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A-PRO_g_e.book 1 ページ ２０１０年５月２６日 水曜日 午後３時４６分
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English
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A-PRO_g_e.book 3 ページ ２０１０年５月２６日 水曜日 午後３時４６分 Control Map Guide When shipped from the factory, the A-300PRO/500PRO/800PRO (referred to simply as If this list does not contain a control map for the software or hardware you’re using, “the A-PRO” in the following) contains 19 control maps. By making use of these control check the Roland website to see whether a suitable control map might be available. maps, you can easily set up the A-PRO to control your software or hardware. Roland
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A-PRO_g_e.book 4 ページ ２０１０年５月２６日 水曜日 午後３時４６分 Control Map Guide Cubase If you’re using Cubase, make the following settings. The explanation here uses the Mac OS X version of Cubase 5 as an example. The procedure might differ if you’re using a different version. Operation of the A-PRO 1 Choose PLAY mode (see “Performing (Play mode)” in the owner’s manual.) Functions Assigned to the Controllers Operation of the A-PRO 2 Press the [ ] button or [ ] button to move Refer to p.
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A-PRO_g_e.book 5 ページ ２０１０年５月２６日 水曜日 午後３時４６分 Control Map Guide Logic Pro If you’re using Logic Pro, make the following settings. The explanation here uses Logic Pro 9 as an example. The procedure might differ if you’re using a different version. 1 Start up Logic Pro 9. Functions Assigned to the Controllers Operation of the A-PRO 2 Choose PLAY mode (see “Performing (Play mode)” in the owner’s manual.) Refer to p. 9 and p. 10. Operation of the A-PRO 3 Press the [ ] button
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A-PRO_g_e.book 6 ページ ２０１０年５月２６日 水曜日 午後３時４６分 Control Map Guide Digital Performer If you’re using Digital Performer, make the following settings. The explanation here uses Digital Performer 7 as an example. The procedure might differ if you’re using a different version. Operation of the A-PRO 1 Choose PLAY mode (see “Performing (Play mode)” in the owner’s manual.) Functions Assigned to the Controllers Operation of the A-PRO 2 Press the [ ] button or [ ] button to move
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A-PRO_g_e.book 7 ページ ２０１０年５月２６日 水曜日 午後３時４６分 Control Map Guide Live If you’re using Live, make the following settings. The explanation here uses Live 8 as an example. The procedure might differ if you’re using a different version. Operation of the A-PRO 1 Choose PLAY mode (see “Performing (Play mode)” in the owner’s manual.) Functions Assigned to the Controllers Operation of the A-PRO 2 Press the [ ] button or [ ] button to move Refer to p. 11. the cursor to “CTR
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A-PRO_g_e.book 8 ページ ２０１０年５月２６日 水曜日 午後３時４６分 Control Map Guide GarageBand If you’re using GarageBand, make the following settings. The explanation here uses GarageBand ’09 as an example. The procedure might differ if you’re using a different version. Operation of the A-PRO 1 Choose PLAY mode (see “Performing (Play mode)” in the owner’s manual.) Functions Assigned to the Controllers Operation of the A-PRO 2 Press the [ ] button or [ ] button to move Refer to p. 11
