Sound Performance Lab Vox Ranger Graphic Equalizer For The Vocal Range 2718 user manual

User manual for the device Sound Performance Lab Vox Ranger Graphic Equalizer For The Vocal Range 2718

Device: Sound Performance Lab Vox Ranger Graphic Equalizer For The Vocal Range 2718
Category: Stereo Equalizer
Manufacturer: Sound Performance Lab
Size: 1.42 MB
Added : 5/7/2013
Number of pages: 20
Print the manual

Download

How to use this site?

Our goal is to provide you with a quick access to the content of the user manual for Sound Performance Lab Vox Ranger Graphic Equalizer For The Vocal Range 2718. Using the online preview, you can quickly view the contents and go to the page where you will find the solution to your problem with Sound Performance Lab Vox Ranger Graphic Equalizer For The Vocal Range 2718.

For your convenience

If looking through the Sound Performance Lab Vox Ranger Graphic Equalizer For The Vocal Range 2718 user manual directly on this website is not convenient for you, there are two possible solutions:

  • Full Screen Viewing - to easily view the user manual (without downloading it to your computer), you can use full-screen viewing mode. To start viewing the user manual Sound Performance Lab Vox Ranger Graphic Equalizer For The Vocal Range 2718 on full screen, use the button Fullscreen.
  • Downloading to your computer - You can also download the user manual Sound Performance Lab Vox Ranger Graphic Equalizer For The Vocal Range 2718 to your computer and keep it in your files. However, if you do not want to take up too much of your disk space, you can always download it in the future from ManualsBase.
Sound Performance Lab Vox Ranger Graphic Equalizer For The Vocal Range 2718 User manual - Online PDF
Advertisement
« Page 1 of 20 »
Advertisement
Print version

Many people prefer to read the documents not on the screen, but in the printed version. The option to print the manual has also been provided, and you can use it by clicking the link above - Print the manual. You do not have to print the entire manual Sound Performance Lab Vox Ranger Graphic Equalizer For The Vocal Range 2718 but the selected pages only. paper.

Summaries

Below you will find previews of the content of the user manuals presented on the following pages to Sound Performance Lab Vox Ranger Graphic Equalizer For The Vocal Range 2718. If you want to quickly view the content of pages found on the following pages of the manual, you can use them.

Abstracts of contents
Summary of the content on the page No. 1

Manual









































Vox Ranger
RackPack Module, Model 2718
Graphic Equalizer For The Vocal Range





Summary of the content on the page No. 2

Manual Vox Ranger Model 2718 Version 1.0 – 6/2008 Designer: Wolfgang Neumann This user‘s guide contains a description of the product. It in no way represents a guarantee of particular characteristics or results of use. The information in this document has been carefully compiled and verified and, unless otherwise stated or agreed upon, correctly describes the product at the time of packaging with this document. Sound Performance Lab (SPL) continuously strives to improve its products and res

Summary of the content on the page No. 3

Content Important Safety Information ..................................... 4 Hook Up ............................................................. 6 Scope Of Delivery ................................................... 6 Introduction ......................................................... 7 Rear Panel/Connections ........................................... 8 Wiring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 XL

Summary of the content on the page No. 4

Important Security Information Please note and retain this information. Carefully read and follow all of the safety and operating instructions before you use the machine. Be doubly careful to follow all warnings and special safety instructions noted in this manual and on the unit. The following information refers to modules built into the RackPack frame. Connections: Only use the connections as described. Other connec- tions can lead to health risks and equipment damage. Water And Humidity:

Summary of the content on the page No. 5

Important Security Information Lightning: Before thunderstorms or other severe weather, disconnect the machine from wall power (but to avoid life threatening lightning strikes, not during a storm). Similarly, before any severe weather, dis- connect ALL the power connections of other machines and antenna and phone/internet cables which may be interconnected so that no light- ning damage or overload results from such secondary connections. Air Circulation: Chassis openings offer ventilation and

