50 0 +50 0 +50 0 +50 0 +50 0 +50 0 +50 -20 +20 -20 +20 -20dB +30dB -20dB +30dB -20dB +30dB -20dB +30dB -20dB +30dB -20dB +30dB -20dB +30dB -20dB +30dB GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN LOW CUT LOW CUT LOW CUT LOW CUT LOW CUT LOW CUT LOW CUT LOW CUT 100 Hz 100 Hz 100 Hz 100 Hz 100 Hz 100 Hz 100 Hz 100 Hz 24 COMP COMP COMP COMP COMP COMP 26 26 HI-Z HI-Z
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Owner’s Manual 32. LOW EQ 27. HIGH EQ +15 +15 The low EQ provides up to 15 The high EQ provides up to 15 +10 +10 dB of boost or cut below 80 Hz. dB of boost or cut above 12 kHz, +5 +5 The circuit is fl at (no boost or 0 and it is also fl at at the detent. 0 –5 –5 cut) at the center detent posi- Use it to add sizzle to cymbals, –10 –10 tion. This frequency represents an overall sense of transpar- –15 –15 20Hz 100Hz 1kHz 10kHz 20kHz 20Hz 100Hz 1kHz 10kHz 20kHz the punch in bass drums, bass en
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37. PAN 41. SOLO For the mono channels (1 to 8) this control allows you Whenever a solo switch is engaged, you will only hear to adjust how much of the channel signal goes to the the soloed channel(s) in the headphones. This gives you left main mix, and how much goes to the right main mix. the opportunity to audition the channels before they are It has no effect on the aux, as these are mono. In the added to the main mix. center position, the mono channel is split equally to the You can als