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A-PRO_g_e.book 9 ページ ２０１０年５月２６日 水曜日 午後３時４６分 Control Map List Cubase (Control Map #1–3) Logic Pro (Control Map #4–8) 1. Cubase 2. Cubase 3. Cubase 1. Cubase 2. Cubase 3. Cubase 4. Logic 5. Logic 6. Logic 7. Logic 8. Logic SOLO MUTE RECORD SOLO MUTE RECORD SOLO MUTE RECORD GLOBAL INITIALIZE R1 ROTARY ENCODER 1 A7 SOLO 7 MUTE 7 RECORD 7 R1 ROTARY ENCODER 1 NO ASSIGN R2 ROTARY ENCODER 2 A8 SOLO 8 MUTE 8 RECORD 8 R2 ROTARY ENCODER 2 NO ASSIGN R3 ROTARY ENCODER 3 B1 BANK LEFT R3 ROTARY ENCODE
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A-PRO_g_e.book 10 ページ ２０１０年５月２６日 水曜日 午後３時４６分 Control Map List . Logic Pro (Control Map #4–8) Digital Performer (Control Map #9–11) 4. Logic 5. Logic 6. Logic 7. Logic 8. Logic 9. DP 10. DP 11. DP 9. DP 10. DP 11. DP SOLO MUTE RECORD GLOBAL INITIALIZE SOLO MUTE RECORD SOLO MUTE RECORD GLOBAL - R1 ROTARY ENCODER 1 B1 BANK LEFT A5 SOLO 5 MUTE 5 RECORD 5 NO ASSIGN INPUT R2 ROTARY ENCODER 2 B2 BANK RIGHT GLOBAL - A6 SOLO 6 MUTE 6 RECORD 6 NO ASSIGN OUTPUT R3 ROTARY ENCODER 3 B3 NO ASSIGN
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A-PRO_g_e.book 11 ページ ２０１０年５月２６日 水曜日 午後３時４６分 Control Map List Live (Control Map #12–14) GarageBand (Control Map #15) R1 NO ASSIGN B1 NO ASSIGN 12. Live 13. Live 14. Live 12. Live 13. Live 14. Live SOLO MUTE RECORD SOLO MUTE RECORD R2 NO ASSIGN B2 NO ASSIGN R1 ROTARY ENCODER 1 B1 BANK LEFT R3 NO ASSIGN B3 NO ASSIGN R2 ROTARY ENCODER 2 B2 BANK RIGHT R4 NO ASSIGN B4 NO ASSIGN R3 ROTARY ENCODER 3 B3 ARRANGE/SESSION VIEW SW R5 NO ASSIGN L1 NO ASSIGN R4 ROTARY ENCODER 4 B4 FLIP R6 NO ASSIGN
Inhaltszusammenfassung zur Seite Nr. 12
A-PRO_g_e.book 12 ページ ２０１０年５月２６日 水曜日 午後３時４６分 Control Map List GM2 (Control Map #16) SD-50 (Control Map #17) R1 FILTER CUT OFF B1 GM2 SYSTEM ON R1 NO ASSIGN B1 VARIATION 1 R2 FILTER RESONANCE B2 PORTAMENT R2 NO ASSIGN B2 VARIATION 2 R3 VIBRATO RATE B3 SOFT R3 NO ASSIGN B3 PORTAMENT SW R4 VIBRATO DEPTH B4 SOSTENUTO R4 NO ASSIGN B4 BENDER MODE R5 VIBRATO DELAY L1 PROGRAM CHANGE DEC R5 NO ASSIGN L1 PIANO R6 COARSE TUNE L2 PROGRAM CHANGE INC R6 NO ASSIGN L2 SHAKUHACHI R7 FINE TUNE L3 MONO MODE
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A-PRO_g_j.book 13 ページ ２０１０年５月２６日 水曜日 午後３時４６分
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A-PRO_g_j.book 16 ページ ２０１０年５月２６日 水曜日 午後３時４６分
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A-PRO_g_j.book 19 ページ ２０１０年５月２６日 水曜日 午後３時４６分 1. Cubase 2. Cubase 3. Cubase 1. Cubase 2. Cubase 3. Cubase 4. Logic 5. Logic 6. Logic 7. Logic 8. Logic SOLO MUTE RECORD SOLO MUTE RECORD SOLO MUTE RECORD GLOBAL INITIALIZE R1 ROTARY ENCODER 1 A7 SOLO 7 MUTE 7 RECORD 7 R1 ROTARY ENCODER 1 NO ASSIGN R2 ROTARY ENCODER 2 A8 SOLO 8 MUTE 8 RECORD 8 R2 ROTARY ENCODER 2 NO ASSIGN R3 ROTARY ENCODER 3 B1 BANK LEFT R3 ROTARY ENCODER 3 NO ASSIGN R4 ROTARY ENCODER 4 B2 BANK RIGHT R4 ROTARY ENCODER 4 NO AS
Inhaltszusammenfassung zur Seite Nr. 20
A-PRO_g_j.book 20 ページ ２０１０年５月２６日 水曜日 午後３時４６分 . 4. Logic 5. Logic 6. Logic 7. Logic 8. Logic 9. DP 10. DP 11. DP 9. DP 10. DP 11. DP SOLO MUTE RECORD GLOBAL INITIALIZE SOLO MUTE RECORD SOLO MUTE RECORD GLOBAL - R1 ROTARY ENCODER 1 B1 BANK LEFT A5 SOLO 5 MUTE 5 RECORD 5 NO ASSIGN INPUT R2 ROTARY ENCODER 2 B2 BANK RIGHT GLOBAL - A6 SOLO 6 MUTE 6 RECORD 6 NO ASSIGN OUTPUT R3 ROTARY ENCODER 3 B3 NO ASSIGN GLOBAL - R4 ROTARY ENCODER 4 B4 FLIP A7 SOLO 7 MUTE 7 RECORD 7 NO ASSIGN MIDI R5 ROTAR