Summary of the content on the page No. 6

Hook Up Fitting A Module The fitting and/or exchange of modules should only be carried out by qualified persons. Please read the manual of the RackPack frame. It contains all information needed to fit a module as well as all safety and notes and warnings. If you don‘t have the manual at hand, you can download it like all SPL product manuals from our website. Symbols And Notes IN THIS MANUAL A LIGHTNING SYMBOL WITHIN A TRIANGLE WARNS YOU ABOUT THE POTENTIAL FOR DANGEROUS ELECTRICAL SHOCKS –

Summary of the content on the page No. 7

Introduction The Vox Ranger EQ Module is a graphic equalizer for the vocal range with passive coil filters in eight bands. It employs bell filters, each with individually optimized bandwidths, boost and cut values. The concept of the Ranger EQs for the RackPack modular system is characterized by two decisive features that separate them from tradi- tional designs. First there is the basic idea of specialized modules for typical instrument or vocal ranges. This follows a consistently musi-

Summary of the content on the page No. 8

Rear Panel/Connections Wiring 8 RackPack: Vox Ranger

Summary of the content on the page No. 9

Rear Panel/Connections XLR Sockets, Transformers, Channel Split The Vox Ranger is fitted with one XLR input and two XLR outputs for balanced operation. Pin-wiring of all XLR sockets: Pin 1 = GND, Pin 2 = hot (+), Pin 3 = cold (-) Discrete balancing stages for both in- and output provide high common mode rejection and are capable of driving long cables (depending on the capacity of the cables and the following input balancing stages). The illustration shows the correct pin-wiring of the bala

Summary of the content on the page No. 10

Control Elements ON, LED Display ON With the ON button you can turn the device on or off. The ON button is illuminated when the device is active. Relay hard bypass circuits ensure signals to be directly switched from input to output in the case power failures – this “Power Fail Safety“ feature guarantees signal flow in any situation. Signal LED The SIG. LED indicates that an audio signal re

Summary of the content on the page No. 11

Control Elements OUTPUT, Fader OUTPUT Stage With the OUTPUT control you can readjust levels that were changed by previous EQ settings. For example, if you have by and large applied cut values to the signal, the overall output level can be lifted again to meet the input level’s value. The same of course applies vice versa: simply lower the output to com- pensate for boosts that may result from your

Summary of the content on the page No. 12

Control Elements The Eight EQ Bands Each filter is designed as bell filter with individually optimized band- widths and boost/cut values. Each filter is regulated by a fader con- trol. The frequency range around the center frequency can be boosted (fader to the right into direction “+”) or can be cut (fader to the left into direction “-”) directly. Here is a short list with examples for setting each

Summary of the content on the page No. 13

Control Elements Diagram Of Filter Curves RackPack: Vox Ranger 13 The diagram shows the different filter characteristics. The lower bands have relatively narrow bandwidths for fundamental tones. The upper bands have broader bandwidths to process groups of overtones in common.

Summary of the content on the page No. 14

EQ Table Instrument Frequency up to +/- Effect All 0 35 - cut sub harmonics All 50 + fuller sound deep instruments All 50 - reduces boomy sounds of d. instruments All 100 + harder bass deep instruments All 150 250 +/- warmth, reduces pulpy sound of d. instr. All 500 1,7K + bass definition, phone sound, presence All 1700 8K +/- sharp sounds, intelligibility, attacks All 8000 20K + more air, transparency, brighter, hi-fi All 12000 20K - red. noise/hiss, digital “S“ sounds Bass 50 60 - improves ass

Summary of the content on the page No. 15

EQ Table x Vocals 0 150 - avoids collision with bass and kick Vocals 100 140 + fills deep vocals Vocals 180 300 - slenderizes spoken voices Vocals 200 - reduces pulp in vocals Vocals 200 350 + belly of vocals Vocals 200 400 - clarity Vocals 300 400 + more warmth, full-bodied Vocals 600 +/- foundation Vocals 1,8K 4K + presence; vocals up front Vocals 3K 4K + lead vocals up front/more clarity Vocals 3K 4K - more air in backings Vocals 3K - masks wrong intonation Vocals 4K 6K + singing voices: more

Summary of the content on the page No. 16

Operation EQ Principles First cut, then boost: The hearing system is more used to energy reductions in a frequency range, thus boosts attract more attention. That is, a 6 dB boost is perceived to be similar in amount to a 9 dB cut. Therefore when wishing to emphasize one frequency, it is typi- cally better first to consider a reduction in others. The result will bring more transparency and clarity as well as reduce possible unwanted coloration of the signal. Boost harmonics: Harmonic enha

Summary of the content on the page No. 17

Technology Bell Filters, Passive Filters, Advantages of Passive Filters Bell Filters A bell filter boosts or cuts a chosen frequency‘s energy with a maxi- mum amplitude and a definable frequency range around this fre- quency with a fall off of up to 3 dB to both sides. The chosen frequency with the maximum amplitude is called center frequency—it takes place in the middle at the peak of the response curve. The response curve forms a bell, but bell filters are also often referred to as peak f

Summary of the content on the page No. 18

Specifications Audio Frequency Range: 10 Hz-30.000 Hz CMR@ 1kHz: -85 dBu @ 100 Hz, -80 dBu @1 kHz THD @ 1kHz: 0,03% @ 0 dBu/0,01% @ +10 dBu Noise, A-weighted: -83 dBu Dynamic Range: › 107 dB Fast Fourier Transformation (FFT): › -85 dBu (@ 1 kHz) Input XLR connection, electronically balanced (optionally transformer-balanced) Impedance: balanced ›20kOhm/unbal. ›10kOhm Max. Input Level: +22 dBu Outputs Output 1: XLR connection, electronically balanced (optionally transformer-balanced) Impedan

Summary of the content on the page No. 19

Copy Master: Recall Settings Artist: ........................................... Album: ........................................... Title: ........................................... Engineer: ........................................... Track(s)/Group(s): ........................................... Date: ........................................... RackPack: Vox Ranger 19

Summary of the content on the page No. 20

Option Lundahl Transformers As an option, the DynaMaxx RackPack module can be fitted with input and output transformers from Lundahl. The transformer options can only be ordered by purchase, a later upgrade is not possible. Information On Lundahl I/O Transformers Transformers have a pleasant sound characteristic, especially the low end sounds rounder and more full-bodied. The top end benefits from a softer and silky atmosphere without being emphasized. Further advantages are aspects of impr


Alternative user manuals
# User manual Category Download
1 Sound Performance Lab 2376 User manual Stereo Equalizer 1
2 Sound Performance Lab Classic Vitalizer 9215 User manual Stereo Equalizer 5
3 Sound Performance Lab 9530 User manual Stereo Equalizer 1
4 Sound Performance Lab 9320 User manual Stereo Equalizer 1
5 Sound Performance Lab MixDreamXP Model 2591 User manual Stereo Equalizer 1
6 Sound Performance Lab Audio Equalizer 9629 User manual Stereo Equalizer 1
7 Sound Performance Lab Loudness Maximizer 9632 User manual Stereo Equalizer 0
8 Sound Performance Lab EQ MAGIX User manual Stereo Equalizer 0
9 Sound Performance Lab Surround Monitor Controller 2489 User manual Stereo Equalizer 1
10 Sound Performance Lab 9319 User manual Stereo Equalizer 0
11 Sound Performance Lab 2048 User manual Stereo Equalizer 1
12 Ashly MQX-1310 User manual Stereo Equalizer 4
13 Ashly PQX-571 User manual Stereo Equalizer 6
14 Aphex Systems Broadcast Audio Processor 2020Mk II User manual Stereo Equalizer 1
15 Alesis DEQ224 User manual Stereo Equalizer 13
16 Alesis DEQ830 User manual Stereo Equalizer 337